This might not be the typical expat blog, written by a German expat, living in the Philippines since 1999. It's different. In English and in German. Check it out! Enjoy reading!
Dies mag' nun wirklich nicht der typische Auswandererblog eines Deutschen auf den Philippinen sein. Er soll etwas anders sein. In Englisch und in Deutsch! Viel Spass beim Lesen!
You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?
There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!
Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!
Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!
US musician and author Ted Gioia argues in his excellent book Music: A Subversive History (2019): "At every stage in human history, music has been a catalyst for change, challenging conventions and conveying coded messages – or, not infrequently, delivering blunt, unambiguous ones. It has given voice to individuals and groups denied access to other platforms for expression. Pop music has often been dismissed as "lightweight" given its young audience, simple snappiness and mainstream status, but those elements are really where its strength is concealed. Pop songs don't originate themes of mental wellbeing, equality, liberty, activism – but they do transmit them to the broadest platforms possible".
Snap the radio on, zip to any station, and what are you likely to hear? Love songs. Songs of new love, songs of disappointed love, songs of grateful love, songs of crazy love. I still remember my time as a radio host in Davao City several years ago playing the Hits of the 60's, 70's and 80's. Nothing has changed. Times change, but through history the flow of love songs is a constant.
Plenty of people are surprised or even shocked to find an explicit love song in the bible - complete with erotic lyrics. But "Song of Songs" is exactly that. It shows no embarrassment about lovers. Consequently, intermittent attempts have been made to rule "Song of Songs" out of the bible. It's like making it "for adults only". Imagine, my dear reader, in 16th century Spain for instance, professor Fray Luis de Leon was dragged out of his classroom and taken to jail for four years. His crime? He translated "Song of Songs" into Spanish.
If you start reading "Song of Songs", you will find out that this book conveys a very different atmosphere from most modern love songs and pop music. Since love songs are always popular, many people approach "Song of Songs" with great expectations. However, readers often find the book much different from what they had expected. One is the poetic imagery. Second: "Song of Songs" is hard to follow. One part doesn't seem connected to the next.
Try to explore the "Song of Songs". One thing is for sure. You'll learn a lot about the love between God and His people.
Chelsea Manalo has represented the Philippines well at the 73rd edition of Miss Universe held in Mexico by showcasing her pulchritude and personality. Her campaign is considered and counted as ‘historic’ since she carried on the semifinal placement of the country, which was regained by Michelle Marquez Dee last year, and broke the Philippines’ non-placement status in the previous Miss U editions held in Mexico. Chelsea has also been chosen as the first-ever Miss U Asia.
Jerry Donato - The Philippine Star
MANILA, Philippines — More than a week has passed since Miss Universe Philippines, Chelsea Manalo, competed at the recently-concluded Miss Universe pageant in Mexico.
The latter hosted the event for the fifth time. The first was back in 1978, then followed in 1989, 1993, and 2007. In these editions, it was elusive for the Phl delegates to enter the semi-final round and participate either in the final’s swimsuit, evening gown, casual/final interview competition.
Chelsea was the fifth Pinay representative to join a Miss U Mexico edition and with the aspiration to bring home the country’s fifth Miss U crown.
The result of her campaign was not the “historic” one every Filipino pageant enthusiast and fan wanted or wished it to be, Chelsea’s representation and stint in the annual tilt of pulchritude and personality could still be counted as “historic.”
Pitting against equally beautiful and smart beauties, Chelsea made it to the semifinals or Top 30, besting other 90 plus delegates. She broke the Philippines’ non-placement status in a Miss Universe edition held in the said Latin/North American country.
Chelsea with newly-crowned Miss Universe Victoria Kjaer Theilvig from Denmark during Miss Universe Organization's announcement of its continental queens. — Photo from Miss Universe Philippines' Facebook page
The Bulacan beauty, also of Afro-American ancestry, joined the circle of Bb. Pilipinas-Universe and Miss Universe Philippines winners who advanced to the Top 10, 12, 20, 21, and 30 round. She’s now on that Miss U semifinalist list that includes Blesilda Ocampo, Louise Vail, Clarinda Soriano, Barbara Crespo, Guadalupe Sanchez, Geraldine Asis, Rachel Peters, Mary Jean Lastimosa, Rabiya Mateo, Gazini Ganados, and Michelle Marquez Dee.
She came to Mexico with such a mission, plus to continue the semifinal placement of the Philippines, regained by Michelle at the Miss Universe El Salvador last year.
During the pageant proper and live broadcast, Chelsea was able to achieve these feats.
At the press conference for the newly-crowned Miss Universe Victoria Kjaer Theilvig from Denmark, the Miss Universe Organization (MUO) announced its continental queens.
Chelsea was chosen to be one of the four and awarded the Miss Universe Asia title, as well as its first-ever recipient. It’s only now that MUO has given such an honor and recognition to a beauty contestant. The three other continental queens are Miss Finland (for Europe and the Middle East), Miss Nigeria (Africa and Oceania and Miss Universe first runner-up) and Miss Peru (for Americas and Chelsea’s roommate, friend, and pageant sister).
From what one could gather from the available online information, the continental beauties were even handpicked prior to the coronation night, so that the MUO’s preference would not, in any way, affect the decision and judgment of the selection committee.
The title is not considered a placement (like Top 12 or runner-up ranking based on the judges’ assessment), but a promotion to represent Miss U in each contestant’s continent.
Chelsea has been given the opportunity to travel to certain countries with the reigning Miss Universe and her fellow sister continental winners.
Wearing the Miss U Asia sash is another achievement on the part of Chelsea, whose Miss Universe campaign could be described as calm and collected. She had fun doing all the pre-pageant activities, the preliminary rounds (from closed-door interview and national costume to the swimsuit and evening gown) and the pageant night that saw her proudly shout the country’s name, “Philippines” with emphasis on the word’s three syllables, showcase her signature “Tampisaw Walk” in swimwear and strut in a white gown with touches of Tiffany blue gradient by Manny Halasan. The word “tampisaw” may be viewed as how a person frolics in the water or a fun action or scene. Everyone got a closer look of Chelsea’s gown during her announcement as Miss U Asia.
Indeed, Chelsea’s campaign was “historic” and she has carved out a name for herself as not just a Miss Universe semifinalist, but also the Miss U Asia.
With that, Miss Universe Philippines 2025 or the successor of Chelsea will not just aspire to carry on the semifinals placement of the country and win the fifth Miss Universe crown, but also to secure the Miss Universe Asia title.
Chef Vicky-Rose Pacheco demonstrates how to cook Rated GG —CONTRIBUTED PHOTOS
It’s a story Vicky-Rose Pacheco knows all too well.
Aspiring entrepreneurs, usually fresh retirees, decide to take their years’ worth of savings and make a stab at—of all possible options—the food business. They put up the restaurant or quaint little cafe of their dreams fueled by the simple belief that, if they serve good food, people will surely come.
If only it were as simple as that.
One day, an essential kitchen equipment conks out. Your supplier runs out of stocks. A staff member you had trained and invested in suddenly stops showing up. Before you know it, you’ve burned through your hard-earned money just a couple of months after opening.
“I don’t know why people want to open a restaurant,” Pacheco wondered out loud in a recent chat with Lifestyle, shortly after a cooking demo of Sentro 1771’s signature dishes at the Filipino restaurant’s Capitol Commons branch.
“Diyos ko, if you have the money, don’t do it!”
Pacheco, the chief operating officer and executive chef of the 1771 Group of Restaurants, isn’t being a party pooper. It’s just that, so often, so many people readily give in to the allure of owning a restaurant without knowing what the process actually entails.
Food isn’t even half the battle. “It’s just a fifth, I would say. A big chunk of it is marketing and sales,” she said. The rest goes to kitchen management, training, and regulatory compliance. “Before you get, or renew, your permit, you have to have clearance from various offices—food safety, pollution control, etc. It’s a lot of things that aren’t related to food itself,” she pointed out.
But if cooking and customer service are genuinely your passion, and you’re already dead set on putting up a business, then it’s important, Pacheco said, to have a “mission”—a well to draw inspiration from when the going gets tough.
For the chef, it all boils down to one thing: providing a dining experience that fosters “strong relationships” among people.
Sincere and excellent
“A restaurant business is just a vehicle for that. We eat out because we want to hang out with our friends, because we have relatives to entertain. We want to provide an environment for that. We don’t go out to fight each other,” she said, laughing.
And that kind of environment isn’t meant only for the customers, but for every single person that keeps the kitchen moving. “We have to do our jobs in a sincere and excellent way, because that will help push people to the next level … that will help them grow. And when people grow, they become better people and help society.
“That’s the goal. If you don’t have that, and you’re only after the money, you will get tired of it all,” pointed out Pacheco, who has been running the 1771 group together with chief executive officer Ricky Gutierrez, for the past 25 years.
There’s also something to be said about adaptability and dealing with curveballs that could shake up operations. Case in point: the COVID-19 pandemic, which triggered a domino effect that ultimately altered the dining habits of Sentro 1771’s erstwhile regular customers.
“Their lifestyles have changed. More people are working from home, conducting meetings on Zoom. There are many vacant offices and empty buildings. So, business meetings at restaurants are fewer. People eat out only when there are special occasions, or when they have balikbayans to host,” Pacheco said.
And then there were seemingly small changes that weren’t so small in hindsight, like the Capitol Commons branch losing its parking space behind the building to make way for utility construction. “Some customers now have to park at the mall nearby. And when you’re already at the mall, feeling cool with the air conditioning, tatamarin ka na lumabas,” she said.
Such changes prompted Pacheco to tweak “the business model a little.” Now, there’s a concerted push to promote Sentro 1771 as an events place. For instance, the aforementioned branch’s layout has been reconfigured to accommodate a larger crowd. Now, the place can host 50 to 100 people, depending on the setup.
“People often look for a place that’s bright and spacious, and we have that. But there used to be a fixture in the middle that prevented us from being more flexible for different types of events. That was a turnoff to customers, so we had it removed,” she said.
Pacheco also spruced up the restaurant’s interiors, hanging paintings by the late visual artist Allan Cosio on its bare walls. “I want a well-appointed place. I want the ambience to include original artworks—I don’t want those printed things with photos of dishes,” said the chef, who’s as particular about the things she doesn’t like as she is about the things she likes.
But if there’s one thing that hasn’t changed, it’s the restaurant’s pièce de résistance. And when you say Sentro 1771, the first thing that comes to mind, of course, is its famous Corned Beef Sinigang.
I can’t remember the last time I had the dish, but the bowl served during the lunch Pacheco hosted did taste like how I remembered it. The vegetables were crisp, served in reasonably sized cuts and portions, so as not to crowd the ceramic pot it was served in.
The soup doesn’t punch you in the face, but it was clean-tasting and sufficiently sour, enhancing—and not overpowering—the delicate umami flavors of the home-cured boneless beef shanks.
“The recipe is still the same. Only the cuts of meat have changed; I used to put buto-buto (ribs),” she said. “I think it has remained popular all these years because sinigang is a complete dish—it has soup, vegetables and meat. Buhay ka na!”
The sinigang arrived with an equally scrumptious supporting cast of longtime house favorites: the Rated GG (galunggong fillets fried in garlic oil), Fresh Smoked Fish Spring Rolls, Macau Chorizo Cheese Tidbits, and Tomato Kesong Puti Salad.
For dessert, we had the Coffee Pie cheesecake and the Fried Suman and Mangoes drizzled with coconut jam. Our favorite, however, was the Buko Chia Salad, whose mix of pandan-infused gelatin strips and chia seeds made for a playful bite and mouthfeel.
There are items that are no longer on the menu (like the Crispy Drunken Shrimps) and new ones that took their place (Bangus with Calamansi Butter, Crispy Kangkong Rice, among others). But just the same, they’re bound by a common thread: Pacheco’s appetite for doing something familiar in ways that aren’t.
“I don’t like to ride on trends. I think of dishes that aren’t in other restaurants,” she said. “I stay true to my concept. Or better yet, I try to create my own category.”