You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Monday, February 3, 2025

Tanaw Collective on sisterhood, faith and the power of music


 

Charmie Joy Pagulong - The Philippine Star 

February 3, 2025 | 12:00am


The newly formed ‘supergroup’ Tanaw Collective — composed of female rock idols Aia de Leon, Hannah Romawac, Acel Bisa, Lougee Basabas and Barbie Almalbis, will hold ‘Tanaw: The Repeat’ concert on Feb. 9 at the Newport Performing Arts Theater in Pasay City.

MANILA, Philippines — Ahead of their upcoming concert, Filipina alt-rock icons Acel Bisa, Aia de Leon, Barbie Almalbis, Hannah Romawac, Kitchie Nadal and Lougee Basabas have formed the supergroup, Tanaw Collective, to pay homage to the “power of women-led collaborations.”

As part of the newly formed group’s lineup of music collaborations, they recently dropped their official single Landslide, which is a stripped-down version of the Fleetwood Mac classic. The track will be part of their setlist at the “Tanaw: The Repeat” concert happening on Feb. 9 at the Newport Performing Arts Theater in Pasay City.

Lougee, former Mojofly vocalist, teased that there will be a lot of surprises in store for everyone at their forthcoming gig and a special team-up with The Manila String Machine. “And of course, we have a new song to perform, songs that we have produced and composed together as a collective. So that’s something to look forward to,” she told The STAR.

Kitchie, who was in Spain during the media event held at the Newport World Resorts, shared via a video that she is beyond thrilled to hit the stage again with her music contemporaries who also happened to be her closest friends.

“Be part of the night filled with sisterhood, friendship, faith, nostalgia and music legacy. Thank you for the love and support. I can’t wait to see you all there,” declared the Huwag na Huwag Mong Sasabihin hitmaker and ex-Mojofly vocalist who came before Lougee.

Solid friendship

Most active in the late ‘90s to the early 2000s in the local music scene, the female rock queens have maintained their solid bond through the years.

“We are not high-maintenance so we understand the silence and the gaps in between,” asserted Aia, former vocalist of Imago. “Because we’re just you know mom, friends, also we’re people who go to church. We have different circles. We have different responsibilities.”

The key to their strong friendship is mutual respect, added former Session Road vocalist Hannah. “Because that’s the idea of the collective, you know, just come in when we’re all inspired by something. Gather, ganun, volt in, and then if not, it’s OK because life is happening.”

For her part, Acel (once the voice of Moonstar88) cited how the group members have supported each other’s respective music projects through the years.

Faith and music

The ladies, who have been vocal about their faith, also reflected on how their faith has impacted their music and songwriting process.

Aia recalled that during and shortly after the pandemic, she laid down her life to Christ and it made a tremendous impact in her life.

“I’ve been clearer with many things. I have had a sense of clear purpose ahead of me. Also, a sense of who I am, so much respect that I have now for myself,” she mused.

“With music, that’s where the excitement is coming from. Because it’s been so long that I’ve nurtured a lie in my head. I’ve been carrying this spirit of fear,” she continued.

Aia added that these past years, she was able to overcome it through her faith in God. “I think I’m ready to venture and brave it up with my musical plans.”

Acel, on the other hand, asserted, “My faith changed who I am in a way.”

She “came to know the Lord” in 2001 when she was at the peak of her career as frontwoman of Moonstar88. “And it really helped (me to) be free… There was a pressure of pleasing, as a performer, of course, there’s always something that you want to please the audience, everyone around you. It steals the joy of why I wanted to do this in the first place.

“But when I got to know (God), I had to step out of that (pressure) so I left Moonstar88 in 2004. That was the time that I think I needed that 000 to release from the lies that once I believed who I am.

“My value is not defined by how people see me with my success, or how they even define success in this world. And when I was taken out of that, then, that’s when I got to write more songs that really (came) from the place of freedom and joy and peace. Kaya nag-iba ng theme ang songwriting ko. So it really impacted how I write songs and even how I performed. I became more free and secure of my identity (that’s) not based on what I do.”

Acel earlier announced that she is relocating to the Netherlands with her family. She also just dropped her album called “Being and Becoming.”

‘Spotlight is a lie’

On their thoughts about the “spotlight” in the music scene, Aia reacted, “The things that matter don’t fall under the spotlight. Sometimes, it does but hindi porket wala na sayo yung spotlight, tapos na ang kwento.”

“The spotlight is a lie,” she further stated. “Spotlight is a moving thing. It highlights — parang it’s a very itchy thing. It travels from one place to another at breakneck speed. Wala siyang sinasamba.”

She also stressed that one cannot “love the limelight or the spotlight because it was never ours in the first place.”

“But what is ours are the things that are intangible, the things that are immeasurable, things that can’t be bought at all, which is love, companionship, community, respect, honesty, vulnerability and music.”

Acel also pondered on the topic, saying, “I see it like a big sky and then there are a lot of stars there. I mean everyone has a space and lots of light, and it continues to shine. Bring your own spotlight.”

Echoing the sentiments of Aia and Acel, Barbie expressed the joy that music has brought to their lives.

“When we all started with music, we all started writing songs when we were in teens, it wasn’t a means to an end. It wasn’t the thing like, ‘Oh this is gonna make me famous, oh this is gonna make you whatever.’ It was because music was such a gift that we enjoyed it. We enjoyed playing guitar and writing songs in the room when there was nobody watching.”

Now that they are gearing up for their repeat concert, can the fans also expect a reunion album from them?

“One at a time. Coming soon,” Barbie told this paper.

“Tanaw: The Repeat” is co-presented by Newport World Resorts, GNN and Wow Fiesta, with official hotel partner Holiday Inn Express. Major sponsors include JB Music, Ming’s Pei Pa Koa Candy, David’s Salon, Apartment8, and Globatronics, while minor sponsors include Greenwich, Palladium, UGEC, Payaba, and Meiji Chocolates.


Eala faces Japanese in Mumbai opener

BY KRISTEL SATUMBAGA-VILLAR


AT A GLANCE

  • Alex Eala returns to action on Monday, Feb. 3, when she competes in the L&T Mumbai Open in India.


Alex Eala returns to action on Monday, Feb. 3, when she competes in the L&T Mumbai Open in India.

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File Photo/Alex Eala Facebook

The unseeded Eala is scheduled to face Japanese Sara Saito in the first round of the Women’s Tennis Association (WTA)125 event that offers a total cash purse of $115,000.

This isn’t the first time that Eala and Saito are meeting. A few days back, both players battled in the first qualifying round at the Singapore Tennis Open where the 19-year-old Filipina standout prevailed, 6-1, 6-7 (1), 7-5. 

Eala, however, eventually lost in her next match against Swiss Simona Waltert in straight sets for a chance to earn a main draw berth.

While Eala boasts of a higher ranking at No. 134 in the WTA singles compared to Saito, who is 30 rungs below at No. 164, the Filipina bet remains wary of the Japanese following that tough duel the last time.

Prior to the Singapore tournament, Eala competed in the W100 Bengaluru in India the week before but lost in the second round of the qualifiers.

She opened the season with a semifinal finish at the Canberra 125 in Australia last January after going through a two-round qualifying, then went straight to play at the Grand Slams. 

Also out campaigning in India is Philippines’ top doubles player Francis Casey Alcantara, as he teams up with Pruchya Isaro of Thailand in the Chennai Open Challenger.

Seeded fourth in the 32-pair field, the Filipino-Thai tandem is set to face Czech veterans Jiri Vesely and Dalibor Svrcina.

Alcantara, ranked No. 240 in the Association of Tennis Professionals (ATP) doubles, last played at the Nonthaburi Challenger in Thailand last month with Czech partner Zdenek Kolar where they finished in the quarterfinals.

Manila Bulletin at 125: Staying true to its core values of fairness, accuracy, and impartiality

BY MANILA BULLETIN


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Today, Feb. 2, 2025, the Manila Bulletin celebrates its 125th anniversary, a monumental milestone in Philippine journalism.  


Through many challenges, the most recent of which are the changing landscape of delivering and consuming news, misinformation, and technological advances, the Manila Bulletin has kept its commitment to provide truthful information.  


Manila Bulletin is proud to have consistently delivered news, shaped public opinion, and chronicled history through its trusted and responsible reportage that survived many changes in government administrations, elections, natural disasters, a global pandemic, even two World Wars.


From its humble beginnings in 1900 as a four-page shipping journal, the paper has grown into a media institution known for its steadfast commitment to accurate news and insightful stories.


The paper was founded by Carson C. Taylor, a former US Army officer and teacher from Illinois, and initially focused on providing shipping and commercial information. Since its first issue on Feb. 2, 1900, it evolved to cover diverse topics that matter to Filipinos, navigating technological advancements and political shifts with resilience. Its journey saw interruptions — three years of the Japanese Occupation of the Philippines in 1942—45 and two months at the start of martial law in 1972. Yet, the Manila Bulletin remained unwavering in its mission to serve as a beacon of reliable information.
We are proud of this longevity where Manila Bulletin witnessed, recorded, and contributed to the development and growth of our country. By offering comprehensive news coverage, editorials, and features, it has shaped conversations on national and global issues. Its stories have mirrored the nation’s triumphs and trials. And the Manila Bulletin’s history is, in many ways, a reflection of the country’s journey.


Under the leadership of the late philanthropist-businessman Dr. Emilio T. Yap and now helmed by his son, Basilio C. Yap, as Chairman of the Board, and grandson, Dr. Emil C. Yap III as President and Vice Chairman, the publication has established a reputation as a reliable source of accurate information and an exponent of Philippine progress. 


It transitioned from print to digital platforms, reaching new generations of readers while retaining its trusted voice. Despite the rapid advancements in media technology, the newspaper has stayed true to its core values: fairness, accuracy, and impartiality.


A testament to its enduring credibility is its consistent high ranking in trust surveys. The most recent was a December 2024 survey where the Manila Bulletin was deemed “the most trusted broadsheet” by respondents who identified it as their top source for current events and news.


The trust factor has strengthened the publication’s credibility. Today, its commitment to responsible journalism is more vital than ever, as the public seeks reliable sources amid the overwhelming deluge of digital content.


Looking back, the Manila Bulletin’s stories were not merely news articles; they are pages of history. From documenting the political landscape through various administrations to chronicling advancements in technology and society, the publication has served as a witness to the nation’s progress.


As it marks its 125th anniversary, the Manila Bulletin faces the future with optimism and determination. Its editorial policy remains clear: to uphold decency, principle, and fairness while advocating for the best interests of the country and its people.


It will stay committed to providing information to guide decisions on local, national and global issues such as climate change, environmental conservation, cultural diversity and artificial intelligence (AI). 


Looking ahead, the Manila Bulletin — which now delivers news through print, online, video, and social media platforms — will continue to adapt to the evolving media landscape, exploring innovations while staying true to its mission as the “Exponent of Philippine Progress.”  

Pro tips for a weatherproof romantic date look

Make a lasting impression with these expert tips and tricks from professional makeup artists


The love season is officially here! To help you prepare for that much-awaited and much-anticipated date with your special someone, we asked professional makeup artists for some tips on how to create a romantic date look that is fresh and natural, even after long hours of wear.

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To create a romantic date makeup look that stays fresh and natural for hours, I start with a hydrating yet long-wearing base. I love using Sola Foundation Primer because it has really good coverage for a lightweight, semi-matte finish that doesn’t cake. 

For a long-lasting, flushed, fresh look, I like using a cream blush, like the one from Pixi Beauty, that acts as a soft lip stain, too. Both subtly fade throughout the night without looking patchy. A spritz of setting spray ensures everything stays in place.—Denise Go

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The key to lasting date night makeup is the base. I always recommend using the Dior Skin Forever Glow Veil Primer to prep the skin before applying makeup. It not only helps the makeup last all day but also keeps the skin hydrated and glowing.

Also, I always recommend focusing on one key feature of your face to create that dreamy date night look. For example: sexy eyes, flushed cheeks, or sexy, kissable lips. 

But for me, you can never go wrong with sexy, kissable lips, and they are very easy to achieve with just one product. Try the Dewy Lip Balm from Spotlight Cosmetics—it has an array of shades that match your tone and personality—so you can seal the date with a kiss.—Muriel Vega Perez

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For a flawless, undetectable base, start with Giorgio Armani Luminous Silk foundation. To enhance longevity, mist your face with setting spray before lightly setting it with translucent powder. For a natural, skin-like flush, apply a cream or liquid blush that melts seamlessly into the skin, then lightly dust with powder to lock it in.

For the eyes, opt for a soft pink or peach eyeshadow for a fresh, romantic touch—whether matte or with a hint of shimmer. Brown eyeliner enhances the eyes naturally, and waterproof mascara ensures smudge-free wear.—Joan Quizon

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Romantic date makeup should be timeless. A pop of berry lips, healthy blush on the cheeks, and coral or pink eyeshadow on the eyelids, finished with mascara, are my go-to looks. To make this look seamless, a satin-finish foundation is perfect. This is a combination of matte and dewy. To achieve this look, after applying your favorite foundation, set it with a setting mist, then apply powder only on the T-zone and V-zone of your face. This will give you a look that lasts all day and night.—Lei Ponce 


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I love the Mac Glow Play Blush because it has a perfect cream formula that is easy to apply and blend, even for beginners. It has a subtle shine finish that is just the right amount of glowy. It also lasts all day, even after a day at the beach.—Angeline Tan

Whether you're planning a candlelit dinner or a starlit stroll, these expert tips will help you create a romantic date look that lasts from the first hello to the final goodnight. With a focus on long-lasting bases, strategically placed color, and a touch of personal flair, you'll be sure to make a lasting impression.

‘Dog Man’ bites off $36 million, taking No. 1 at box office

BY ASSOCIATED PRESS


AT A GLANCE

  • One of the early year’s standout successes has been Sony Pictures’ “One of Them Days,” the R-rated comedy starring Keke Palmer and SZA.


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A scene from 'Dog Man' (Universal Pictures/DreamWorks Animation via AP)

NEW YORK (AP) — DreamWorks Animation’s “Dog Man” fetched $36 million in ticket sales at the weekend box office, according to studio estimates Sunday, making it the biggest debut yet in 2025.

It was a big opening for the Universal Pictures release adapted from the popular graphic novel series by author Dav Pilkey. The big-screen launch for the cartoon canine was produced for a modest $40 million, meaning it will easily coast through a profitable run. Audiences gave it an “A” CinemaScore.

Only one animated film before has had a better January launch: 2016’s “Kung Fu Panda 3.” “Dog Man,” though, was soft overseas, collecting $4.2 million from 29 international markets. The voice cast of the Peter Hastings-directed movie is led by Pete Davidson, Lil Rel Howery and Isla Fisher. 

Family movies last year buoyed the box office, with PG-rated films accounting for $2.9 billion, or 33 percent of all ticket revenue, according to data firm Comscore. So far, they’re lifting 2025, too. The Walt Disney Co.’s December release “Mufasa: The Lion King” topped the weekend box office three times in January. In its seventh week of release, “Mufasa” held in third place with another $6.1 million, bringing its global tally to $653 million.

“The PG animation family film wave that was so prevalent in ’24 continues in ’25,” said Paul Dergarabedian, senior media analyst for Comscore.

The horror comedy “Companion,” from Warner Bros. and New Line, also opened well, with $9.5 million in 3,285 locations. Drew Hancock’s sci-fi tinged film set in the near future is about a group of friends on a weekend lakeside getaway.

“Companion,” starring Sophie Thatcher ( “Heretic” ), was lightly marketed and made for just $10 million. It will depend on glowing reviews (94 percent fresh on Rotten Tomatoes) and strong word of mouth (a “B+” CinemaScore) to keep drawing moviegoers in the coming weeks.

Last week’s top film, Mel Gibson’s “Flight Risk,” dropped steeply in its second weekend. The action thriller starring Mark Wahlberg fell to fifth place with $5.6 million. Domestically, it has collected $20.9 million for Lionsgate.

One of the early year’s standout successes has been Sony Pictures’ “One of Them Days,” the R-rated comedy starring Keke Palmer and SZA. Though comedies have had a hard time in theaters in recent years, “One of Them Days” has proven a exception. The well-reviewed movie earned $5.6 million over the weekend, bringing its three-week total to $34.5 million – a stellar result for a movie that cost $14 million to make.

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. “Dog Man,” $36 million.

2. “Companion,” $9.5 million.

3. “Mufasa,” $6.1 million. 

4. “One of Them Days,” $6 million.

5. “Flight Risk” $5.6 million.

6. “Sonic the Hedgehog 3,” $3.2 million.

7. “Moana 2,” $2.8 million.

8. “A Complete Unknown,” $2.2 million.

9. “The Brutalist,” $1.9 million.

10. “Den of Thieves: Pantera,” $1.6 million.

AUDIOJUNKIE: Senti-core

BY PUNCH LIWANAG


AT A GLANCE

  • “U-Belt” by Jan Roberts definitely fits the bill with the soothing and relaxed sounds of this acoustic guitar driven tune.


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Sugarcane (Images courtesy of Facebook)

What is the world coming to? One doesn't have to look far to know that social media is friggin' messed up or rather, messed us all up. But this is not about that, contrary, this is about some senti music to slow down to.

“U-Belt” by Jan Roberts definitely fits the bill with the soothing and relaxed sounds of this acoustic guitar driven tune. We know little about Jan Roberts except that this 23-year-old singer-songwriter hails from Albay and that he’s been quietly releasing his songs since 2021. 

So far, JR has put out six singles from 2021’s “Binibini” to his latest (actually seven including his recent yule themed song). There’s a sense of quiet beauty in the singer’s minimalist approach. It’s usually just his acoustic guitar and smidgen of synths to add some melancholy atmosphere about his songs. Jan Roberts’ voice is not even exceptional but that’s not a put down mind you. Because what he lacks in vocal flash he makes up for in the overall vibe that his songs deliver. 

And his songs “Sagip” and “Hirap Kalimutan” are definitely singer-songwriter tunes that make you want to slow down and listen to what he’s crooning about, which in this case, is about sticking by your person and of precarious relations respectively. So far his listeners have responded handsomely to his music. These two in particular have so far garnered about 20 million streams on one platform alone.

Then there’s Jan Roberts’ lyrics. Here’s a sample in “Hirap Kalimutan” where he writes: “Dapithapon, naglalakad ako mag-isa / ‘Di upang makatipid, ngunit para ako’y makapag-isip-isip / Inihagis ang bato at panooring lumubog ito hanggang sa pinakailalim / Habang hinayaan ang sariling malunod sa lungkot.” Quiet beauty indeed. Besides the new single “U-belt” other hotspots in Jan Roberts’ catalog include the excellent “Escolta” which features the equally superb voice of a certain singer called Tangi.

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Amiel Sol

Just recently, we featured singer-songwriter Amiel Sol and his latest single “Sa Bawat Sandali” in this column. Since then, “Bawat Sandali” has racked up the streams and has so far, more than 8 million listens (in one platform alone) since it was released more than a month ago. Just like Jan Roberts, Amiel Sol has been connecting with wistful sounding, acoustic guitar-flavored minimalist tunes. The more than 8 million stream surge by Amiel Sol with “Sa Bawat Sandali” is his best performing moment at the streaming platforms so far. His 2023 song “Ikaw Lang Patutunguhan” has racked up more than 11 million streams but spread over more than a year.

With Amiel Sol and Jan Roberts enjoying significant streams that go beyond tens of millions, it’s safe to say that there’s a surging senti-core movement currently happening in Pinoy pop. Other movers include Arthur Miguel, EJ De Perio, Dana Paulene and Liel to name a few. The more the merrier as they say, or should it be the more the senti-er? 

Other hotspots from this past weekend’s releases include Sugarcane with “Tanging Ikaw.” The self-described folk-pop sextet makes for a swinging mid-tempo tune that’s equal parts yearning and playful. Sugarcane includes Cedric Angeles on vocals and guitars, Carl Guerzon on bass, Ronamae Tiñola on flute, Frain Reyes on lead guitars, Luis Beato on keyboards and Froilan Bautista on drums.

Modern-day troubadour Johnoy Danao returns with a playful new song in “Magkasama.” Lively, whimsical or just call it what you want, this upbeat and jazzy tune that features Project Yazz – the Pinoy jazz group that includes Faye Yupano, Bergan Nuñez, Ken Castillo, Lui Tan and Jacques Dufourt- brings some spot-on but playful musicianship (those brass and lead guitar) to Danao’s musings and ‘swabe’ delivery.  

One last thing, remember that when the noise gets to be too much. you always have the option of turning it off. 

Organizers defend Ben&Ben from allegations of being difficult to work with: 'I don't think that's fair'

BY ROBERT REQUINTINA


AT A GLANCE

  • Founded in 2015 as the country’s first-ever Philippine Music Festival, Fusion was created with a vision: to unite all forms of OPM—across genres, generations, and managements—into one grand celebration.


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Ben&Ben (Images courtesy of Facebook)

Organizers of an upcoming Filipino music festival have come to the defense of OPM band Ben&Ben in response to allegations that the band is difficult to work with.

"I want to defend Ben&Ben from allegations that the group is a diva when it comes to dealing with them. Pero para sabihin na sila ay unreasonable and hard to work with, I don't think that's fair. (But to say they are unreasonable and hard to work with, I don't think that's fair)," said Gladys Basinillo, founder of Fusion, during an interview for the Fusion: The Philippine Music Festival, which will be held at the CCP Open Grounds on March 15.

Gladys added: "The group is very detailed regarding their requirements and technical aspects of the show. They work with the supplier and budget we have. They are reasonable; that's why I cannot call them a diva." 

"Just because ma-detalye sila, demanding na. No. You have to understand the group is a nine-piece band. Hindi talaga sila madaling isalang. But they are very prepared. (Just because they're detailed, they're demanding. No. You have to understand the group is a nine-piece band. They're not really easy to put together)," she said.

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Ben&Ben

Fusion: The Philippine Music Festival

The festival is back for another go, bringing together icons, rising stars, and a world-class production.
 
Get ready for an electrifying night of OPM as Fusion: The Philippine Music Festival brings together some of the biggest names in the industry at the CCP Open Grounds on March 15.

Headlined by Ben&Ben, December Avenue, and Zack Tabudlo, the festival promises an unforgettable experience with powerhouse acts like The Itchyworms, Barbie Almalbis, Alamat, KAIA, Maki, Jan Francis and ALLMO$T, alongside an exciting lineup of rising stars and dynamic DJs. 

Directed by Paul Basinillo and powered by Nestea, Nescafé, Bear Brand Sterilized, Hapee, Dazz, and Fudgee Barr, Fusion is set to be more than just a concert—it’s a celebration of Filipino music at its finest.

Founded in 2015 as the country’s first-ever Philippine Music Festival, Fusion was created with a vision: to unite all forms of OPM—across genres, generations, and managements—into one grand celebration. 

From the start, it stood as a testament to OPM’s power, bringing the nation together while delivering top-tier production value to showcase and support Filipino talent.

More than just a concert, Fusion: The Philippine Music Festival is a celebration of unity through Original Pinoy Music (OPM). Music is the heartbeat of the Filipino spirit, bridging generations and connecting the nation through a universal language. 

Over the years, Fusion has evolved into a cultural movement—a rallying cry for Filipinos to take pride in their artistry. More than just a festival, it serves as a platform that elevates homegrown talent, uniting legacy icons, global Filipino musicians, and emerging artists in a one-of-a-kind OPM experience.

"Now is the time to put OPM in the spotlight," said Gladys. "While international acts continuously fill arenas and festivals across the country, our own artists and music deserve the same level of support. Fusion is here to make that happen—to give Filipino music the recognition it deserves." 

“Looking back at the very first Fusion concert in 2015, our goal was simple: to unite artists from different genres and showcase the strength of Original Pilipino Music (OPM). 

Now, 10 years later, we’re taking things to the next level—not just by gathering the best and biggest artists, but by redefining what it means to go to a concert," shared Paul.

"If we can create top-tier productions for international artists, why shouldn’t we do the same—if not more—for our own? We want to bring back the thrill of live music—to make concert-going a must-do experience again, especially for the younger generation. Fusion 2025 is designed to be more than just a show—it’s an all-day, immersive festival that goes beyond the main stage.”

Fusion 2025 carries the powerful theme “Musika Natin ‘To!”—a call to embrace and uplift OPM with pride. This milestone event will bring together the best of Filipino music in an immersive experience that goes beyond performances, featuring interactive art, cultural exhibits, and a showcase of local flavors.

More than a festival, it is a declaration that OPM is not just music—it is our identity, our pride, and our story as a nation.

"This 10th year of Fusion is a milestone for OPM, proving that Filipino music continues to evolve, grow, and inspire. But more than that, it’s a milestone for live entertainment in the Philippines. This is our chance to set the standard for what a modern Filipino music festival can be—something that rivals international festivals, with our own unique identity.” said Paul.

“This isn’t just about the past decade of OPM. This is about the next generation of Filipino music artists and fans. This is about bringing people back to live events, making concerts an experience they will always want to be part of.”

"As we showcase to the country and the world our passion for OPM, we hope to inspire more institutions, organizations, and every Filipino to join us in this journey of putting our OPM as front and center in our music scene,” added Gladys.