You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Showing posts with label Carlo Orosa - The Philippine Star. Show all posts
Showing posts with label Carlo Orosa - The Philippine Star. Show all posts

Friday, March 14, 2025

Opera Belles: A new generation of classical crossover stars


 

Meet the new Opera Belles — Sheena Bentoy, Nicolah Lim and Daniella Silab.

Carlo Orosa - The Philippine Star 

March 14, 2025 | 12:00am


The Philippine Opera Company (POC), headed by its artistic director Karla Gutierrez, has officially launched the latest batch of Opera Belles, an all-female singing group that merges operatic vocals with theatrical and pop influences.

The newest members — Nicolah Lim, Sheena Bentoy and Daniella Silab — took the center stage, performing a three-song set that highlighted their rich classical timbre, their ability to blend genres seamlessly, and their stage presence and movement that exuded both elegance and charm.

What makes the third batch of Opera Belles particularly exciting is their shared passion for the performing arts. Beyond their collective ambition as singers, each of these women harbors dreams that extend into various facets of the industry — be it opera, Broadway, creative direction or film directing.

Their aspirations reflect the evolving landscape of the performing arts, where versatility and adaptability are just as crucial as raw talent.

For now, however, Nicolah, Sheena and Daniella are dedicating themselves to mastering the art of performance under the prestigious Opera Belles banner. The unique ensemble challenges its members to not only sing but also to embody grace, personality and movement, making them well-rounded performers.

To mark the beginning of their journey, the group also introduced a brand-new original song, titled In The Mood, composed by Nicolah and produced by Paolo Zarate, along with an accompanying music video — a bold step in establishing their identity in the Philippine music scene.

The Opera Belles concept is not new to Philippine audiences. The first batch of performers set the foundation for what would become a celebrated group known for blending classical opera with contemporary showmanship.

Over the years, different iterations of the group have showcased an impressive roster of classically trained singers who have embraced the challenge of making opera more accessible to modern audiences.

The previous batches of Opera Belles gained recognition for their ability to make classical music more appealing to younger listeners by fusing it with elements of pop and musical theater. Their performances have graced both local and international stages, proving that opera is not limited to the grand halls of Europe but can thrive in mainstream entertainment.

However, as Karla Gutierrez candidly admitted, forming and maintaining a group like this is no easy feat. “It is so hard to find the right set of girls,” she shared. “It took us six years before we could start training this new batch. An Opera Belle must possess a classical timbre, look good and be able to dance very well.”

Her years of experience in developing previous groups have taught her valuable lessons. “Most of the time, young artists tend to rush things,” she observed. “They want immediate success, but growth in this field takes time. When they begin to peak, suddenly, a dip happens. That’s why patience is crucial.”

She also noted another challenge, the internal competition among members. “Sometimes, the girls compete with each other instead of focusing on their strengths,” she said. “The learning here is that they should highlight what makes them unique rather than dwell on their weaknesses. I’m glad that with this new group, there’s a strong sense of sisterhood and cooperation.”

More than just a singing group, the Opera Belles represents a movement — one that aims to reintroduce classical singing to the mainstream. In an industry dominated by power belters and pop idols, Karla hoped to inspire a new generation of artists to explore different vocal styles and embrace their own unique identities.

“The competition is stiff,” she acknowledged. “What we hear nowadays is mostly birit — big, belted notes. While that has its place, we want to introduce audiences to something different. We want young singers to find their own voice, their own style, rather than just copying what’s popular.”

With this philosophy in mind, Opera Belles is not just about showcasing talent — it’s about nurturing artists who can sustain long and fulfilling careers. Through rigorous training in vocal technique, stage presence and movement, Karla and her team ensure that each member is prepared for the challenges of the industry.

Following their official debut, Nicolah, Sheena and Daniella embark on an exciting new chapter — not just as individual artists but as part of a group that carries the legacy of those who came before them. They are stepping into roles that require more than just skill; they must embody discipline, perseverance and an openness to learning.

As the latest Opera Belles, one thing is certain: they are not just performers, they are pioneers in a genre that continues to evolve. With the support of their mentor, their training and their undeniable passion, the three young women are poised to carve out a space for classical crossover music in today’s entertainment landscape.

Their story is just beginning, and the world is eager to see where their voices will take them next.



Tuesday, March 11, 2025

‘Pearl Gala’ reaffirms Ballet Manila’s place in the world of dance


‘Pink Pearls’ features Nanami Hasegawa, Rafael Perez and Shamira Drapete.

Photo by Ericka Jacinto

Carlo Orosa - The Philippine Star 

March 9, 2025 | 12:00am


MANILA, Philippines — Ballet Manila’s “Pearl Gala” was more than a performance. It was a tribute to three decades of artistry, discipline and evolution.

Celebrating the company’s 30th anniversary, the performance showcased a well-curated repertoire that honored its classical foundations while embracing contemporary innovation.

As prima ballerina and artistic director Lisa Macuja-Elizalde eloquently stated in her speech, the gala was structured as a retrospective, reflecting on the past, embracing the present and envisioning the future.

The evening opened with “Paquita,” a dazzling display of classical ballet. Restaged by Tatiana Udalenkova, the 19th-century masterpiece reaffirmed Ballet Manila’s commitment to the Vaganova method, which has shaped its dancers’ impeccable technique.

The corps de ballet moved in unison with remarkable precision, while soloists delivered breathtaking variations with strength and grace. It was a masterclass in classical form, proving that Ballet Manila remains a powerhouse of technical excellence.

From the purity of classicism, the program transitioned to the contemporary with “Bloom,” choreographed by Annabelle Lopez Ochoa. Created originally for Ballet Manila’s 20th anniversary, the piece has since gained international recognition.

Inspired by an Indonesian flower ritual, “Bloom” pulsed with raw energy and controlled sensuality. The male dancers commanded the stage with electrifying athleticism, providing a striking contrast to “Paquita”’s refined elegance.

Set to Philip Glass’ “Violin Concerto,” the choreography was both fluid and explosive, capturing the essence of modern ballet’s emotional depth and power.

The final act, “Pearls,” was the highlight of the evening — a deeply personal and meaningful piece choreographed by Lisa, with the “Black Pearl” duets choreographed by Martin Lawrance.

The world premiere served as a metaphor for the company’s evolution. Just as a pearl is formed through layers over time, so too is a ballet dancer, shaped by years of training and experience.

The ballet unfolded in sections: “White Pearls” showcased a crisp, classical corps de ballet; “Pink Pearls” featured impressive technical displays from the company’s male dancers; and “Gold Pearls” brought 10 couples together in a grand finale symbolizing the culmination of artistic mastery.

Throughout, the “Black Pearl” couple wove in and out, representing Ballet Manila’s journey from classical tradition to contemporary exploration.

What made “Pearl Gala” particularly captivating was how every dancer — whether a soloist or part of the ensemble — had a moment to shine. Even within group performances, individual artistry stood out, a testament to the company’s rigorous training and commitment to excellence. Before the second half, a special presentation provided a behind-the-scenes glimpse into the intense rehearsals and discipline required of a professional ballet dancer. The insight reinforced the idea that ballet is not just a performance art but a lifelong dedication, where every movement is the result of years of relentless practice.

Beyond a celebration of its history, the gala was also a declaration of Ballet Manila’s future. The company has mastered the balance of honoring tradition while forging ahead with innovation. Its upcoming productions — “Swan Lake,” “Don Quixote” and a revival of the Filipino ballet “Florante at Laura” — reflect the dual commitment to classical masterpieces and original works that champion local narratives.

Under Lisa’s leadership, Ballet Manila continues to push the boundaries of Filipino ballet, ensuring its relevance on both national and global stages.

A particularly emotional moment of the evening was the tribute to Ballet Manila’s late co-artistic director, Osias Barroso Jr., as well as founding members Eric Cruz and Sandra Lynn Huang. Their absence was deeply felt, yet their influence remains embedded in the company’s DNA. The gala was as much about honoring their contributions as it was about looking ahead to new artistic milestones.

“Pearl Gala” was a triumph — not just in its execution but in its message. It underscored the importance of ballet companies like Ballet Manila, which uphold the highest standards of training while continually evolving with the times.

In an era when the performing arts face numerous challenges, companies like this deserve unwavering support. The talent and dedication of Filipino ballet dancers are undeniable, and with Lisa at the helm, their future is bright.

Ballet Manila has proven time and again that excellence in dance requires more than just talent — it demands discipline, resilience and an unyielding passion for the art. In its 30th year, the company continues to push boundaries, making ballet not just an elite art form but an experience that resonates deeply with audiences.

The “Pearl Gala” was not just a milestone event — it was a reaffirmation of Ballet Manila’s place in the world of dance, a promise of even greater things to come.

Friday, September 20, 2024

‘Rolling On The River’: A Tina Turner tribute show comes to Manila


Carlo Orosa - The Philippine Star 

September 20, 2024 | 12:00am


Sandy Redd is set to deliver a memorable performance that pays homage to the legendary Tina Turner via ‘Rolling On The River’ today, Sept. 20, and tomorrow, Sept. 21, 8 p.m. at the Newport Performing Arts Theater. Sandy Redd is known for her powerful voice and dynamic stage presence.


Manila audiences will have the opportunity to experience “Rolling On The River,” a Tina Turner tribute show, featuring Sandy Redd, today, Sept. 20, and tomorrow, Sept. 21, 8 p.m. at the Newport Performing Arts Theater. Known for her powerful voice and dynamic stage presence, Sandy Redd is set to deliver a memorable performance that pays homage to the legendary Tina Turner.

Sandy Redd is a multi-talented artist from Chicago, recognized for her work as a singer, songwriter, actress, and entrepreneur. She gained national attention after her appearance on NBC’s “The Voice,” where she impressed celebrity judges Adam Levine, Kelly Clarkson, Jennifer Hudson, and Blake Shelton, all of whom expressed strong interest in coaching her.

Her career continued to ascend with her involvement in the 50th anniversary national Broadway tour of “Jesus Christ Superstar,” where she made history as the first female to perform the traditionally male role of Judas on a Broadway stage. This accomplishment is a testament to her versatility and skill as a performer.

In addition to her work on Broadway, Sandy Redd has been featured in various regional theater productions, including leading roles in “The Wiz” at the Arie Crown Theater in Chicago and the “Ike & Tina” revue, where she portrayed Tina Turner. These experiences have solidified her reputation as a compelling and capable performer.

“Rolling On The River,” a Tina Turner tribute show, is presented by Full House Theater Company in cooperation with Ultimate Shows, Inc.

Tickets are available at the Newport World Resorts Box Office, SM Tickets, and all Ticket World outlets.

For reservations, call James Edward Rodriguez at 0917-8292173; Paulo San Jose, 0917-8105031; Raf Sangco, 0917-8079387; JhayR dela Cruz, 0917-8189847; or Vincent Miles Jiwatramani, 0917-1503511.


Friday, August 23, 2024

Shiela Valderrama Martinez revisits 30-year career highlights in ‘Triple Threat’

 




Carlo Orosa - The Philippine Star 

August 23, 2024 | 12:00am


Shiela Valderrama Martinez is set to take center stage in the highly anticipated “Triple Threat” series at the Cultural Center of the Philippines (CCP). Known for her captivating performances and exceptional vocal prowess, Shiela has been a leading lady in the musical theater industry for over three decades. This time, she steps into the spotlight to share her journey and celebrate the iconic roles that have defined her career.

When asked about how she was selected for the “Triple Threat” series, Shiela modestly admitted, “I honestly don’t know what the selection process is. But I’m glad that they chose me.”

She recalled receiving an invitation from CCP, with Ariel Yuson and Dennis Marasigan personally reaching out to her.

“Of course, I immediately said yes. It’s an honor to be chosen, especially for this category,” she added, reflecting her deep respect for the institution and the opportunity.

Preparation for the concert has been a collaborative effort, with Shiela expressing gratitude for the people who have come together to bring her vision to life.

“I’m grateful that the people I had hoped to be part of this show all said yes and were available,” she shared.

From the creatives to the production team and guest performers, everything is falling into place. Shiela has been deeply involved in the production meetings and rehearsals, ensuring that every detail is perfect.

She also highlighted the importance of staying in peak condition, noting that she has been undergoing fittings for her show outfits and taking voice lessons to be in top shape for the performance.

In the “Triple Threat” concert, Shiela plans to showcase the highlights of her 30-year career in musical theater.

“I’ll be sharing my journey and singing some of the iconic roles that I’ve portrayed,” she revealed.

Fans can look forward to a repertoire that not only reflects her past triumphs but also includes songs from roles she still dreams of playing. The show promises to be a night of nostalgia, inspiration, and musical excellence.

Meanwhile, despite the rise of online entertainment and quick-fix platforms like TikTok, Shiela remains optimistic about the future of theater in the Philippines.

“I think theater in the Philippines is thriving and will continue to do so,” she asserted.

For Shiela, the magic of live performance lies in its personal connection with the audience — a quality that she believes will keep theater alive and flourishing for generations to come.

As a successful businesswoman, entertainer, and mother, Shiela has also mastered the art of balancing her various roles.

Monday, April 15, 2024

Aicelle Santos recalls moving ‘Miss Saigon’ composer to tears during audition


Carlo Orosa - The Philippine Star 

April 15, 2024 | 12:00am


MANILA, Philippines — Aicelle Santos revealed a touching moment she shared with “Miss Saigon” composer Claude-Michel Schönberg.

“It was supposed to be a secret,” Aicelle began in a recent video posted by GMG Productions. “My first audition for ‘Miss Saigon’ was in 2016. I had no theater background. In 2018, my manager asked me to audition for Gigi. Despite my reservations, I decided to give it a try.”

Aicelle wasn’t initially hopeful, remembering her unsuccessful first audition.

“When I auditioned, there was this white guy in front of me. I sang, but he said, ‘You’re too nice. Do you know Gigi’s background?’ I realized I didn’t know much about ‘Miss Saigon,’ but he shared the full narrative and asked me to sing again.”

The author with Aicelle and assistant choreographer Arnold Trinidad months after the news Aicelle got accepted in ‘Miss Saigon’ UK tour.

“As I sang again, a tear fell from my eye. He said, ‘Okay, we’ll just call you.’”

Aicelle with Isay Alvarez-Seña, the original Gigi Van Tranh, and Kiara Dario, who is playing Gigi in the ongoing international tour of the musical.

Weeks later, Aicelle received the news that she had landed the role of Gigi Van Tranh to tour the UK with “Miss Saigon,” performing in Southampton, Manchester, Hippodrome, Plymouth, Norwich, Alhambra, Sunderland, and Zurich.

During one of the shows, Gerald Santos, another Filipino cast member playing Thuy, asked her, “Who auditioned you?”

“Basta may puting mama,” Aicelle replied. “Hindi ako sure eh kung sino?”

Gerald gave her some names to jog her memory and showed her a “Miss Saigon” program. Aicelle pointed out the photo of the man who had auditioned her, only to discover it was Claude-Michel Schönberg.

“Embarrassed,” Aicelle exclaimed, “Oh my God... Was that him? I was so glad I didn’t know. If I did, I would’ve been a nervous wreck and probably wouldn’t have done well in my auditions!”