Viewing Akira Kurosawa’s masterpiece on the big screen
AT A GLANCE
Human beings share the same common problems. A film can only be understood if it depicts these properly. —Akira Kurosawa
Each year many folks look forward to the QC Film Festival for its various screenings of international and local films. One of its categories worth looking forward to is the re-screenings of classical movies. Last year, many were treated to a viewing of Stanley Kubrick’s A Clockwork Orange, Bruce Lee’s Enter the Dragon, and two of Wong Kar-wai’s works, Chungking Express and Fallen Angels. This year’s biggest re-screening was Akira Kurosawa’s Ran from 1985.
Ran is best known for its epic scenes showing full-scale battles and Kurosawa’s brilliant use of color. It follows the ill-fated tale of the Ichimonji clan, a tragic story loosely based off William Shakespeare’s King Lear, where the family sees its downfall after the father divides his kingdom among his three sons. As things play out, we see how greed and deception starts to stir among the once tightly-knit family as the two elder siblings grapple for power while casting away their own father. It also shows how the family slowly gets karma from the past ruthlessness of their father when he took over the kingdom.
For one of the screenings held at Gateway, the theater was nearly filled to the rafters. There was an excitement for most in getting to see their first-ever Kurosawa film on the big screen. These were young audience members with a renewed appreciation for classic cinema, yearning for stories and scenes that the new medium of pure popcorn flicks and streaming algorithm movies cannot provide. If there’s anything we can pick up from this successful screening by the QC Film Festival, it’s that there is a market for restored classics being rescreened in theaters.
Just imagine being able to visit the cinemas to catch international staples like The Godfather, The Seventh Seal, Citizen Kane, or local hits like Himala, Dekada ’70, and Anak, experiencing it just as audiences did before. It works as a wonderful way to keep classic cinema alive and pass it on to future generations. Plus, it can help support the cast and crew who previously worked on the film through the royalties they could receive from each screening.
Aside from cultural enrichment, reshowing classical films is also good as many of the movies made before were made in response to global crises being faced at the time. It helps give us a better perspective of what people used to face and how similar it may be to the troubles we face these days. Think about all the countless war dramas and how they remain a stark reminder of why war is never meant to be glorified. Then, there are those that remind us of the negative stereotypes we have since moved on from. For instance, there’s Mickey Rooney’s racist portrayal of a Japanese man in Breakfast at Tiffany’s. It’s important for us to remember these negative traits of early Hollywood to remember why we must not fall into the same pitfall of punching down on minorities in modern times.
Overall, it’s wonderful to see full queues to catch important films from the past as it shows there are many who still have an appreciation for the films that got us here today. Who knows, maybe from these rescreenings we’ll end up inspiring the next Akira Kurosawa, Steven Spielberg, or Lino Brocka.
