You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Sunday, July 2, 2023

Of families, friends, and reunions

The importance of reconnections


Angel Thoughts

This is a tense week for some of us the Mayon volcano watchers (my beloved was a Bicolano, that's why I love the province) and the activities of the perfect cone-shape natural wonder is worrisome. But we can only hope she will not blow, at least, anytime soon.

Another worry is Taal volcano in Tagaytay which is visible from my home on the ridge, as it is puffing out plumes of smoke, PhiVolcs says. Let us pray for a ceasefire from both volcanoes!

Now, our take on the new Tourism slogan for the country. “Love the Philippines” from Its more fun in the Philippines. Sounds like a logical cry of approval from tourists, right? After experiencing our beautiful beaches, waterfalls, islands, delicious food, friendly natives, historical churches and landmarks, our native culture, and fantastic scenery, this is the only conclusion for our country.

Love the Philippines—Approved!

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From top left: Novic and Candy Dela Cruz, Jon Basco, Anna Abola, Junie Siytangco, Jennifer Ligones, Cynthia Simolde, Melai Feliciano, Rachel Ong, Anne Marie Abao, and KitKat Diestro; Next row from left: Carlo Malana and Marc Galido; not in photo: Eio Abola

These last days have also been hectic for our family as my eldest son, Ramon Amado, or Junie, came home from Vancouver to be with his lucky mom. He came in time to bring me down to the operating room with his sister Sandee, and helped me in being discharged from the hospital two days later. The paperwork and protocols are, as any former patient can tell you, horrific, but then again what a relief after all that hassle.  Whatever, it is such a relief to be home!

Our balikbayan, Junie, has been caught up in a happy whirlwind of reunions with friends, classmates, and relatives. His wife, Coralyn was here earlier than he and they just switched places after she went home to Vancouver.

DLSU (De La Salle University) Volleyball Alumni Men's and Women's Team 1986 to 1990 Reunion at XO 46 Century Mall. One of the reunions, Junie was with his former co-players of De La Salle University (DLSU) men's and women's volleyball teams. The group which remains very close to this day since their university playing days keep in touch with each other and always jumps at the opportunity to gather and catch up. And they enjoyed the food at XO 46 restaurant in Estancia mall. In between stories of past adventures and news of what has happened since they last met it was all fun talk, jokes and light banter. It went on until the mall had to close and still the group didn't want the night to end, they moved to a nearby bistro and deli to continue to be able to catch up and wait for others still to join them like Eio Abola and carried on until the bistro also had to close down. It was a most enjoyable night as friends who are family seem to be able to pick up where they left off even after a long time apart.

Some of Junie's co-players and classmates were familiar faces in our home in Paco, so it was a joy to see my son reconnect with them. Then our family got together with aunties and cousins from the Munson side at a sprawling venue like XO for a whole day of fun. The younger kids went swimming and the older ones sat around and had fun keeping up to date with their blood relatives. We had special guests Dr. Mina T Gabor, who is practically a family member already.

Also with us was Vancouver-based Edna Corrales and her granddaughter Zion Nelson, 23-year old star athlete and member of the PATAFA. More on this amazing athlete with three several degrees and M.As in a later column.

Zion swooned over the special “turon” prepared by Chef Tanya Dizon, banana- wrapped and sweetened with special sauce. She also approved “bibingkang malagkit” from Coralyn Barte's mom. Thanks, cumadre!

The clan spent a happy restful day, happy with the delicious food served non-stop, the sounds of the happy youngsters in the pool area, and the chatter of the tri-generatio guests around the sprawling sofas.

Symphony of Threads: Lucell Larawan's Captivating Fusion of Hybrid Painting and String Art

Lucell Larawan

Independent Copywriter Marketer/Visual Artist

In the vast realm of art, where creativity knows no bounds, a remarkable talent has emerged, captivating the attention of collectors, curators, enthusiasts, and connoisseurs. Today, we embark on a journey into the captivating world of Lucell Larawan, an artist whose extraordinary masterpieces transcend borders and captivate the imagination of art aficionados. 

A Visionary Artist

In the realm of artistic expression, Larawan stands as a visionary whose creations reflect a profound exploration of self and the world around him. With each painting, he renders a mesmerizing hybrid approach, incorporating geometric shapes, dots, and curves that fill every empty space. His art is a testament to his ability to seamlessly blend different elements, creating a harmonious fusion of form and concept. 

A Journey to Self-Expression

Larawan's art career has been marked by a relentless pursuit of self-expression and the desire to break free from the confines of societal expectations. Through his captivating paintings, he unleashes a world of intricate textures and multidimensional experiences. Each piece serves as a gateway to his unique perspective, inviting viewers to explore the depths of their own emotions and perceptions. 

Evolution of Artistry

Throughout his artistic journey, Larawan has continuously pushed the boundaries of his craft, refusing to settle for the ordinary. His paintings reveal a progressive evolution, with his earlier works showcasing hints of geometric shapes, dots, and curves that have now become signature elements of his distinct style. As his artistry evolves, he fearlessly embraces a new technique incorporating Cannon mercerized cotton string, ensuring that his recent creation is a testament to his growth and artistic exploration. 

Symbolism and Depth

In each meticulously crafted piece, Larawan weaves a tapestry of symbolism and meaning. The strategic placement of geometric shapes, dots, and curves creates a visual language that transcends traditional boundaries. Furthermore, the incorporation of string art, with strings crisscrossing through nails at the fringes of the painting, adds an intricate texture and a three-dimensional element that evokes a sense of depth and wonder. Through his art, Larawan invites viewers to ponder the interplay between structure and freedom, the complexities of existence, and the interconnectedness of our world.



A Wider Impact

While rooted in his personal experiences, Lucell Larawan's art transcends cultural boundaries and resonates with wide audiences. His captivating fusion of geometric artistry, infused with dots, curves, and string art, has garnered international acclaim, positioning him as a rising star. Collectors from some parts of the world eagerly seek to add a piece of Larawan's dynamic and thought-provoking art to their collections. 

A Moment of Recognition

In recognition of his exceptional talent, Larawan has recently been selected for an exclusive interview in a renowned international art magazine. This prestigious opportunity further solidifies his position as an artist of influence and creativity. The interview delves into the depths of his artistic process, shedding light on the inspiration and vision behind his captivating fusion of painting and string art. 

The Vision Unveiled

Today, we have the privilege of witnessing Larawan's artistic vision come to life. Each painting is a testament to his unwavering dedication to his craft and his ability to transport viewers to a realm where structure and imagination converge. As we stand in awe of his masterpieces, we are reminded of the transformative power of art—a power that unites us, challenges us, and offers a glimpse into the boundless realms of human creativity. 

A Journey Continues

As Larawan continues to shape his artistic legacy, his vision expands beyond the confines of the canvas. With each new creation, he invites us to question our perceptions, to embrace the beauty of intricate details, and to explore the depths of artistic possibilities. The limner’s unwavering commitment to pushing boundaries and forging new artistic paths promises a future filled with even more extraordinary works, destined to leave an indelible mark on the art world. 

In the realm of art, few names shine like Lucell Larawan. Through his captivating fusion, incorporating hints of geometric shapes, dots, curves, and mesmerizing string art, he has become a force to be reckoned with in the international art scene. With collectors, curators, enthusiasts, and connoisseurs eagerly awaiting his next creation, Lucell Larawan continues to transcend boundaries, inviting us all to embark on an artistic journey that is as captivating as it is transformative.

Lucell Larawan, an acclaimed Filipino artist, has received prestigious recognition for his work. He secured two finalist awards at the International Artist Grand Prize Championship (Art Revolution Taipei) in Taiwan and earned semi-finalist accolades at the national Metrobank Art and Design Excellence. Larawan has held seven solo exhibits at various museums and galleries of the Philippines, with his latest solo show supported by a grant from the National Commission for Culture and the Arts (NCCA) Gallery program. He has participated in group shows in Taiwan and the Philippines, while also contributing to indigenous art festivals as a trainer, curator, and hosting partner. His works have been reviewed by regional newspapers and featured in a high school book. Larawan's scholarly articles on art criticism and business have been published in international and local peer-reviewed journals, supported by universities and a grant from the National Commission for Culture and the Arts (NCCA). Currently, he serves as the chairman of the Committee on Visual Arts for the Bohol Art and Cultural Heritage council.






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“Portal to my dreams”; acrylic on canvas, mercerized cotton string, and boat nails; 2.5 x 2.5 ft., 2021







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“Melodies for biodiversity 2”; acrylic on canvas, mercerized cotton string, and boat nails; 1.9 x 1.6 ft., 2023









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“Sow a prayer 2”; acrylic on canvas, mercerized cotton string, and boat nails; 4 x 3 ft., 2022












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“Farm house series 3”; acrylic on canvas, mercerized cotton string, and boat nails; 4 x 3 ft., 2021








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“Dream of paradise, series 1”, acrylic on canvas, mercerized cotton string, and boat nails; 2 x 2 ft, 2021






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Saturday, July 1, 2023

Up to 4 cyclones may enter or form within PAR in July — PAGASA

BY ELLALYN DE VERA-RUIZ


AT A GLANCE

  • Cyclone tracks in July show that some are "landfalling," or passing through, the Philippines, while others are "recurving," or not directly affecting the country.

  • The names of the next tropical cyclones on PAGASA’s list are Dodong, Egay, Falcon, and Goring.
  • Although there are tropical cyclones that do not make landfall, some of them can intensify the effects of the southwest monsoon, also known as “habagat,” which may cause rains over the western parts of the country.

Three or four tropical cyclones may enter or develop within the Philippine area of responsibility (PAR) in July, said the Philippine Atmospheric, Geophysical and Astronomical Services Administration (PAGASA).

The names of the next tropical cyclones on PAGASA’s list are Dodong, Egay, Falcon, and Goring.

Based on the PAGASA’s climatological record, there are four potential cyclone tracks in July.

  • The cyclone does not make landfall because it recurves or moves away from the country;

  • Makes landfall over the country’s extreme northern Luzon islands;

  • Makes landfall and traverses the northern and central parts of Luzon;

  • Makes landfall and crosses the southern portion of Luzon.

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Tropical cyclone climatological tracks in July within the Philippine area of responsibility or PAR (PAGASA)

PAGASA noted that although there are tropical cyclones that do not make landfall, some of them can intensify the effects of the southwest monsoon, also known as “habagat,” which may cause rains over the western parts of the country.

Furthermore, PAGASA said that while an El Niño is expected to form, the country may still experience “near-to-above-normal” rainfall in most parts of Luzon and Visayas, as well as “near-normal” rainfall in Mindanao, with the exception of Davao del Sur, which may experience “below-normal” rainfall in July.

By August, the country may receive “near-normal” rainfall with patches of below-normal rainfall in some parts of Southern Luzon, Visayas, and Caraga.

In most parts of Luzon, the probability of above-normal rainfall is higher, except in Bicol Region, Visayas, and Mindanao, where the probability of below-normal rainfall is higher, PAGASA pointed out.

By September, most parts of Luzon, some parts of Visayas, and Central Mindanao may have near-normal rainfall, while the rest of the country may receive below-normal rainfall.

“[There is a] high probability for above-normal rainfall in most parts of northwestern Luzon, while the rest of the country has a high probability of below-normal rainfall,” PAGASA said.

Meanwhile, PAGASA said on June 27 that 66 provinces across the country may experience dry conditions by the end of the year.

By October, most of Luzon and Visayas may have below-normal rainfall, while most of Mindanao, with the exception of Caraga, may have near-normal rainfall, with a higher probability of below-normal rainfall (40 to 45 percent chance) in most parts of the country.

By November, below-normal rainfall may prevail in most of the country, except in some parts of Visayas and Mindanao, where near-normal rainfall is likely.

“[There is a] probability for below-normal rainfall (50-60 percent chance) in most parts of the country,” PAGASA said.

By December, most parts of Luzon may experience “way-below-normal” rainfall, while below-normal rainfall may affect the rest of the country.

Go renews call for creation of mandatory evacuation centers

BY MARIO CASAYURAN



AT A GLANCE

  • Senator Christopher Lawrence “Bong” Go has emphasized the urgent need for the establishment of mandatory evacuation centers throughout the country through his Senate Bill (SB) No. 193.


IMG_0170.jpegSenator Bong Go



Senator Christopher Lawrence “Bong” Go has emphasized the urgent need for the establishment of mandatory evacuation centers throughout the country through his Senate Bill (SB) No. 193.

Go stressed this after expressing his deep concern over the inadequate facilities for calamity victims especially during times of natural disasters, including typhoons, earthquakes, volcanic eruptions, and even fire incidents.

“I have filed this Mandatory Evacuation Center bill in the Senate. I have noticed that every time there is a typhoon, earthquake, volcanic eruption and other calamities, there are no decent evacuation centers for the affected Filipinos,” the senator lamented, drawing attention to the challenges faced by affected communities during times of crisis.

At present, makeshift evacuation centers, such as basketball courts or covered courts, are commonly used, and sometimes schools are repurposed as temporary shelters.

This situation often disrupts the education of children and compromises the overall welfare of evacuees.

“It’s time to have clean and decent evacuation centers. This is the reason why I filed the Mandatory Evacuation Center bill which aims to establish these evacuation centers in every city, municipality and province,” Go said, stressing the need for dedicated facilities specifically designed to cater to the needs of displaced individuals and families.

According to the senator from Davao, these centers should not only offer adequate space but also prioritize hygiene and sanitation to prevent the spread of diseases and ensure the well-being of evacuees.

Under the proposed measure, the construction of the evacuation centers will be overseen by the Department of Public Works and Highways (DPWH) and the Department of Environment and Natural Resources (DENR).

The DPWH will be in charge of constructing the evacuation centers based on standards, issuances, and guidelines set by the DPWH. The DENR, on the other hand, will determine the location of each evacuation center, in close coordination with the local government units concerned.

The minimum requirements for every evacuation center are also specified in the bill. The centers must have amenities and accessibility that will enable them to accommodate a large number of evacuees.

Aside from the measure, Go reiterated his call for the passage of SB No.188 which will establish the Department of Disaster Resilience (DDR), centralizing efforts, streamline coordination, and ensure more swift and effective response to emergencies.

If enacted into law, the new department shall concentrate on three key result areas, namely: disaster risk reduction, disaster preparedness and response, and recovery and building forward better.

The Office of Civil Defense (OCD) has recently voiced its support for the establishment of the DDR, emphasizing the importance of such institutions in improving operations in managing and responding to future crises.

“Things can be better if there will be an independent authority or department, but it’s not that simple … We leave it to Congress and we leave it to the Palace, to Malacañang. Meanwhile, on our end, we are doing our best given the limitations,” OCD Administrator Ariel Nepomuceno said.

Welcome to clam waters: Saving endangered giant clams through ecotourism,

…one of the best ways to stop people from harvesting the giant clams is to educate them the importance of the species and how they help the fishing industry.


By Henrylito D. Tacio

The country’s waters are teeming with biological diversity (biodiversity). Unfortunately, some of the marine species thriving in them are now being threatened; some of them in fact are facing extinction.

Imagine the children’s children of today’s younger generations may no longer see those species in their original habitat. Worse, some of them may already be extinct so that future generations get a glimpse of these species only in photographs and films.

Such is the case of the giant clams, locally called taklobo. They are the iconic residents of coral reef ecosystems. They serve as habitat for fish, invertebrates and other marine organisms.

Giant clams are not facing extinction yet, but the Switzerland-based International Union for the Conservation of Nature (IUCN) listed them as vulnerable species as their population has declined by least 50%.

To halt giant clams from becoming extinct, the University of the Philippines Marine Science Institute (UP-MSI) introduced giant clam cultures in the 1980s, where cultured giant clams were restocked around the country.

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Giant clams are harvested for their shells and meat. (Winston Plaza)

Taklobo Tours

The Island Garden City of Samal was one of the areas where the said program was initiated. In barangay Adecor of Kaputian District, the protected sanctuary houses over 3,700 giant clams.

The Marine Reserve Park and Multipurpose Hatchery, as it is called, is under the supervision of the local government unit of IGACOS. It is now a project of the Davao del Norte State College (DNSC).

The DNSC is partnering with Adecor United Fisherfolk Organization to save the giant clams from becoming extinct in the area. They believe that one of the best ways to stop people from harvesting the giant clams is to educate them the importance of the species and how they help the fishing industry.

That’s how the Taklobo Tours Conservation Tourism and Livelihood Opportunities for Coastal Communities came to be. It was officially launched in 2013 but closed during the pandemic. It was reopened early this year.

The two-hour Taklobo Tours includes an hour of snorkeling in the area. Visitors are brought by means of a motorized banca from the seashore to the floating cottage, where they are oriented about the importance of giant clams. The carrying capacity of the docking area is 30-35 persons while only 10-15 persons are allowed in the viewing deck.

After giving some instructions, the visitors are told to wear a life vest and given snorkel and mask to those who are interested. Then, they swim to the area where the giant clams are perfectly arranged on the seabed. As the water is clear, they can see the endangered species up close. Touching the giant clams is strictly not allowed.

Taklobo Tours is now one of Samal’s most popular activities for tourists. “Awesome and inspiring marine sanctuary that protects several species of giant clams,” commented one tourist who has visited the place. “With our snorkel masks on, we were led underwater by a certified guide to witness firsthand these amazing sea creatures.  We also learned about their habitat, life cycle and feeding. A definite must-see.”

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Before they can visit the restricted area where the giant clams are being raised, tourists need to attend a lecture first to know the importance of giant clams and what they need to do when they are on the waters. (Henrylito Tacio)

Empowering the fishers

DNSC officials said the 14-hectare giant clam sanctuary helps empower and capacitate locals to become tourist guides and conservation warriors. “The success of the program proves that responsible tourism can flourish in a protected area for environmental conservation,” they said.

Joel Gonzaga, a member of the organization, agrees. “We raise awareness by informing the people who come how endangered these giant clams are and that there are now laws regarding its preservation,” he said. “It is now prohibited to harvest them and there are some consequences if they do so.”

When the program started, there was resistance from the community as giant clams had long been a source of food and income for most of them. With Taklobo Tours becoming popular, they are happy that they have supported the initiative.

The Samal marine sanctuary is just one of the beneficiaries of the Giant Clam Stock Enhancement Program of UP-MSI. So, whatever happened to others? To answer this question, the Department of Science and Technology (DOST), through the Philippine Council for Agriculture, Aquatic and Natural Resources Research and Development (PCAARRD) funded a giant clam program to revisit these restocking sites.

Aside from assessing the current clam diversity and abundance, the program also aimed to advance culture and rearing protocols for giant clams through the use of modern molecular approaches.

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This is the place where tourists are oriented before they can go into the water. (Henrylito Tacio)

Giant clams of the Philippines

There are actually 12 species of giant clams and eight of them can be found in the Philippine waters.  The giant clams, known in the science world as Tridacna gigas and considered the true giant clam, can grow larger than 4 feet across and weigh more than 180 kilograms.

The seven other species are: Tridacna deresa (smooth giant clam), T. squamosa (fluted giant clam or “hadgdan-hagdan”), T. hippopus  (strawberry clam or “kukong-kabayo”), T. crocea (boring clam), T. maxima (elongated giant clam), T. hippopus porcellanus (China clam), and T. noae ningaloo (Noah’s giant clam or teardrop clam).

The assessment conducted by the DOST-PCAARRD funded study showed that the 8 species are still found in the country’s waters. Surveys from 2018 to 2021 revealed high densities of restocked giant clams at several study locations where natural recruits of giant clams were also detected in 4 out 8 restocking sites.

“The presence of T. gigas recruits indicate that restocked clams are naturally spawning and producing new giant clams that may eventually grow into adults,” wrote Patrick C. Cabaitan, Roger G. Dolorosa, Girley S. Gumanao, and Cecilia G. Conaco in their collaborative report, “Giant Clams in the Philippines: Prevailing in a changing ocean through research and conservation.

“While giant clams are still prevalent in the Philippine reefs, their overall abundance and diversity remain low,” the four authors wrote. “Overharvesting, poaching, habitat destruction, and bleaching remain among the major challenges against the giant clam populations.”

The researchers have found some areas which are still home to an abundant and diverse community of giant clams.  “The presence of giant clams and juveniles suggests that local recruitment is successful,” they contend.

Not "killer clams"

Giant clams are the largest living bivalves. Despite their classic movie depictions as “killer clams,” there are no reliable cases of people being trapped and drowned by giant clams. Generally, they occupy coral reef habitats – typically within 20 meters of the surface. They are commonly found in shallow lagoons and reef flats and are characteristically embedded in sandy substrates or those composed of coral rubble.

Giant clams also provide shelter for different organisms. Serving as substrates of corals and sponges, marine biologists say giant clams – which can live in the wild reportedly up to over 100 years – help increase the residence of fishes and act as hiding places for other marine organisms.

“Like most corals, some anemones, and other reef organisms, giant clams utilize a combination of methods to obtain food,” explains Oceana, an international group focused solely on protecting the world’s oceans. “The majority of their energy is derived from symbiotic algae living within their cells, providing the clams with excess energy that they make via photosynthesis.”

In return, “the algae have a safe to live and receive the nutrients necessary to photosynthesize. The giant clams provide those nutrients by filtering feeding small prey from the water above the reef surface, which it siphons through its body. The beautiful, bright colors characteristic of individual giant clams is actually a result of the symbiotic algae.”

As giant clams cannot literally move due to their heavy weight (as much as 250 kilograms), they reproduce via external fertilization, where eggs and sperm are released into the water column at the same time. Although they are hermaphrodites, they cannot self-fertilize. “They are able to reproduce with other individuals that are close by,” Oceana explains.

Prehistoric marine mammals

Giant clams may have existed even during the time when dinosaurs roamed around this planet.

“We need to do something now before giant clams become extinct,” urges Dr. Rafael D. Guerrero III, a fishery expert and an academician with the National Academy of Science and Technology (NAST).

Dr. Guerrero, however, believes there’s still hope for giant clams. “To save our giant clams, we should protect them in the wild from poachers (particularly foreigners) and promote their sea farming,” he suggested.

Photos by Henrylito Tacio and Winston Plaza

Pride Month and the magic of EKquality

Diversity, equality, and inclusivity at Enchanted Kingdom


In celebration of Pride month, Enchanted Kindom is excited to announce our upcoming celebration, “The Magic of EKquality.” This celebration aims to create an atmosphere of acceptance and serves as a platform for fostering unity, equality, and celebrating the vibrant LGBTQIA community.

We invite everyone to join us for an unforgettable celebration of diversity and equality on July 2, 2023, at the Spaceport Grounds of Enchanted Kingdom, the “Magic of EKquality” promises to be an evening filled with star-studded performances and captivating entertainment.

The concert will feature an impressive lineup of talented artists, including the upcoming IWant TCS, DRAG & ME's actors Precious Paula Nicole (Drag Race PH winner), Lance Carr, Amy Nobles, JC Alcantara, and Andrea Brillantes. Joining them on stage are Vivacious dance crew,  anya Jose Evans, Loura Mercy, Tiffany, Lady Gagita, and Anton Diva, all set to bring their energy and charisma to captivate the audience.

In the spirit of inclusivity, we invite all park guests to participate in the SaGAYlahan segment, which allows individuals to showcase their creativity and individuality through their best Pride outfits. Attendees who arrive in their most fabulous pride costumes will have the opportunity to register for the SaGAYlahan segment and take part in the catwalk, competing for the highly coveted title of “Sagaylahan Queen.” Participants will also have a chance to win cash prizes, making this segment an exhilarating experience for all.

In the spirit of inclusivity, we invite all park guests to participate in the SaGAYlahan segment, which allows individuals to showcase their creativity and individuality through their best Pride outfits. Attendees who arrive in their most fabulous pride costumes will have the opportunity to register for the SaGAYlahan segment and take part in the catwalk, competing for the highly coveted title of "Sagaylahan Queen." Participants will also have a chance to win cash prizes, making this segment an exhilarating experience for all.

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To further enhance the celebration, we are thrilled to announce the "Magic of EKquality" EK Online Store promo (EKOS). Starting from June 28 to July 2, guests can avail of a special discounted price of only P935 for one Regular Day Pass. Additionally, the first 2,000 guests to avail of the promo will receive a free Magnolia ice cream scoop, which can be claimed at Amazon Grill or Diggers, adding a sweet touch to the festive atmosphere.

The event aims to inspire not only the LGBTQIA community but also individuals from all walks of life to embrace diversity, equality, and inclusivity. By coming together and celebrating our differences, we can build a stronger, more accepting society.

Cinemalaya 19 announces short film finalists

BY MANILA BULLETIN ENTERTAINMENT


AT A GLANCE

  • From 192 submissions, the 10 finalists are: Tong Adlaw Nga Nag-snow Sa Pinas by Joshua Caesar Medroso; HM HM MHM by Sam Villa-Real and Kim Timan; Golden Bells by Kurt Soberano; Hinakdal by Arvin Belarmino; Kokuryo: The Untold Story of Bb. Undas 2019 by Diokko Manuel Dionisio; Ang Kining Binalaybay kag Ambahanon ko para sa imo by Kent John Desamparado; Maudi Nga Arapaap (Last Dream) by Daniel James Magayon; Makoko Sa Baybay by Mike Cabarles; Sibuyas Ni Perfecto (Perfecto's Onion) by Januar Yap; and Sota by Mae Tanagon.


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The Cultural Center of the Philippines and the Cinemalaya Foundation Inc. reveal the 10 competing films that will vie for the Best Short Film in this year’s Cinemalaya Philippine Independent Film Festival.

From 192 submissions, the 10 finalists are: Tong Adlaw Nga Nag-snow Sa Pinas by Joshua Caesar Medroso; HM HM MHM by Sam Villa-Real and Kim Timan; Golden Bells by Kurt Soberano; Hinakdal by Arvin Belarmino; Kokuryo: The Untold Story of Bb. Undas 2019 by Diokko Manuel Dionisio; Ang Kining Binalaybay kag Ambahanon ko para sa imo by Kent John Desamparado; Maudi Nga Arapaap (Last Dream) by Daniel James Magayon; Makoko Sa Baybay by Mike Cabarles; Sibuyas Ni Perfecto (Perfecto's Onion) by Januar Yap; and Sota by Mae Tanagon.

The competing short films tackle a myriad of human stories, including zombie tale, family adventure, coming-of-age chronicles, LGBT narrative, and a documentary on horse caretakers, showcasing different techniques and approaches.

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The 10 competing short films will be screened during the Cinemalaya Philippine Independent Film Festival, slated on Aug. 4 to 13, 2023, at the Philippine International Convention Center (PICC) located inside the CCP Complex in Pasay City.

The best short feature film will be awarded a cash prize amounting to Php150,000 and a Balanghai trophy during the Cinemalaya Awards Night on Aug. 13.

Now in its 19th year, the Cinemalaya is an all-digital film competition that aims to discover, encourage, and support the cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.