You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Saturday, November 12, 2022

Singer-actress Aubrey Caraan discovers songwriting in ‘Sana’

by Punch Liwanag, MB


After a long stint acting in movies and TV, Aubrey Caraan returns to her first love, music.

The singer-actress is back with a brand new single titled “Sana.”

Aubrey co-wrote this surging, mid-tempo R&B flavored pop track with Sean Cedro. 

It is her first foray into songwriting.

She related, “It’s my first time to co-write. And Sean (Cedro) convinced me to try it. It was hard at first but eventually I was able to enjoy the process.”

Aubrey eventually learned so many things.

“Mahirap pala kung ilalagay mo sa lyrics yung nararamdaman mo. Hindi pala dapat siya literal. Dapat may meaning, may puso, may bigat (ang mga lyrics). Dun ako nahirapan, but once we knew the direction of where the song wanted to go, it became a smoother writing process for me.” 

Aubrey added that “Sana” is “about wishful love, it’s about a dream that you want to become a reality, and it’s also about hope.”

And what does she hope and dream for?

“I’ve been doing this for a long time now, I started as a music artist, even before I acted in movies, sana I have a long career doing these things, especially music.”

“Ang meron kasi sa music na hindi ko mahahanap sa iba is yung puso,” said Aubrey of what keeps her coming back to music.

“Sa music kasi nag-ko connect lahat. I mean, different songs mean different things to me, some songs give me hope, gives me happiness, or relieves my stress. Iba talaga ang nabibigay sa kin ng music, Aubrey explains.

“That’s why I keep on pushing on doing this. It gives me so much and music does really help me in many ways as a person.” 

“I’m definitely going to write some more. I really enjoyed doing it and for me, I feel good singing my own song. It feels different.”

“I feel proud singing my own song.”

Aubrey Caraan will release her official music video for “Sana” (directed by Raymond Fabian and featuring Jairus Aquino) on YouTube, today, November 11.

Typical Filipino (XXIX) - Typisch Philippinisch (XXIX): Napasubo - Es gibt kein Zurück/There is no going back.



Napasubo can be translated as being drawn into, entangled, ensnared, embroiled or even forced into a situation which may have been beyond the person's control. It normally expresses an undesirable situation with which the person would rather not be involved. Nevertheless, the person's degree of responsibility in getting himself or herself involved in such an unwanted scenario is left to be determined.

Es gibt kein Zurück! 

HIYA und AMOR PROPIO führen gelegentlich zu Situationen, aus denen es ohne Gesichtsverlust kein Zurück gibt, weil man sich öffentlich auf eine Position festgelegt hat. Ein Filipino/eine Filipina wird dies dann eisern durchstehen, denn er/sie ist NAPASUBO-gebunden und kann es sich nicht leisten, sein Gesicht zu verlieren.

HIYA und AMOR PROPIO occasionally lead to situations in which there is no turning back without losing face because has publicly committed to a position. A Filipino/a Filipina will get through this because he/she is bound and cannot afford to lose face.

ROUSED TO ANGER?

Anger. A day rarely goes by without us feeling angry. It is not necessary to cite examples. Sometimes, it's just a minor reason like we hate the fly at the wall. Sometimes anger has important reasons. 


Anger seems to become the main part of our daily life. That's why it is really important to talk (again?) about this phenomenon. As I said, anger is one of the most basic emotions. Everyone can really get angry. If someone told you, he won't get angry, better don't believe him.


Anger is a terrible feeling of being against something or someone. It can be my neighbor, because he is still (!) burning poisonous plastic and rubber garbage. Many of us get angry observing some politicians during those days worldwide.


Anger is a hostile emotion that sets people against one and another, or even against themselves. By its nature, anger involves opposition, hostility, hatred and dislike. Anger, however, is simpler to define than to identify. Emotions of antagonism can take a wider variety of faces. Expressions of anger range from the overt, in-your-face brand of open hostility to the cold indifference of a silent individual.


Anger at the workplace is becoming very common nowadays.


One of my good friends works as a stewardess. Imagine yourself 35,000 feet up, pushing a trolley down a narrow aisle surrounded by restless passengers. A toddler is blocking your path, his parents not immediately visible. A passenger is irritated that he can no longer pay cash for an in-flight meal, another is demanding to be allowed past to use the toilet. And your job is to meet all of their needs with the same show of friendly willingness. For a cabin crew member, this is when emotional labor kicks in at work.


A term first coined by sociologist Arlie Hochschild, it’s the work we do to regulate our emotions to create “a publicly visible facial and bodily display within the workplace”.


At times, anger can be felt like an inner fire. It hits you in the gut. You see red and feel hot and maybe sweaty. Your stomach gives you problems, our blood pressure rises, and breathing rate increases. Not only neighbors or politicians are the reason for anger. The silent withdrawal and lack of understanding and innumerable shortcomings of a partner or in the family are often an indication that one is angrily punishing the other for not doing things his or her way.


 Back to the workplace: unhelpful attitudes such as ‘I’m not good enough’ may lead to thinking patterns in the workplace such as ‘No-one else is working as hard as I seem to be’ or ‘I must do a perfect job’, and can initiate and maintain high levels of workplace anxiety.


When research into emotional labor first began, it focused on the service industry with the underlying presumption that the more client or customer interaction you had, the more emotional labor was needed.


However, more recently psychologists have expanded their focus to other professions and found burnout can relate more closely to how employees manage their emotions during interactions, rather than the volume of interactions themselves. Perhaps just only today you turned to a colleague to convey interest in what they said, or had to work hard not to rise to criticism. It may have been that biting your lip rather than expressing feeling hurt was particularly demanding of your inner resource.


But in some cases maintaining the façade can become too much, and the toll is cumulative. 


In another friend's last position, the “customer was king”.  She was working in a shopping mall. Many times, she got a tirade of abuse from several customers. “When I explained what happened to my senior, I was told I must have said or done something to warrant this response… I was then told I should go and apologize.” Yes, that's how it is!


As I stated earlier: Minor things could become the start of anger. Over the years, handling the stress caused by suppressing one's emotions became much harder. Small things seemed huge, we easily dreaded going to work and  anxiety escalated. 


Across the globe, employees in many professions are expected to embrace a work culture that requires the outward display of particular emotions – these can include ambition, aggression and a hunger for success.


The way we handle emotional labor can be categorized in two ways – surface acting and deep acting.


A few years ago, the New York Times wrote a “lengthy piece about the “Amazon Way”, describing very specific and exacting behaviour the retail company required of its employees and the effects, both positive and negative, that this had on some of them. While some appeared to thrive in the environment, others struggled with constant pressure to show the correct corporate face.


“How we cope with high levels of emotional labour likely has its origins in childhood experience, which shapes the attitudes we develop about ourselves, others and the world,” says clinical and occupational psychologist Lucy Leonard.  


“Unhelpful attitudes such as ‘I’m not good enough’ may lead to thinking patterns in the workplace such as ‘No-one else is working as hard as I seem to be’ or ‘I must do a perfect job”, and can initiate and maintain high levels of workplace anxiety,” says Leonard.  


Workers are often expected to provide good service to people expressing anger or anxiety – and may have to do this while feeling frustrated, worried or offended themselves.


Take the example of a particularly tough phone call. If you are surface acting you respond to the caller by altering your outward expression, saying the appropriate things, listening while keeping your actual feelings entirely intact. With deep acting you make a deliberate effort to change your real feelings to tap in to what the person is saying – you may not agree with the manner of it but appreciate the aim.


Both could be thought of as just being polite but the latter approach – trying to emotionally connect with another person’s point of view – is associated with a lower risk of burnout. Good thing: many offices over the last decade have created recreational or rest spaces in a bid to mitigate employee stress.


When things get tough, you might be very lucky  talking to colleagues to unload. “It’s the saying it out loud that allows me to test and validate my own reaction. I can then go back to the person concerned,” one of my former officemates in Germany explained many years ago.


Those who report regularly having to display emotions at work that conflict with their own feelings are more likely to experience emotional exhaustion


Remaining true to your feelings appears to be key – numerous studies show those who report regularly having to display emotions at work that conflict with their own feelings are more likely to experience emotional exhaustion.


Of course, everybody needs to be professional at work and handling difficult clients and colleagues is often just part of the job. But what’s clear is that putting yourself in their shoes and trying to understand their position is ultimately of greater benefit to your own well-being than voicing sentiments that, deep down, you don’t believe.


Where it is possible, workers should be truly empathetic, be aware of the impact the interaction is having on them and try to communicate in an authentic way. Easy to say, yes, I know. But let's give it a try!