๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐!



This might not be the typical expat blog, written by a German expat, living in the Philippines since 1999. It's different. In English and in German. Check it out! Enjoy reading! Dies mag' nun wirklich nicht der typische Auswandererblog eines Deutschen auf den Philippinen sein. Er soll etwas anders sein. In Englisch und in Deutsch! Viel Spass beim Lesen!
๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐!
Far Eastern University cruised past University of the East, 25-23, 25-19, 25-20, for its second straight win in the UAAP Season 87 womenโs volleyball tournament at Mall of Asia Arena in Pasay City Wednesday, March 5.
Far Eastern University cruised past University of the East, 25-23, 25-19, 25-20, for its second straight win in the UAAP Season 87 womenโs volleyball tournament at Mall of Asia Arena in Pasay City Wednesday, March 5.
The Lady Tamaraws turned a tight first set into a one-sided affair in the next two frames, with Gerz Petallo pouring in 12 points off 11 kills and one ace with eight excellent digs and six excellent receptions, and Chen Tagaod and Mitzi Panangin registering 11 points each.
Tin Ubaldo, for her part, posted 13 excellent sets with one kill, one block and two aces including the one that served as a game-point.
โSiyempre mas maganda โyong ganitong โtrend, naga-eye kami na makapasok sa Final Four ulit,โ said FEU head coach Tina Salak.
โAt the end of the day, kailangan naming mag-aim sa goal naminโฆ na โdi mawala โyon,โ she added.
Khy Cepada and Nessa Bangayan produced another double-digit scoring effort of 14 points apiece in a losing effort.
The Tamaraws rose to third spot with a 3-2 card while the Warriors suffered their fifth loss in as many outings.
Up next for FEU are the Adamson Lady Falcons this Saturday, March 8, at the same venue.
BY PINKY CONCHA-COLMENARES
DRIVING THOUGHTS
Ask a young person what was the last book he or she read, aside from a school text book, and youโll likely get a surprised stare. Thatโs what I often get when I ask that question to an applicant for a job or for on-the-job-training. A few of the book titles mentioned were graphic novels which were extensions of a television series or movie. A long time ago, an applicant said he read โThe Catcher in the Ryeโ by J.D. Salinger. That sparked a conversation because I was impressed by the character in that book. That applicant is now our reporter who has covered major beats, among them the Senate and Comelec.
In an age dominated by social media, streaming services, and bite-sized digital content, traditional reading habits are on the decline. Studies show that young people today spend significantly more time scrolling through TikTok, Instagram, and other platforms than reading books, newspapers, or even long-form articles. (Most of the applicants Iโve interviewed have forgotten the last time they have read a print edition of a newspaper.)
While the internet offers vast amounts of information, the shift from deep reading to skimming headlines and short captions raises concerns about critical thinking, comprehension, and creativity. Yes, critical thinking which comes from comprehension, which starts with reading.
Itโs a good question to ask: Why is reading culture declining? Hereโs a few reasons I got from articles on studies on that topic:
There is a shorter attention span among young people because social media platforms promote quick, engaging content that trains users to consume information in seconds rather than spending hours reading a book or article.
There is โinstant gratificationโ provided by the digital world which gives immediate entertainment, making traditional reading feel โslowโ or less rewarding.
Many students associate reading with schoolwork, tests, and stress rather than leisure and enjoyment.
There is lack of accessible reading materials at home and even in some schools. Having well-stocked libraries, and books can be expensive.
Video games, streaming platforms, and social media provide immersive experiences that many find more appealing than reading.
What many people may have forgotten is that reading is more than just a pastime; itโs essential for cognitive development, critical thinking, empathy, and communication skills. Research shows that those who read regularly tend to have stronger vocabulary, better writing skills, and a greater ability to focus. The decline of reading culture could lead to a generation less equipped to engage deeply with complex ideas, analyze information critically, or appreciate diverse perspectives.
At home, we should do our part to encourage young people to read. Start by promoting reading as an enjoyable activity. Instead of presenting reading as a chore, introduce young people to books that align with their interests whether itโs fantasy, mystery, comics, or nonfiction.
Since many young people prefer screens, promoting e-books, audiobooks, and interactive storytelling apps can bridge the gap and encourage them to read.
We can also make reading a social activity by creating book clubs online or offline where young readers can discuss books with peers.
Try to incorporate reading into pop culture. Television series and movies adapted from books (like Harry Potter, The Hunger Games) can lead young viewers to explore the original books.
And if youโre a celebrity or an influencer, please actively promote reading as a cool and valuable habit.
Do your part to improve access to books because buying them are expensive for the young reader. Schools and local governments should invest in well-stocked libraries. Book swapping programs, secondhand book fairs, and free digital libraries can help make reading materials more available.
Best of all, set an example. If parents, teachers, and influencers make a habit of reading and discussing books, young people are more likely to follow. Schools should integrate reading for pleasure in curricula, not just reading for exams.
Whatโs good to know is that the decline in reading culture is not irreversible. By adapting to modern habits, making reading more accessible and engaging, and fostering an environment that values storytelling, we can help young people rediscover the joy of books beyond social media. In a world overflowing with information, the ability to read deeply and critically is now more important than ever.
Part of the festival is a Short Film Competition highlighting emerging voices in Filipino cinema.
From simple beginnings in a humble home in San Jose del Monte, Bulacan, equipped with only minimal resources and a young womanโs impossible yet unstoppable dream, EdukSine has now spread its wings in an attempt to conquer the world via North America.
Newly formed EdukSine USA Corporation and EdukSine Studios Corporation jointly announced the launch of their inaugural EdukSine Online Filipino Film Festival: A Festival of Filipino Films, A Home Away from Home, set to run from March to May 2025. This online celebration of Filipino cinema will showcase 10 award-winning independent films and a curated selection of short films, all available for free streaming across the US and Canada.
This festival is made possible through the support of DTI Philippines, DTI Los Angeles, Malikhaing Pinoy, Canadaโs InArte Society, the Philippine Consulate Generals in San Francisco and Los Angeles. Special thanks to DTI Assistant Secretary May Niรฑa Celynne Layug and Trade Commissioner Eric Elnar of DTI Los Angeles who worked tirelessly to make this great project possible.
The festival is led by Karen Jane Salutan-Krukover, a Filipino immigrant and founder of EdukSine Studios in the Philippines, and EdukSine USA Corporation. Karen's dedication to Filipino arts and culture is reflected in her journey from the Philippines to the United States, where she built a global platform for Filipino filmmakers and artists. This festival is a testament to her resilience and strength, fueled by her personal story of overcoming profound challenges, including the passing of both her parents.
With the support of her husband, Dennis Krukover, Co-Founder, Executive Producer, and angel investor of EdukSine USA, this festival aims to showcase Filipino culture through the lens of Filipino cinema.
EdukSine began as a small effort to bring Filipino films to underserved regions, the mountain villages of Kalinga and the coastal province of Tawi-Tawi. Over time, it has transformed into a digital platform with the help of the Department of Science and Technology, allowing Filipino films to reach audiences worldwide. This festival marks a significant milestone in EdukSineโs mission to promote Filipino culture and arts on a global stage.
The festival will also debut Baliw na Pag-ibig, a romantic comedy short film by Karen This film features her late parents, who were not only her first supporters but also her first actors and ticket sellers. It is a tribute to their memory, celebrating their lives and the love they always gave her.
A festival of Filipino stories
The EdukSine USA Online Filipino Film Festival is more than just a film screening event. It is a celebration of the Filipino spirit and resilience. The films featured in the festival span various genres and themes, including:
1) Agriculture & sustainability โ Honoring our farmers who nourish our land and people
OFW Journeys โ The sacrifices and resilience of Filipinos working abroad
2) Ending Violence Against Women & Children (VAWC) โ Stories of survival, justice, and empowerment
3) Family โ The unbreakable bonds that define us as a people
4) Hopes & Dreams โ The power of ambition, perseverance, and hope
5) Education โ Knowledge as a tool for transformation
6) LGBTQ+ Representation โ Stories of love, identity, and acceptance
7) Indigenous Culture โ Preserving the wisdom and artistry of our ancestors
Social Issues โ Raising awareness and inspiring action
A few of the films showcased in the fest are:
The Adventures of Kween Jhonabelle by James Buan, Instalado by Jason Paul Laxamana, Sinandomeng by Byron Bryant, Pauwi Na by Paolo Villaluna, Otso by Elwood Perez.
Short film competition
Part of the festival is a Short Film Competition highlighting emerging voices in Filipino cinema. The winners will receive cash prizes and other incentives, offering filmmakers the opportunity to showcase their work on an international stage.