Creating cinematic milestones between France and the Philippines
By Rica Arevalo
Published May 31, 2025 08:18 am
With the co-production agreement, cultural exchange and collaborative productions enable the French and Filipinos to be on equal footing.
Last month, we were at the Marché du Film of the Cannes Film Festival in France to meet film industry professionals from 140 countries, attend conferences, and watch films with passionate cineastes all over the world.
The highlight for us Filipinos was the co-production agreement between the Philippines and France, the world premiere of Lav Diaz’s “Magalhães (Magellan),” starring Gael Garcia Bernal, and the Filipino entry in the short film competition entitled “Agapito,” from directors Arvin Belarmino and Kyla Danelle Romero.
With the co-production agreement, cultural exchange and collaborative productions enable the French and Filipinos to be on equal footing. Their co-produced films are recognized as national productions in both countries, as well as qualifying for incentives from both the Film Development Council of the Philippines (FDCP) and the Centre National du Cinéma et de l'ImageAnimée (CNC).
France has been at the forefront of film preservation and heritage, and sees the Philippines as a key partner in co-production collaboration between Europe and Asia.
In the last 25 years, only three short films from the Philippines have been selected in the competition: “Animo” by Raymond Red in 2000, “Imago” by Raymund Ribay Gutierrez in 2016, and this year’s “Agapito” by Arvin Belarmino and Kyla Danelle Romero.
At the Philippine Pavilion, we met Arvin, and he shared how his Cannes experience was marred by challenges. “Sa akin sobrang divine intervention (It was divine intervention),” said Arvin. He erroneously got a rejection letter from the organizer stating that his short film did not get in. On the way to Cannes, his luggage was stolen too. “Ginawa lang naming siya to test the actors kasi si Nour (Hooshmand) din ang ‘Ria’ ko (We made this short film to test the actors because Nour is the lead in ‘Ria’),” he confessed. “Ria” is Arvin’s much-awaited full-length directorial debut, which will start filming on June 9, 2025. “It’s just for me to have this relationship at work because it’s a full-length.” They submitted “Agapito” to different festivals. “Dito (Cannes) kami lumanding (We landed in Cannes).”
At the Cannes Premiere section, “Magalhães (Magellan)” was well-applauded at the Debussy Theatre. After the end credits, Lav Diaz said to the crowd, “Thank you very much.” The mic was given to Gael Garcia Bernal, and he replied, “Muitoobrigado (Thank you very much), obrigado, Lav.” There was mutual respect between the two accomplished men.
“Magalhães (Magellan)” follows Portuguese explorer Ferdinand Magellan and his marriage to Beatriz Barbosa, before traveling on the Spanish crown's expedition to Southeast Asia, propagating Christianity, and scouting for spices and treasures—Lav’s ending questions the existence of Lapu-Lapu based on his seven years of research.
Actor Bong Cabrera, who plays Rajah Kolambuwas, was educated in independent filmmaking by watching the Gael-starrer, “Y tumamá también,”“Amores Perros,” and “Bad Education.” “‘Yung films ni Gael, iyon ‘yung mga first independent films na napapanood ko (Gael’s films were the first independent films I saw,” said Bong. “He’s (Gael) a cool guy, mahilig siya sa karaoke.” The first time they met, they sang Yoyoy Villame’s “Magellan.” “Sobrang nakakatawa siya kasi after naming kumanta, sabi ba naman niya (He is so funny, after singing he said), ‘This is sacrilege! Mother, mother I am sick.’”
The Cannes experience for Bong was surreal. “From shooting sa mga mapuputik sa Pilipinas, tapos bigla kasama si Gael, tapos nandito na kami biglang nag walk sa red carpet in Cannes, medyo nakakataba ng puso (From shooting in the muddy areas of the Philippines, being joined by Gael, then walking down the red carpet in Cannes, it’s heartwarming) with all the support from Filipino community.”
For “Magalhães (Magellan),” we hope for Filipinos to see it in local theaters before the year ends. Nour Films acquired the distribution rights of the film in France. “For one, there is this statement in the film that is very controversial,” said Bong. “But I think the purpose of Direk Lav is to create a discourse with what’s going on.”
While at the airport on our way back to Manila, Lav cornered us to say that the film will go on a festival run tour, and he hopes to finish a nine-hour-long director’s cut. We wish him all the best as he is one of the innovators of the slow cinema movement.