The emerging design house showcases the raw, authentic, and imperfect side of Filipino heritage, one collection at a time.
If you ask Ziv Rei Alexi then, he never saw himself as a fashion designer. The idea only came to him during a school fair. Sure, he loved dressing up, but the idea of pursuing a career in the industry wasn’t part of his plan. Now, he couldn’t imagine himself doing something different.
“My decision to study fashion is somewhat an impulsive choice. I hadn't originally planned to pursue design but I feel like I just had to do it,” the designer tells Style Weekend.
Born in Cavite, Ziv, 23, entered the fashion industry during the pandemic-new normal milieu. While it may seem to be a challenge for a young designer to start a business during that period, he confessed that he enjoyed the quiet moments of the times—getting in touch with his inner thoughts and freely creating pieces whether it is during the witching hours or the light of day.
For Ziv, his design house is more than just a brand. It aims to represent the different side of Philippine lifestyle and heritage, its rawness and imperfections. He designs with intention, aiming to mirror what the Philippines is today with his creation.
“Everything we do in Ziv Rei Alexi is mostly based on intuition, feel, our pinoy heritage and in the most mundane things,” Ziv muses. “We just rock and roll all the way.”
This can be seen in his first collection, a graduation line he prepared as a Fashion Design and Merchandising student at De La Salle-College of Saint Benilde. Dubbed “Sigaw na Pabulong,” the collection centered on “one’s desire for independence,” interpreted through pieces made of Mikado silk, Duchess satin, gazar, and Japanese cotton.
Fabric manipulation and textile finishing treatments play a big part in his design process. For his second collection “Pikitmata,” he explored a technique that showcases a crackle finish with the use of modeling paste, mirroring the effect of broken cement. There’s also the Sinandomeng duster, a loose fitting garb made with pearl embellishments made to look like a slashed rice sack. In this collection he also reimagined the Philippines traditional pieces like the barong. The piece, which is usually made of delicate piña cloth, got a rebellious twist with plaid and other textiles adorned with soda bottle caps.
His latest collection puts the spotlight on the local punk scene. Inspired by a song by band Kamikazee, “Sorry Mommy, Rakerz Ako” collection details encapsulates the techniques the designer has done throughout his first years of designing—tailoring with frayed edges, crackled textures on elegant garbs, pearl encrusted pieces, and more, all in all, creating a wild, spontaneous, and unapologetic pieces.
“Like many other designers, we aim to help cultivate our ever-growing industry and culture, while standing for codes that go far beyond aesthetics.”
Currently, Ziv is exploring new techniques that are suitable for bodies of all shapes and sizes. He proudly presented to the Style Weekend team a piece with faux leather strips laid on a nude neoprene base, which was inspired by body dysmorphia and stretch marks. The pieces mold itself to the wearer’s body, creating lines of varying width, guaranteeing a new look and shape depending on who is wearing it.
When asked about today’s fashion scene, Ziv jokingly described it as all over the place. “There are so many categories in Filipino fashion. There’s the traditional, pageant, and more,” he explains. “We try to find a way to merge them all together.”
Ziv Rei Alexi’s atelier is located at 300A inside First United Building in Escolta. For custom orders, inquiries, and appointments, visit @zivreialexi on Instagram or send an email to zivreialexi@gmail.com.
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