You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Showing posts with label PDI. Show all posts
Showing posts with label PDI. Show all posts

Thursday, January 29, 2026

The magic of moving forward

 


The other day, I was driving when I saw a familiar face on the street. It was my ex. Seeing him felt like seeing any other random pedestrian passing by.


I remembered an old joke I used to tell my friends: that if I ever saw him while I was driving, I would run him over just to feel his bones cracking beneath my tires. Quite brutal, right? But the moment I saw him; those thoughts never occurred to me. I simply continued driving.


I told the friend sitting next to me that I had seen him and even joked about the old “hit and run” threat, but the truth is, I did not want to. I just smirked, feeling a wave of pride. Who would have thought that despite everything I went through, I would finally see myself healed from the things that used to break me?


It was a moment that made me truly proud. At first, life felt unimaginable without the people I once cared for. I used to yearn for them, praying that things would work out again, only to lose my self-respect in the process. There were moments when I felt completely alone, and the stages of grief felt agonizingly real. I never imagined that life would reintroduce me to those people, only to show me that our lines will never intersect again. Seeing their faces and recognizing them only as someone I used to know is a strange gift.


Back when the wound was fresh, I knew I would not have been able to control my tears or temper. This time, our eyes may have even met, but the magic was gone. Even the familiarity had vanished; he felt like a place I had visited once, a long time ago.


On a random Sunday afternoon on the porch of a new house, or in the driver’s seat of a brand-new car, the things that used to hurt you will lose their power. You will feel the magic of moving forward.


You will wake up fine, no longer comparing your hands to the ones they hold now. You will simply smile at the memories and the pain they caused, because those experiences made you who you are. The strong, wary person you have become exists because of the trials you faced. Surprisingly, you might even say “thank you.” You were once too comfortable believing things would never go wrong, but they did. And when they did, you thought it was the end of the world, but you were wrong. The moment it ended, something beautiful began. You noticed new patterns, you were introduced to people you never would have met otherwise, and you met a better version of yourself. The things you thought were impossible became your reality.


You can thank them for the catalyst but never give them credit for the person you have become. They may have contributed to the pain, but they were absent in the grueling process of your healing. Thank yourself because you are the one who survived. You held on when you were drowning, and you managed to save yourself. You were brave enough to let go and run toward something better.


That unimaginable moment of clarity arrived on a random Friday in December. I was not looking for him, but there he was, a familiar silhouette in the distance. I just drove past and smiled. The peace I have now is more important than anything that happened in the past. I have forgiven him for breaking my heart, and I appreciate the lessons he left behind. I am now familiar with the patterns he showed me. I recognize the “tricks” so that I am ready if someone else ever tries to deceive me the same way.


Life feels wonderful because one day it hurts, and the next, you are laughing about it. This does not just apply to an ex, but to everything we once thought we could not live without. You can rest easy knowing you were genuine and kind; if they could not see that, it was their loss.


One day, the people who hurt us will realize the weight of what they did. No matter how they try to start over, how much they give to charity, or how they flip the script to fit their narrative, there will always be a hollow space where they failed you. While they deal with the ghost of their mistakes, you are miles ahead. You are driving your car to places they will never see, leaving the prison they once built for you. Your heart finally feels victorious.


You realize you are lightyears away from the person you were when they left. And it feels good. If they ever decide to knock on your door again, your guard is up, and you are brave enough not to answer the call. Their names no longer carry any pain. Despite everything, you are still here, standing whole, and that is all that matters.



Tuesday, January 27, 2026

The heartbeat of democracy


Inquirer Editorial

If press freedom is, as the late American diplomat Madeleine Albright once said, the “heartbeat of democracy,” then the conviction of community journalist Frenchie Mae Cumpio suggests that democracy in the Philippines now palpitates under strain.

On Thursday, Cumpio, former executive director of the alternative news outfit Eastern Vista, became the “first journalist in the world to be convicted of terrorism financing,” according to Bi Lih Yi, Asia Program Coordinator of the Committee to Protect Journalists.

Judge Georgina Perez of the Tacloban City Regional Trial Court Branch 45 sentenced Cumpio and Mariel Domequil, finance officer of the Rural Missionaries Philippines Eastern Visayas, to a prison term of 12 to 18 years after finding them guilty of violating the Terrorism Financing Prevention and Suppression Act of 2012.


Thursday, January 15, 2026

A lasting gift to Filipino food culture

 


Reggie Aspiras

Felice Prudente Sta. Maria is an award-winning author and a pioneer in Philippine food history. Through research and storytelling, she helps us understand where our food comes from, reminding us that everyday dishes are part of a long, deeply rooted past.

The latest fruits of her labor are the newly published “When Mangoes & Olives Met at the Philippine Table” and its sequel, “What Recipes Don’t Tell.” The books reflect her belief that Filipino food cannot be understood through recipes alone, but through the changes it has undergone over time.

Felice Prudente Sta. Maria

A food trip down memory lane

Long before colonization, Filipinos were already cooking using ingredients and techniques drawn from their land and daily needs. The earliest recorded meat eaten in the Philippines was a prehistoric rhinoceros hunted in what is now Kalinga over 777,000 years ago. Thousands of years later, Filipino ancestors were domesticating pigs in Lal-lo, Cagayan, and sun-drying dolphin fish in Batanes more than 3,000 years ago—early signs of preservation, planning, and skill.

“Mangoes & Olives” traces this long food story using archaeology and historical records. It tells us that coconut vinegar was already recorded in writing in 1521. Dayap was the first cooking citrus of the islands, and calamansi, often assumed to be ancient, was developed only in the early 20th century by Filipino scientists.

“When Mangoes & Olives Met at the Philippine Table”

The book also invites us to take another look at familiar food. Pan de sal, for instance, was once a measure of salt shaped like a bread bun. Lumpiang sariwa was originally served with a simple tahuri sauce—without soy sauce or cornstarch. Tsokolateh was so popular that it was served several times a day on galleon voyages, often in small bowls made of polished coconut shell. Even paho mango was once pickled to replace olives that could not grow in the Philippines.

“Mangoes & Olives” also shows that Filipino food history is a story of choice. Filipinos chose coffee over black pepper because it was easier to harvest. Spanish women born in the Philippines grew up eating tapa, tinola, sinigang, and eating with their fingers—habits they learned from the Filipina women who raised them.

The origins of Filipino spaghetti

“Recipes Don’t Tell” continues the story by focusing on food words. Everyday terms like kilaw, guisa, and halo-halo are highlighted and put in proper perspective. One Visayan word, nayá-nayá, captures the very essence of Filipino meals—caring for others and sharing happiness with guests.

Together, these books are Sta. Maria’s lasting gift to Filipino food culture. They prove that our food has a long, well-documented history and is something we can truly be proud of.

A delightful story she tells in her book is that of Filipino spaghetti, a dish many of us grew up with. In “What Recipes Don’t Tell,” Sta. Maria traces how spaghetti first appeared at the Philippine table in the 1920s, served publicly in Manila at places like the Santa Ana Cabaret. “Spaghetti dinners” were advertised for large gatherings and celebrations, when pasta was still new and considered special-occasion food.

“What Recipes Don’t Tell”

By the 1930s, spaghetti slowly moved from dance halls into Filipino homes, pushed by the emergence of imported pasta, canned tomatoes, and American-style products. Early versions were savory, not sweet—closer to its Italian or American counterparts.

A clear example appears in the heirloom recipes chapter of “Mangoes & Olives”—a 1937 recipe for Spaghetti Italian from a Philippine Manufacturing Company booklet using Purico and Star Margarine. Made with bacon, tomato pulp, stock, mushrooms, and a simple roux, it shows how spaghetti was first prepared in Filipino kitchens.

There’s more to the food we eat

What I love about these two books is how they make you think more carefully about the food we eat every day. The shift from the 1937 Spaghetti Italian to today’s Filipino-style spaghetti happened gradually. Cooks substituted tomato pulp with banana ketchup, bacon for hot dogs. And somewhere along the way (perhaps as children became the stars of our celebrations), the sauce turned sweet.

Whether that last part is fact or fiction—is something I need to confirm with Sta Maria. But one thing is clear: Filipino sweet spaghetti, the staple of birthdays and family gatherings, shows that Filipino food is alive—always changing, always evolving.

1937 Spaghetti Italian

Ingredients

1/4 pound cooked spaghetti

3 slices of bacon

1 to 1/2 Tbsp minced onion

2 sprigs of parsley

1/2 cup canned mushrooms

2 cups stock

1 cup tomato pulp

SEE ALSO

1 Tbsp flour

1 Tbsp Star Margarine

1/2 tsp salt

1/4 tsp paprika

Grated cheese

Procedure

1. Place chopped bacon in a saucepan. Once the bacon has released some oil, add onion and allow it to cook slightly in the fat.

2. Chop and add in the mushrooms, along with the stock, parsley, tomato, salt, and paprika.

3. Bring slowly to their boiling point and simmer until ingredients are cooked down into a thick sauce. Rub flour into Star Margarine to make a paste, similar to making a roux. Blend it into the sauce. Cook for 3 minutes.

4. Pour sauce over cooked spaghetti. Using two forks, lift the spaghetti several times to evenly cover it with sauce. Sprinkle with a generous amount of grated cheese.

Wednesday, January 14, 2026

An added dose of hip-hop and K-pop onstage in 2026

 


Allan Policarpio

This year’s live music calendar is shaping up to be a diverse one, with metal and punk rock (Wolfgang, One OK Rock), indie (The Lumineers), classical (Lang Lang), and even Christian and gospel acts (Bethel Music) already lined up for the first half of 2026.

But as in previous years, K-pop, hip-hop, and R&B continue to dominate, and with these shows from Live Nation Philippines, the trend is only set to continue.

Central Cee: “Can’t Rush Greatness” world tour

In his debut album, “Can’t Rush Greatness,” rap sensation Central Cee—the man behind the hard-hitting hits “Sprinter,” “Doja,” and “Band4Band”—dares to push the boundaries of British rap.

Known for his “raw lyricism, bold production, and unrelenting drive,” hip-hop and UK drill artist Central Cee, also known in the streets as Cench, recorded the album across multiple cities worldwide over the past year. Indeed, as its title suggests, “Can’t Rush Greatness” is a project that prioritizes trust and patience over impulsive drops—a quality that has become hard to maintain in an age where trends can rise and fade overnight.

Central Cee | Photo courtesy of Sony Music Entertainment

But more than a testament to growth, the album is also his love letter to the fans—one he will read live onstage for the first time when Central Cee takes the stage at the Smart Araneta Coliseum on March 16.

And it’s quite a lengthy letter, too, exploring a spectrum of themes: dominance in the grimy “Ten,” loyalty and gratitude in the introspective “CRG,” and vulnerability in “Now We’re Strangers,” which offers a rare glimpse into Central Cee’s private life.

As he makes sense of these emotions, the rapper—true to form—continues to experiment without losing the gritty realism that has become synonymous with his music.

Ive: “Show What I Am” world tour

First, they showed what they have. Now, they’re showing what they are.

Following the success of their first global outing, “Show What I Have,” which drew more than 420,000 fans across 19 countries, K-pop girl group Ive returns to Manila with their second world tour, “Show What I Am.”

Members Yujin, Gaeul, Rei, Wonyoung, Liz, and Leeseo—keeping a promise made two years ago—will take the stage at the SM Mall of Asia Arena on April 25, marking their third visit to the country.

Ive | Photo from Ive/Facebook

“We love you, and we are so excited to be visiting you in Manila. Who knows? Maybe we will get to see even more of you very soon,” the group says in a video message to their Filipino Dive.

Known for their hits “I Am,” “Love Dive,” and “After Like,” Ive is expected to deliver a “meticulously curated” setlist, which will include newer releases like “XOXZ,” “Gotcha (Baddest Eros),” and “Rebel Heart.” And if their tour’s opening dates late last year in Korea were any indication, Manila is in for a show that showcases the group’s more mature vision and expanded musical range.

SEE ALSO

In addition to group numbers, the show also features a solo stage segment, where each member will perform (if the same setlist applies) a song highlighting their respective styles: Jang Wonyoung with the sleek “8;” Liz delivering powerful vocals on “Unreal;” Gaeul reveling in the dreamy “Odd;” Rei with the radiant energy of “In Your Heart;” Leeseo blending rap and vocals on “Super Icy;” and An Yujin closing the segment with the frenetic “Force.”

Itzy: “Tunnel Vision” world tour

With Lia back in the lineup, K-pop girl group Itzy returns as a full quintet for their third visit to Manila as part of the “Tunnel Vision” world tour. Set this July 11 at the SM Mall of Asia Arena, the show will be her first full performance in Manila since appearing with the group at the New Year’s Eve countdown event that welcomed 2025.

Despite Lia’s absence in the 2024 show, the remaining members, Yeji, Ryujin, Chaeryeong, and Yuna, owned every inch of the stage with visually stunning performances. They also proved their versatility and stamina with bangers like “Escalator” and “Untouchable,” as well as more playful numbers such as “Cake” and “Sneakers.”

But with the complete lineup, the group’s sharp and powerful choreography—a signature Filipino Midzy have come to expect—returns in full force, as Itzy delivers new hits like “Tunnel Vision,” “Imaginary Friend,” and “Girls Will Be Girls.”

In another stroke of serendipity, their Manila visit once again coincides with a special milestone. In 2024, the group celebrated their 2,000th day in the music industry in the city; this time, Manila will host the finale of the “Tunnel Vision” tour.

Perhaps this is only fitting for an audience, as Chaeryeong once said, “never disappoints,” and whose “passion, love, and cheers” are always “off the roof.”