You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Showing posts with label Klaus Döring Living in The Philippines. Show all posts
Showing posts with label Klaus Döring Living in The Philippines. Show all posts

Tuesday, March 25, 2025

The epidemic of loneliness

Sheila Tan

The world’s productivity comes at the expense of the quality of our lives. Opportunities unimaginable in the past have now become a reality for many, thanks to technology. So many are now able to earn a living in the comfort of their pajamas. People can now afford better experiences—food, travel, fashion, and gadgets.

And yet, we are lonelier than ever. Are we aiming for the wrong target? Could we be missing the point?

In November 2023, the World Health Organization declared loneliness “a global public health concern.” Studies have linked loneliness to health risks including heart diseases, stroke, and dementia. In 2024, US surgeon general Vivek Murthy declared loneliness an epidemic in America. He described loneliness as “feeling invisible,” “that if I was gone tomorrow, no one would notice,” and “having no one to be vulnerable with.”

For many of us, loneliness may just feel like a void, or that “there’s something missing.”

Antidotes

Acknowledging it at the right time allows us to find solutions. Ignoring it comes at a steep price. Here are some ways we make our lives lonelier and the antidotes to each.

1. Lack of awareness with one’s inner world. Many of our perceived problems are symptoms of something small. So many of us do not even know how we feel. All we know is that there’s a feeling of discomfort. Our low tolerance for the slightest discomfort prevents us from even being curious. We misdiagnose it as boredom so we soothe it with distractions. Drinking, binge-watching, eating, shopping—all these could be attempts to silence what’s begging to be heard inside of us.

Antidote: Make it a habit to check in with yourself in silence. Inquire into what’s happening in your mind and body. What sensations do you feel? What thoughts are running in your head that are causing the sensations? What emotions are emerging? Awareness alone could already be healing.

2. Shallow connections. Our deepest desire is to be seen and heard. The busy-ness of our calendar doesn’t equate to depth of connection. What determines the quality of our connections is how much of ourselves we share, not the number of interactions. Our inability to go deep is what keeps things at surface level.

Antidote: Find your person. Find someone who can be there to be present with you in exploring what’s beneath the surface thoughts, anxieties, and worries. Give words to your feelings even if they defy logic. In these moments, the best company is someone who allows us to feel safe to dive into the scary internal world we’ve created for ourselves.

Sense of safety

3. Vulnerability. So many of us can’t have meaningful connections because we wear masks. We pretend to be okay even when we’re not. We mostly gaslight ourselves first, talk logic into validating our own emotions. Once we’re convinced, we convince other people of our lies, too.

Antidote: Find a way to feel a sense of safety within yourself. An image or sound in our mind that calms us is a great choice. Sometimes, it needs to be in the presence of someone you trust. Once you find this safe space, understand the torments that are happening inside. Are there fears, regrets, and hurts that are bubbling up? Just acknowledging their presence allows us to know ourselves better.

It’s a great start to have the space for vulnerability.

SEE ALSO

4. Being hyper dependent. We pride ourselves in being self-sufficient. Not needing anyone has become a goal. The ease with which we can achieve so many things has increased social isolation. This hyperpower has also given rise to the illusion that we are happy on our own. This illusion branches into thinking we are wasting other people’s time, and vice versa.

Antidote: Be part of a community. If this is something new, it may not feel good all the time, especially at the start. Familiarize yourself with giving and getting small favors. This is how networks begin. Having our presence acknowledged and our absence noticed are messages that our ewxistence matters. This is the best antidote for isolation.

5. Care for something. Somewhere along the way, we somehow got the idea that not caring is cool. Apathy and numbness are trending. With all the bad news going around, it makes sense to want to shield ourselves from the everyday trauma of reality. Taking the indifference to an extreme is bound to impact our own life experience.

Antidote: Choose an advocacy that resonates with you. Become an active or silent contributor of a positive vision. Allow yourself to feel pain for something you feel strongly about. This opens the passion to make a difference the opposite cause.

Loneliness and connections are two ways to go about life. The choice is ours, and ours alone. That choice determines the quality of our lives. Choose wisely.

NO TSUNAMI THREAT IN THE PHILIPPINES

 NO TSUNAMI THREAT IN THE PHILIPPINES

The Philippine Institute of Volcanology and Seismology (PHIVOLCS) issued an advisory this morning, Tuesday, March 25, 2025 regarding the recorded earthquake off the coast of New Zealand’s South Island.
The magnitude 7.0 earthquake was recorded at 9:43 am on Tuesday.
Despite the magnitude of the earthquake, it does not bring a tsunami threat to the country, according to PHIVOLCS. (TMN)
(Photo courtesy of PHIVOLCS)
 
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May be a graphic of map, arctic and text that says '50°N 0° 50°S Epicenter 50°E 100°F 150 150°C OUC OF 1600W 16 11 10 10°W W'
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Saturday, March 22, 2025

Marilou Diaz-Abaya, Laurice Guillen films to watch this Women's Month


 

Kristofer Purnell - Philstar.com

March 22, 2025 | 10:23am


LIST: Marilou Diaz-Abaya, Laurice Guillen films to watch this Women's Month

Clockwise: Stills from 'Moral,' 'Karnal,' 'Sunday Beauty Queen,' and 'Babae at Baril'

ABS-CBN Sagip Pelikula, Voyage Studios, Cignal Entertainment and Epicmedia Productions via CCP


MANILA, Philippines — The Cultural Center of the Philippines (CCP) listed a number of must-watch movies directed by women, all of them found in its Encyclopedia of Philippine Arts (EPA).

The CCP EPA, touted as the Philippines' most authoritative and comprehensive source of arts and knowledge, includes movies that serve as catalysts for inclusivity and change for society as a whole.

This is on top of more than 5,000 articles and video excerpts from dances and musical performances straight from the the corporation's archives, both printed and digitally preserved.

These are the must-watch classic films on women, for women, by women listed by the CCP:


"Brutal" (1980)

Directed by Mairlou Diaz-Abaya (National Artist)


The first of Diaz-Abaya's trilogy of films about women with screenwriter and fellow National Artist Ricky Lee, "Brutal" was the first Filipino movie to address gender-based violence as a feminist issue within the patriarchial Philippine society.


Synopsis: Monica Real became a suspect of the murder of her own husband, Tato, and two other men. While in jail, she refuses to speak and withdraws herself from the world until Clara, a bold journalist, dives deeper into her case and discovers a grotesque truth.


"Moral" (1982)

Directed by Mairlou Diaz-Abaya (National Artist)


The second movie in Diaz-Abaya's trilogy of films about women with Lee.


Synopsis: Joey, Maritess, Slyvia, and Kathy are best friends who are exploring their lives hand in hand until the resistant demands of their own individual lives get ahead of them. As they struggle and realize the risks that they need to take, the four women go their separate ways, each indulging in their newfound individuality.


"Karnal" (1983)

Directed by Mairlou Diaz-Abaya (National Artist)


The third and final movie in Diaz-Abaya's trilogy of films about women with Lee.


Synopsis: A couple, Puring and Narcing, settle in the latter's hometown, where the former meets Gusting, Narcing’s father. Gusting immediately takes interest in Puring after finding similarity to his then dead wife, which eventually leads to family tension and tragedy.


"Salome" (1981)

Directed by Laurice Guillen


A film also written by Lee but this time for actress-filmmaker Laurice Guillen. Lee has lamanted that "Salome" may not be restored like his other films.


Synopsis: Salome, a married woman, is fatally stabbed by her persistent suitor, and three conflicting versions of the crime unfold. 


"Milagros" (1987)

Directed by Mairlou Diaz-Abaya (National Artist)


Another movie by Diaz-Abaya, but with a screenplay by Rolando S. Tinio


Synopsis: A bar dancer is hungry for her father’s love, but things take a turn after learning he died and left her and her overbearing mother in debt. She ends up as a maid of her father's creditor with his three sons.


"Madrasta" (1996)

Directed Olivia M. Lamasan


Lamasan not only directed this movie but co-wrote the screenplay with the previously mentioned Lee.


Synopsis: Mariel finds herself adapting to her new life as a wife when she married a single father with three children.


"K'na the Dreamweaver" (2014)

Directed by Ina Anita del Mundo


Del Mundo not only directed but also wrote the screenplay for this film.


Synopsis: Set in Lake Sebu, South Cotabato, T'boli princess K'na inherits the power of dreamweaving from her grandmother. In the community, dreams are visions bestowed by the abaca goddess to select T'boli women to interlace the fibers into the most exquisite patterns of T'nalak, a sacred fabric.


"Sunday Beauty Queen" (2016)

Directed by Baby Ruth Villarama


This film became the first documentary to win Best Picture at the Metro Manila Film Festival.


Synopsis: A modern-day Cinderella story following the everyday life of five female migrant wokers in Hong Kong, wherein one day each week, they are granted a moment of beauty, joy, and dignity in a local pageant. 


"Babae at Baril" (2019)

Directed by Rae Red


This film by Rae Red, which she also wrote, was just her second directorial outing after "Si Chedeng at si Apple" from 2017.


Synopsis: A saleslady realizes the gravity of owning a gun when she finds one left on the street after seeing a man flee from a shooting near her house.


"A Thousand Cuts" (2020)

Directed by Ramona Diaz


The most recent of the films included in the CCP's list, directed and written by Ramona Diaz.


Synopsis: The documentary follows Rappler co-founder Maria Ressa in her experience as a journalist who becomes a target of the administration while reporting on the war on drugs, extrajudicial killings, and the elections.

‘Snow White’ is the fairest rewrite of them all


Avatar

The new live-action film “Snow White” didn’t stay faithful to Disney’s 1937 animated classic—and thank goodness for that. In the rewrite of one of Disney’s most iconic (and most passive) princesses, the adaptation is trading all the prince-pining for girl power.

Some say it’s a betrayal of the source material, but it is a necessary evolution of the character, especially at a time when audiences crave more than just fairy-tale romance. Let’s all agree that the sensibilities of the ‘30s will no longer fly today.

Actress Rachel Zegler embodies that shift. She steps into the role not as a damsel in distress, but as a heroine ready to write her own story. And as shallow as it sounds, it begins with her looks.


Friday, March 21, 2025

Hiligaynon film, Mindanao short win Cinepanalo Film Festival 2025


Puregold CinePanalo’s student filmmakers along with Puregold senior marketing manager Ivy Hayagan-Piedad (fifth from left, back row); festival director Chris Cahilig (sixth from left, back row); representatives from the festival’s partners Optima Digital and Mowelfund; and members of the festival’s selection committee.

The STAR / File

Jan Milo Severo - Philstar.com

March 21, 2025 | 9:01am



At the awarding ceremony in The Elements, Eton Centris in Quezon City early this week, “Salum” took home four Puregold CinePanalo trophies in the full-length category namely: Panalong Pelikula, Panalo sa Production Design, Panalo sa Sound Design, and Panalo sa Musical Scoring as well as a cash prize of P250,000.

Meanwhile, “Champ Green” received a P100,000 cash prize and five trophies in the student shorts category including Panalong Maikling Pelikula, Panalong Pangalawang Aktor for Sol Eugenio, Panalo sa Kwento, Panalo sa Brand Intrusion, and Mowelfund Special Citation. 

In addition, “Champ Green,” being the students shorts winner, also won film equipment including a Black Mist, a Dream Filter, a Blue Lightstreak Filter from MFP Rentals and Kase Philippines; a Nanlite FC 60B with Merch from MQ Group and Nanlite Philippines; and a Hollyland Lark C1 Wireless Microphone from Sieztech Enterprize and Hollyland Tech Philippines.

“Champ Green” also won an extra P25,000 for winning the Panalo sa Brand Intrusion, as did fellow short film “G!” and full-length film “Journeyman” who won the same award; as well as “Checkmate and Taympers,” who similarly tied for Pinakapanalong Promosyon ng Pelikula. Each of these sponsors gladly awarded “Champ Green” with the equipment in order to support the development of young Filipino filmmakers such as “Champ Green” director Clyde Cuizon Gamale.

In the full-length category, another Hiligaynon film “Tigkiliwi” nabbed seven trophies including Panalong Karangalan Mula sa Hurado and Panalo sa Kwento for its writer-director Tara Illenberger. The charming film about a community of misfits swept the acting awards categories including Panalong Aktres for Ruby Ruiz, and Panalong Pangalawang Aktor for Jeffrey Jiruma.  

In an interesting turn of events, two ties were declared during the awards night. The Panalong Aktor trophy was shared between JP Larroder as “Tigkiliwi’s Tata,” and Khalil Ramos as the titular Olsen in “Olsen’s Day” while both “Journeyman” and “Olsen’s Day” were declared the winners of the Panalo sa Cinematography category. Meanwhile, JP Habac of “Olsen’s Day” bagged the Panalong Direktor award. 

“Journeyman” by the sibling-tandem of Christian Paolo and Dominic Lat took home a total of six trophies namely: Panalo Sa International Jury, Panalo sa Cinematography (tie with “Olsen’s Day”), Panalo sa Film Poster, the MTRCB Special Award for Responsableng Paglikha, Panalo sa Brand Intrusion, and the Puregold Always Panalo Film which it shared with the romantic-comedy film “Fleeting” by Catsi Catalan. 

For the student shorts, “Uwian,” directed by Panalong Direktor winner Vhan Marco Molacruz of Colegio de San Juan de Letran crushed the competition, winning five different awards including Panalong Direktor, Panalo sa Musical Scoring, Panalo sa Production Design, Panalong Aktres for Geraldine Villamil, and Panalong Pangalawang Aktres for Uzziel Delamide. 

Other notable entries to the student shorts category included Sean Rafael Verdejo’s absurdist dramedy “Dela Cruz, Juan P.,” which took home Panalong Karangalan Mula sa Hurado; as well as Ira Corinne Esguerra’s coming-of-age sibling story “SamPie,” which took home the Puregold Always Panalo Film award.

Each award was deliberated upon by an impressive lineup of qualified judges, including Festival Director Christopher Cahilig, Festival Chair Ivy Hayagan-Piedad, and Republic Creative Creations, Inc. representative Sonny Bautista, each of whom sat on both the student shorts and full-length jury panels. Joining them on the students shorts panel were directors Emmanuel Dela Cruz and Victor Villanueva, as well as film critic Lito Zulueta. The full-length jury panel, on the other hand, consisted of Cahilig, Hayagan-Piedad, and Bautista, as well as directors Jeffrey Jeturian and Mae Cruz-Alviar, writer and producer Moira Lang, and Estonian filmmaker Tiina Lokk, the festival director of the Tallinn Black Nights Film Festival.

This year’s CinePanalo saw increased grants for all entries, with P3,000,000 grants for full-length entries, and P150,000 grants for student shorts. The festival was also supported in large part by its partner organizations Terminal Six Post, CMB Film Services Inc., Gateway Cineplex 18, MFP Rentals, the MTRCB and the Mowelfund Film Institute.

“The Puregold CinePanalo Film Festival will always be fueled by a deep love for the art of cinema, and an even deeper ambition to show what Philippine talent and passion has to offer,” said Festival Chair Ivy Hayagan-Piedad. “With the CinePanalo having reached a successful second edition, the possibilities are now endless. We can’t wait for all the wonderful films yet to grace the Puregold CinePanalo in all the years to come.”

“Salum,” “Champ Green,” and all the other full-length and student short films of the Puregold CinePanalo Film Festival 2025 will continue to screen exclusively at the Gateway Cineplex 18, Cubao, Quezon City until the closing of the festival on March 25. Regular tickets are P250, with discounts available for students, PWDs, seniors, Tindahan ni Aling Puring, and Perks Card members for P200. Meanwhile, festival passes for the entire experience cost P2,000, granting holders entrance to all official movie entries.