
This might not be the typical expat blog, written by a German expat, living in the Philippines since 1999. It's different. In English and in German. Check it out! Enjoy reading! Dies mag' nun wirklich nicht der typische Auswandererblog eines Deutschen auf den Philippinen sein. Er soll etwas anders sein. In Englisch und in Deutsch! Viel Spass beim Lesen!


Actress Klea Pineda has spoken out after receiving disturbing and offensive messages from a social media user, prompting support from fans, fellow celebrities, and her talent management agency, Sparkle.
Klea shared a screenshot on Facebook showing an inappropriate message allegedly sent by an unidentified netizen. While the actress noted that she is no stranger to criticism online, she emphasized that certain comments cross the line and should never be normalized.
“I’m used to criticism, but some people are getting way too comfortable with their words. Nobody deserves to be on the receiving end of jokes like this,” Klea wrote.
The post quickly gained attention online, with many netizens expressing support for the actress and condemning toxic behavior on social media.

Among those who reacted was actress Janella Salvador, who reposted the official statement released by the team behind the queer film "Open Endings," where she stars alongside Klea.
In the statement, the film’s production team strongly denounced all forms of harassment and hateful remarks directed at the actress.
“Threats and harmful statements are never acceptable and should never be normalized, especially against members of the LGBTQIA+ community, who continue to face discrimination and harassment,” the statement read.
The group also emphasized the importance of promoting safety, respect, and inclusivity for everyone, regardless of identity.
Janella later shared the statement on her Instagram Stories with the caption:
“There is a fine line.”
Meanwhile, Sparkle GMA Artist Center also released an official statement reaffirming its commitment to maintaining a safe and respectful environment for all artists.
“Sparkle advocates for safety, dignity, and kindness for all. We do not condone acts of hate and intimidation and reaffirm our commitment to fostering a safe and inclusive environment for our artists,” the agency stated.
On May 28, 1898, the Philippine Flag was proudly unfurled and waved for the first time following the Philippine Revolutionary Army's victory over Spanish forces in Imus, Cavite.
By Derco Rosal
Often one of the few women representing the Philippines on the global stage, Maria Teresa Habitan reflects on her rise through the Department of Finance. Comparing her experience to Hidden Figures, Habitan credits the “strength and clash of principles” among female leaders for navigating the country through historic economic hurdles and legislative battles.
Often one of the few women representing the Philippines on the global stage, Maria Teresa Habitan reflects on her rise through the Department of Finance. Comparing her experience to Hidden Figures, Habitan credits the “strength and clash of principles” among female leaders for navigating the country through historic economic hurdles and legislative battles.
Who knew that helping a friend find her way to a finance job application on Mabini Street could launch a long-term career in fiscal management? For Maria Teresa Habitan, that chance act was the first of many “happy accidents” that would shape her rise to veteran status.
Habitan first stepped through the gates of the Department of Finance (DOF) in the waning years of dictator Ferdinand Marcos Sr.’s collapsing administration. She would exit decades later, shortly after the election of the dictator’s son, Ferdinand Marcos Jr., to the presidency.
Fresh out of university in the 1970s, Habitan soon found herself standing before a whirring, scraping xerox machine, reproducing finance documents, or feeding papers into screeching fax machines to send scanned files.
Moments later, she would find herself seated in a meeting, representing the DOF, being asked— while spooning soup—about matters she barely understood. She would evenetually get quietly rescued by someone else in the room.
Habitan readily admits that, despite earning an economics degree from the University of the Philippines (UP), much of the discussion in those early high-level meetings went over her head.
For the long-serving finance assistant secretary, the first five years of her nearly four-and-a-half-decade career at the DOF were spent reconciling classroom theory with the realities on the ground.
She recalls her first flight to Washington, braving America’s cold weather in a borrowed jacket.
Before long, however, the pressure of navigating the Philippines’ mounting foreign debt set in, forcing Habitan to fully grasp the weight of helping manage a nation’s fragile economy.
“I felt the pressure when the Philippines had a debt crisis in October 1983,” Habitan told this author. Under the fading rule of Marcos Sr., the country became the first in Asia to be swept into the debt crisis of the 1980s—an economic blow compounded by political uncertainty.
To gain breathing room amid swelling obligations to foreign lenders, the Philippines sought a three-month moratorium on debt servicing. Three years later, the International Monetary Fund (IMF) slightly eased its terms, though only within limits, as the country’s debt continued to balloon despite ongoing reforms.
Defense
Several times, Habitan felt the urge to defend the Philippines from foreign ridicule—yet she and her colleagues also shared the instinct to disappear from the judging gaze.
She recalled one such moment during a debt seminar in Thailand, where reports showed ASEAN economies in solid fiscal shape—except for the Philippines. The Mexican resource person repeatedly singled out the country, prompting Habitan and her colleagues to quietly retreat from view.
“There were four of us from the Philippines, all women, and at first we just wanted to go home,” she said. “But over lunch, we ended up at a table with a Mexican speaker—he didn’t even realize there were Filipinos in the seminar.”
After that shared meal, the speaker noticeably eased his focus on the Philippines. “That’s when I realized that charm can actually work,” Habitan told Manila Bulletin, her chin-length, medium-brown bob framing a face that has since become familiar in fiscal circles.
Habitan is often seen in sleeveless tops paired with slacks, or a blazer matched with a knee-length skirt, finished with closed-toe pumps. She typically accents her composed presence with golden pearl stud earrings and a matching necklace.
Standing beside her were three other female officials—a scene reminiscent of the film Hidden Figures, with one crucial difference: these women were not working behind the scenes. They were visibly present, holding their ground in direct dialogue with multilateral lenders.
“Almost all the secretaries and economic managers were men, but all their deputies and undersecretaries were women—and they were incredibly strong,” Habitan said.
“You could see them in action during IMF negotiations, and in the Development Budget Coordination Committee (DBCC) meetings as well. You could really witness the clash of principles—it was impressive,” she added.
Habitan spoke of this with unmistakable feminist pride—a disposition perhaps shaped by her fondness for strong-minded heroines in the novels she read, or maybe by her own taste for the boldly spicy flavors of pinangat.
Still, she acknowledged the difficulty of negotiating with the country’s creditors.
“You feel like a victim. You know you’re at fault—but it’s their fault too. They’re the creditors. So why did they keep lending to us without doing their due diligence?” she said, noting that the hardship was heightened by the fact that the Philippines stood alone with a debt problem at the time.
Part of her regular work involved presenting the more positive developments in Philippine economic policy to debt watchers and the IMF. “It’s like defending your thesis every quarter—with the IMF,” she said.
“We knew what we wanted to do technically—but Congress had to legislate it,” Habitan explained, adding that this legislative hurdle was often the main obstacle to reforms the Department of Finance sought to implement.
‘Lost’ battles
Guided by her philosophy on taxation, Habitan believes that no tax measure is ever truly wasted, given that the legislative process is long and far from instant. If anything, she says, patience is essential, as the passage of future laws is often delayed.
“Pushing for policy reform isn’t instant noodles—it’s a slow burn. You can’t do it all at once. You need to study, and you need to work with people who don’t always agree with you,” she told this author.
Among the reforms that have faced repeated deferment since the DOF’s push in the 1990s are CREATE MORE, fiscal incentives reform, and amendments to the mining law.
Even with this reality, Habitan said the country needs fiscal authorities who are principled enough to firmly hold the DOF’s ground amid public pressure. This, she noted, is often where fiscal managers are misunderstood—mistaken for being “heartless” or “arrogant,” labels she herself has received.
“One can listen and, at the same time, stay firm in one’s position,” she said. “Even if I know I’ll lose the hearing, I put the DOF position on record.”
Now vice chancellor of the Philippine Tax Academy (PTA), overseeing the Local Government Finance Institute (LGFI), Habitan continues to stand by the tax philosophy that defined her career.
For her, “everybody should pay at least a minimum tax—no matter what,” underpinning her belief that taxes are the lifeblood of government, funding services ultimately meant to benefit the people who pay them.
At the same time, she stressed that tax authorities must de-complexify the process of paying taxes. She stressed compliance should be simpler, fairer, and more humane, as red tape only hinders efficient tax collection.
Habitan keeps her fingers crossed for a more informed citizenry, particularly on why tax revenues are collected. For the DOF, meanwhile, she hopes for a corps of staff deeply invested in policy work—engaging stakeholders and advancing comprehensive tax education.
“Taxes are unpopular. Be ready to be unpopular if you’re with the DOF. You’re not here to be loved. You should aim to be respected,” the veteran said, adding that clear principles must be matched with political courage and savviness, as taxes remain “the most difficult kind of legislation.”
Perhaps what would truly make this veteran happy—aside from solving puzzles and binge-watching K-dramas—is witnessing a renewed sense of patriotism, expressed through progressive tax measures.
Pride-worthy, even, if foreign players could take a closer look at how the Philippine government operates and consider it as a model—as was the case with the Philippines being a model of transparency for the extractive industries that Habitan once headed.

DAVAO CITY – Twenty-four Chinese nationals were arrested on Monday, May 25, in a joint law enforcement operation by the Bureau of Immigration-11, with the 10th Infantry Division, for immigration violations in Barangay New Little Panay in Panabo City, Davao del Norte.
The 10th Infantry Division said the operation was launched following intelligence reports indicating the presence of foreign nationals allegedly engaged in unauthorized employment and operating under questionable immigration documents in the area.
Immigration authorities initially subjected 27 Chinese nationals to verification. Preliminary investigation found out that 24 of them allegedly committed various immigration violations under Commonwealth Act No. 613 or the Philippine Immigration Act of 1940.
The BI-11 noted that violations include misrepresentation, working without the required visa or permit, and overstaying while engaged in unauthorized employment.
Authorities also discovered that some of the apprehended individuals were allegedly employed by companies other than those that had petitioned for their visas.
"Others were reportedly working despite holding only tourist visas and lacking the necessary employment permits and work visas," said Major Gen. Alvin Luzon, commander of the 10th Infantry Division.
They are being held at the compound of Tri-Shining International Oil Corp./Kunheting Corp. where immigration authorities are conducting initial processing and documentation.
Luzon said the BI-11 led the enforcement operation as part of the government's intensified campaign against illegal employment and immigration violations involving foreign nationals in the region.
The Army officer underscored the importance of continued inter-agency cooperation in upholding national security and enforcing immigration laws.
"This successful operation reflects the strong coordination among government agencies in addressing unlawful activities involving foreign nationals," Luzon said.
He added that the military remains committed to supporting lawful enforcement operations to ensure public safety and protect national interests within their area of operation.
Luzon said further investigation and documentation are ongoing to determine the full extent of the alleged violations and identify others who may have been involved in illegal activities.
The BI, Luzon said, has yet to announce if deportation proceedings or additional charges will be filed against the foreign nationals pending completion of the investigation.

Veteran actress Cita Astals is set to return to showbiz after years away from the industry as part of the upcoming “Home Along Da Riles: Da Reunion” movie.
This was divulged by director Boy2 Quizon during a recent interview, maintaining that Astals’ participation in the film, where she reprises her role as Hillary Lagdameo, Kevin Cosme’s boss, is already a sure thing.
“Hillary is definitely hundred percent all in,” he said.
Quizon personally invited Astals to join the reunion, stressing how important her presence is to the venture.
He recalled telling Astals, “Tita, hindi makukumpleto yung reunion project kasi na-miss ka nila.”
It is worth noting that Astals has been away from the entertainment industry for several years after previously opening up about living with bipolar disorder. Her return marks a rare comeback appearance in a major film project.

Quizon said: “Despite whatever things na nangyayari o pinagdadaanan ng bawat isa sa amin, noong nagkita-kita kami, parang hindi na namin kailangan pag-usapan pa ang detalye as to what’s going on sa mga buhay-buhay namin. So, despite sa, you know, kung anuman, ibabalik namin si Hillary so si Tita Cita, makikita ninyo (sa pelikula). Abangan ninyo.”
"Home Along Da Riles," which aired from 1992 to 2003 via ABS-CBN, starred the late Comedy King Dolphy alongside Astals, Quizon, Vandolph, Claudine Barretto, Nova Villa, among others.
The stillness of the night always had a way to amplify the thoughts daylight politely ignores. Often the last one awake, I hold the world while I watch it under its breath. While some people count sheep, I count the ways I might suddenly stop existing. What really happens next? Where do I go after I take my final breath? Will I experience the moment as it slips away, or does it simply happen without my awareness?
These thoughts often occupy a space in my mind I never invite them to. Sometimes, just like a soft knock on the door of my consciousness; other nights, it barges in—heavy and impossible to ignore. When people are asked what they think happens after we die, devout and religious people say either heaven or hell, spiritual people say reincarnation, and atheists will say the same thing that happened before we were born—nothing.
When I try to picture “nothing,” I think of a blankness, only for it to collapse into some kind of presence. Even the void I try to imagine has shape and color. Giving up, I just think that maybe the human mind wasn’t naturally built to imagine its own absence.
Sometimes, I picture death just like a deep sleep, where I would dissolve into the quiet and stay there. Other times, I imagine waking up somewhere unfamiliar. Somewhere I would have never imagined it would look like. Then there’s a version I like the most: crossing into a place where everyone I have ever loved is waiting for me. Maybe childish, but it is kind. And when faced with the unknown, kindness feels wiser for me than any certainty. I hold on to that idea because they soften the hard edges of fear, reminding me that even if death comes, there is room for warmth and reunion.
In the Philippines, we treat death as a sacred subject, but not a conversational one. You can pray for the dead, but it’s not nice to talk to the living about what it means to join them one day. As a child, I saw candles being set up in front of the neighborhood’s doors during “undas,” glowing like tiny watch lights, each flame holding the presence of loved ones we have lost. Walking along those streets, I felt fear, as if I were treading along a runway of ghosts. I remember hearing adults murmur about souls and salvation, but never about death itself, never about what it truly meant for life to leave this world.
Filipinos often speak about returning to God, now more than ever, more often than not, but rarely about returning to nothing. We are presented with death as a transition, like being sent to either heaven or hell, and not as cessation. This binary thinking has now become the architecture of our truth. We even minimize this existential distress with humor. We make jokes about dying and ghosts because laughter is easier than honesty. We laugh so we don’t look afraid, sharing anxiety about how short life is and how easily we might be forgotten. Fear veiled in faith, grief hushed with jokes. A part of me resists this quiet obedience, as it seems to me that asking “what comes next?” feels deeply human. Wondering what follows the end of existence is just curiosity, and imagining what I think would happen to me after life on the soils of the earth is a necessary rebellion against inherited beliefs because it is my own afterlife. One that is not dictated by any religious boundaries.
And yet, even with this imagination, fear persists. On nights when that familiar anxiety of death creeps in, I try to meet it not as an intruder but as a strange, awkward friend that reminds me that maybe it’s my earnest desire and unguarded yearning to stay. To keep living in a reality where senses are alive, and emotions are loud. Where I am someone who laughs, aches, and loves. Someone who would constantly think of what lies beyond to cradle the truth that life is temporary and create a comfort only I can make.
Perhaps what terrifies us most is not death itself, but the loss of the humble joys of life. Not being able to witness another sunrise, not hearing another story, not tasting another meal that reminds us of home, not feeling the warmth of another embrace. The fear of losing all of these awakens something deep within, as if the mind is overwhelmed by the beauty of being alive. And perhaps that is why fear of death and hunger for life are inseparable. Our dread, in a way, is our longing. It is the mind insisting we pay attention to the miracle of living while we still can.
Whatever waits at the end, I’ll meet it in time. There is no need to run toward it or away from it. Tonight, I inhale the air in my lungs. I feel the pulse beneath my skin. I notice the small miracle of being able to think, worry, and wonder. And maybe, for now, that is enough.