Facebook, Google, TikTok, Twitter express support for DOH’s campaign vs COVID-19 misinformation

by Analou de Vera, Manila Bulletin

Technology companies Facebook, Google, TikTok, and Twitter expressed their support to the campaign against misinformation on coronavirus disease (COVID-19) and vaccines, the Department of Health (DOH) said on Wednesday, April 7. 

The DOH on Wednesday launched “Check the FAQs”  campaign that emphasizes the “importance of accurate information in the fight against the COVID-19 pandemic and encourage the public to fact-check information that they come across.”

“Playing an important role in championing media literacy on vaccines, Facebook, Google, TikTok, and Twitter have committed to support the campaign which includes helping build awareness for the initiative,” the DOH said in a statement. 

“As COVID-19 vaccination becomes top priority across the globe, we must also race to fight disinformation and misinformation surrounding COVID-19 vaccines and the pandemic. Spreading the right information can save lives,” said Beverly Lorraine Ho, director of the DOH’s Disease Prevention and Control Bureau and the Health Promotion Bureau. 

The DOH said that a “Check the FAQs” page on its website was put up in order  for “Filipinos to have a source of trustworthy information about COVID-19 and its vaccines.”

“Whenever you see or hear new information, we encourage everyone to #ChecktheFAQs. With the campaign and by promoting this single message on social media platforms, we hope to urge every Filipino to always verify any information regarding the vaccines they may come across,”  said Ho. 

Facebook  will “make it easy for people to find authoritative COVID-19 and vaccine information” among its users, said Facebook Philippines’ Public Policy Head Clare Amador. 

“Since the beginning of the pandemic, we’ve connected over 2 billion people to resources from health authorities through our COVID-19 information center and pop-ups on Facebook and Instagram. We are also taking action against accounts that break our COVID-19 and vaccine rules—including reducing their distribution or removing them from our platform. While misinformation is complex and always evolving, we continue using research, teams, and technologies to tackle it in the most comprehensive and effective way possible,” she said. 

Google, meanwhile, committed to protect its platforms from “misinformation and connecting more people to information they can trust,” said Google Philippines Director Bernadette Nacario.

“That includes taking down harmful and misleading content across our products, raising authoritative information on Search and YouTube, providing ad grants, and supporting quality news reporting on vaccines,” said Nacario.

“Globally, more than 700,000 videos related to dangerous or false COVID-19 information have been removed and our information panels on YouTube have been viewed 400 billion times, making them a valuable source of credible information,” she added. 

Misinformation and disinformation that continue to spread about immunization can cost lives, said  Kristoffer Rada, TikTok Philippines Head for Public Policy.

“At TikTok, we are committed to minimizing the spread of potentially misleading COVID-19 vaccine content. We take the responsibility of helping counter inauthentic, misleading or false information. To combat these, we’ve collaborated with fact-checking partners to determine whether the content shared on the platform is false,” said Rada. 

Twitter, meanwhile, has committed to protect the public’s conversation with regards to COVID-19, said Twitter Southeast Asia Head of Public Policy, Government and Philanthropy Monrawee Ampolpittayanant.

“We also recently implemented new policies to apply labels to the Tweets that may contain misleading information surrounding COVID-19, in addition to our continued efforts to remove it,” said Ampolpittayanant.

 

Typical Filipino (V) - Typisch Philippinisch (V) : Faith Healer - Wunderheiler

Selbst Patienten aus Europa und Amerika haben sich in die Hände philippinischer Wunderheiler begeben, denen man übernatürliche Heilkräfte nachsagt. Angeblich können sie ohne Instrumente Operationen durchführen und Wunden verschließen, ohne Narben zu hinterlassen. Sie beten mit göttlicher Hilfe. Zeigt ihre Behandlung keinen Erfolg, so liegt dies, wie man sagt, am Verlust ihrer Fähigkeiten. Das wird damit erklärt, daß sie zum Beispiel der Gewinnsucht anheimfielen oder ihre Energien erschöpft haben. Ein bekannter Wunderheiler zögerte nicht, sich im Krankenhaus am Blinddarm operieren zu lassen, und das mag - oder auch nicht - etwas über Wunderheilung aussagen. Ich habe andere, positive Erfahrungen machen können. Auf jeden Fall besteht die Tradition schon seit mehreren Jahrhunderten.

Even patients from Europe and America have placed themselves in the hands of Filipino faith healers who are said to have supernatural powers. Allegedly, they can perform operations without instruments and close wounds without leaving scars. They are praying with divine help. If their treatment is unsuccessful, it is said to be due to the loss of their skills.This is explained by the fact that they e.g. have fallen victim to profitability or have exhausted their energies. A famous faith healer did not hesitate to have an appendix operated in the hospital - and this says - or not a lot about faith healing. I have had other, positive experiences during the last 30 years. In any case, the tradition has existed for several centuries.

Typical Filipino (IV) - Typisch Philippinisch (IV): "Tampo" - der große, leise Seufzer

 

"Tampo" - der große, leise Seufzer

Da Filipinos Ärger oder Verstimmung oft nicht gern offen ausdrücken wollen, äußert  sich das in der Form von stiller Mißbilligung und dem Vermeiden der sonst üblichen Fröhlichkeit in Anwesenheit jener Person, über die man sich ärgert. Solche Signale sollten genügen, um den Übeltäter zu veranlassen, die Harmonie wieder herzustellen, nicht notwendigerweise durch ein Gespräch über das Problem, sondern indem er sich über das Wohlergehen der verletzten Person besorgt zeigt.

Es ist wichtig, auf diese Zeichen mit freundlichen Angeboten zu reagieren, andernfalls werden die Beziehungen sich weiter verschlechtern. Filipinos lassen sich meist einige Zeit zum "Abkühlen" und antworten dann mit freundschaftlichen Annäherungsversuchen.

Since Filipinos often do not want to express anger or disgruntlement openly, this is expressed in the form of silent disapproval and avoiding the usual cheerfulness in the presence of the person they are angry about. Such signals should be enough to induce the culprit to restore harmony; not necessarily by talking about the problem, but by showing concern for the injured person's welfare.

It is important to respond to these signs with kind offers, otherwise the relationship will continue to deteriorate. Filipinos usually take some time to "cool down" and then respond with friendly advances.

WITH BEETHOVEN UNDER PALMS (X)

 

Chapter X: I married a family

Rossana and I invited 100 guests for our wedding reception. But more then 300 guests came. That was learned Filipino tradition. I felt very comfortable between all the many people. For some minutes, I missed "my" Ludwig van Beethoven" ... .

The farewell after our wedding was a mixture of sheer party happiness and many, many farewell tears. For the picture taken at the airport, one quickly shed all tears and smiled. We didn't know when we would come back to Davao City.

Our stay at the German Embassy in Manila lasted only 10 minutes. Rossana got her visa for Germany.

April 1983. Our 10-hours-flight from Manila to Frankfurt wasn't a problem. But my obligatory phone call at home Frankfurt. My mother had successfully survived the cancer operation but stayed in our best friends' house. My father had left.

After the connecting flight Frankfurt - Berlin, Rossana and I rushed to my apartment. A typical 1-room Bachelor apartment with bathroom, kitchen and balcony somewhere in the middle of the Berlin city. 

"I am hungry", sighed Rossana. "Don't you have rice or fish?" There was only canned Ravioli and bags of soups. " I like roasted chicken", replied Rossana. I was really too tired to go with her to a restaurant. She ate some of the Ravioli... . The first part of her culture shock had started.

Just a week later, my beloved Lola died. I almost got my heart out of my body. Rossana didn't get a visa for the other - the communist Eastern part  of Germany - the German Democratic Republic. My mother and I made us alone on the way to the funeral. It rained the whole day. "I hope one day I will get to meet your Asian wife!" Those were Lola's last words on my visit a week before my Philippine journey.

Rossana was getting more and more lonely in Germany. I was trying to help her.

"Your friends only speak to me in English, but I would like to speak in German", Rossana told me one day. Summer 1983, she enrolled in a German language course. Daily six hours Mondays until Fridays.

She liked our balcony and took care of the plants and flowers. 

"Would you like to go to the theatre one day?" I asked. As a member of the Berlin Theater Club, I got tickets for stage plays, classical music concerts and Musical performances. Rossana replied, "Yes. When?" " I have two tickets for a Broadway Dance Revue", I told her. Of course, it was not Beethoven and Co. But, it was exactly Rossana's style as a dancer.

(To be continued!)

GIVING WHILE LIVING

Philanthropy is a very interesting topic. Philanthropy comes from the Greek "philein" (to love) and "anthropos" (man) and means a desire to help mankind, especially as shown by gifts to charitable institutions.

Philanthropists are loving and seeking to do well to their fellow men (and women) and are paying more attention to how they give their money away. Especially during this pandemic, if more and more people get jobless and businesses crash down.

In times of pandemic, political crisis and corruption, we might only observe our own pockets becoming emptier and emptier, while others' slop over. Giving while living? Of course not, getting and receiving as much as possible seems to me the motto many times. 

One of the Bible's books of poetry, the Proverbs really offers advice on every imaginable area of life. The style of wise living described here leads to a fulfilled life. Proverbs 28:27 say:"He who gives to the poor will lack nothing, but he who closes his eyes to them receives many curses!"

In view of a feature in an old issue of the magazine "The Economist" I learned that Andrew Carnegie ("The King of Steel'', 1835-1919) would surely have approved of Lord David Sainsbury. The supermarket tycoon turned politician was one of Great Britain's richest men. It was reported that he not only intended to give away at least $ 1.83 billion during his lifetime, but to insist that this charitable foundation spent both its income and capital before he passed away.

Few rich donors have yet gone this far. But Lord Sainsbury's decision was part of a broad trend among a new generation of philanthropists to play an active role in seeing that their money is very well spent. Such efforts should be applauded. In his great 1889 essay on wealth, Carnegie, who gave away about $7 billion in today's money - argued that the rich had the duty to use most of their money to benefit the community, and should do so actively during their lifetime. Let's look around if we can still find such donors and patrons in our daily life.

Typically Filipino (III) - Typisch Philippinisch (III)

"Aswang"

Aswang ist eine böse Kreatur der Unterwelt, die bisweilen die Gestalt eines Schweines oder eines Hundes annimmt, manchmal auch die eines Nachtvogels namens TIK-TIK. ASWANG mag jeder Person schaden, doch bewegt dieses Wesen schwangere Frauen, da menschliche Fötusse seine Lieblingsspeise sind.

Aswang is an evil creature of the underworld that sometimes takes the shape of a pig or a dog, sometimes that of a night bird named TIK-TIK. ASWANG may harm everyone, but this creature moves pregnant women as human fetuses are his favorite food.

Weekly oil price hikes: Profit-making or genuine market dynamics?

by Manila Bulletin

As consumers complain of dizzying hikes in oil prices, or at times, unsatisfied at the amount of rollbacks in recent weeks, the oil companies are consequentially suspect of profit-taking.

The deregulation of the downstream oil industry is already traversing roughly 23 years — yet the fires of controversies are still very much focused on the same concern — pricing.

Battle lines though may have been shifting a bit as industry competition gets tougher and the players’ trump card now hinges more on aggressive strategies to corner patrons and gobble up rivals’ market shares.

And in a legitimate sense of price competition, that would be a very acceptable proposition. However, recent swagger of big-time price hikes undoubtedly snitched thunders, and tugged all the other industry players into the ‘defensive’ side. Subsequently, politicians as well as advocacy groups are back in vilifying them – some want freeze in price hikes; while lawmakers and the Department of Energy (DOE) have been batting for more transparent pricing; hence, they’re urging the oil companies to itemize the cost components of their products retailed at the pumps.

With prospects of economic recovery post-COVID, the main question in consumers’ mind is: how are prices headed in the coming days? No one has a crystal ball; but there are pricing benchmarks and intervening factors that the industry has been analyzing weekly relative to their price adjustments.

The industry previously reached a consensus on weekly price movements referencing on the Mean of Platts Singapore (MOPS) or the moving average of prices of oil commodities traded in Singapore. Even refiner Petron Corporation adheres to MOPS-based pricing because that assures it of competitive pricing versus finished product importers.

Another factor influencing price movements is the fluctuation in peso-dollar exchange rates. Beyond these, competitive forces could be held as the strongest element affecting price movements. For example, if an oil company estimates price hike to be at P1.00/liter but its competitor station nearby is selling even lower, that player will be forced to match the price of the other firm so it will not lose customers – in the context of market competition, that is typically called “destroyer pricing.”

And since the Philippines is heavily dependent on importation for its oil supply, it is inextricably hostage to developments that have been affecting supply-demand balance and international price swings that are either triggered by geopolitical factors (i.e. weather conditions, terrorist assaults in oil-producing countries) or market speculation (including economic recovery forecasts). Other pricing pressures are traced to fluctuations in the consumption or the rise-and-fall in oil inventories of major economies, like the United States and China, which are closely monitored as these affect market fundamentals especially if there are depressing news, such as the lingering impact of the pandemic and slower economic growths.

So why would an oil company choose to stay in the market amid the rough patches? Beyond business, perhaps, it is because of the challenge of providing Filipinos such a basic commodity and in becoming part of an industry that supports the economic growth of the country.

Samantha Bernardo tops Miss Grand International 2020 swimsuit competition

Samantha Bernardo

 

by Robert Requintina, Manila Bulletin

Miss Philippines Samantha Bernardo topped the swimsuit round of the Miss Grand International 2020 pre-pageant competition.

On Facebook, organizers said Bernardo was ranked No. 1 in the swimsuit category as voted by pageant fans.

Aside from Bernardo, other beauties in the top 5 of the swimsuit round are delegates from 2) Indonesia; 3) Mexico; 4) Cambodia; and 5) Paraguay.

The judges will also announce the other top 5 candidates in swimsuits.

Sixty-candidates are competing in the Miss Grand International 2020 pageant in Bangkok, Thailand.

Typically Filipino (II) - Typisch Philippinisch (II)

 "Tao"

Das Wort für Mensch heißt TAO. Es wird in verschiedenen Versionen verwandt, die aber alle die menschliche Würde oder Zerbrechlichkeit betonen. Menschliche Schwächen werden mit dem Satz "Wir sind alle nur Menschen" (Sapagkat kami ay tao lamang) entschuldigt.

Der Ausdruck TAO bezeichnet auch den einfachen Menschen, den Bauern und den Arbeiter. Und, wer seine Anwesenheit im Haus eines anderen ankündigen will, klopft an und sagt: "Tao po", was bedeutet "Ein Mensch ist hier!"

The word for human is tao. It is used in different versions, of all which emphasize human dignity or fragility. Human weaknesses are excused with the sentence: We are all just human beings.

The term TAO also describes the common man or woman, the farmer and the worker. And whoever wants announce his presence in someone's else house, knocks and says: "Tao po", which means "a human or a person ist hier!"

PMPC releases official list of nominees for 36th Star Awards for Movies

by Robert Requintina, Manila Bulletin

Mainstream and independently-produced movies are set to vie in the 29 categories as the Philippine Movie Press Club (PMPC) announced its nominees for the 36th Star Awards for Movies.

Four Special Awards will be given to deserving awardees.

The Nora Aunor Ulirang Artista Lifetime Achievement Award will be given to Ms. Angie Ferro while the Ulirang Alagad ng Pelikula sa Likod ng Kamera Lifetime Achievement Award shall be conferred to Director Elwood Perez.

The 36th PMPC Star Awards edition will be led by 2021 PMPC President Roldan Castro together with 2020 PMPC President Sandy Es Mariano, and the officers and members of the Philippine Movie Press Club. Details of the awarding ceremonies will be announced soon.

Here is the official list of nominees:

MOVIE OF THE YEAR

• “Hello, Love, Goodbye” (Star Cinema)

• “LSS” (Globe Studios and Dokimos Media Inc.)

• “Maria” (BlackOps Studios Asia and Viva Films)

• “Quezon’s Game” (Star Cinema, Kinitek Productions, iWant)

• “The Panti Sisters” (Black Sheep Productions, The IdeaFirst Company, Quantum Films)

• “Unforgettable” (Viva Films and The IdeaFirst Company)

• “Write About Love” (TBA Studios)

MOVIE DIRECTOR OF THE YEAR

• Crisanto Aquino (Write About Love)

• Jade Castro (LSS)

• Cathy Garcia-Molina (Hello, Love, Goodbye)

• Pedring Lopez (Maria)

• Erik Matti (Kuwaresma)

• Jun Robles Lana (The Panti Sisters)

• Jun Robles Lana and Perci Intalan (Unforgettable)

INDIE MOVIE OF THE YEAR

• “Babae At Baril” (Cignal Entertainment, Epicmedia, QCinema)

• “Edward” (Cinemalaya Foundation, Awkward Penguin, Viva Films, Outpost Visual Frontier)

• “Guerrero Dos, Tuloy Ang Laban” (EBC Films)

• “John Denver Trending” (Cinemalaya Foundation, What If Films Philippines, Southern Lantern Pictures, Tinker Bulb Productions, Outpost Visual Frontier)

• “Kalel, 15” (The IdeaFirst Company, Octobertrain Films, Cignal Entertainment)

• “Lola Igna” (ERJ Found Films and EMBA Productions)

• “Metamorphosis” (Rebelde Films and Cinema One Originals)

• “Mindanao” (Center Stage Productions)

INDIE MOVIE DIRECTOR OF THE YEAR

• Arden Rod Condez (John Denver Trending)

• Carlo Ortega Cuevas (Guerrero Dos, Tuloy Ang Laban)

• Brillante Mendoza (Mindanao)

• Thop Nazareno (Edward)

• Rae Red (Babae At Baril)

• Jun Robles Lana (Kalel, 15)

• Eduardo Roy, Jr. (Lola Igna)

• J.E. Tiglao (Metamorphosis)

MOVIE ACTOR OF THE YEAR

• Louise Abuel (Edward)

• Carlo Aquino (Isa Pa With Feelings)

• Gold Azeron (Metamorphosis)

• Raymond Bagatsing (Quezon’s Game)

• Elijah Canlas (Kalel, 15)

• Jansen Magpusao (John Dever Trending)

• Aga Muhlach (Miracle In Cell No. 7)

• Alden Richards (Hello, Love, Goodbye)

• Julio Sabenorio (Guerrero Dos, Tuloy Ang Laban)

MOVIE ACTRESS OF THE YEAR

• Bea Alonzo (Unbreakable)

• Kathryn Bernardo (Hello, Love, Goodbye)

• Angie Ferro (Lola Igna)

• Sarah Geronimo (Unforgettable)

• Janine Gutierrez (Babae At Baril)

• Ruby Ruiz (Iska)

• Sylvia Sanchez (Jesusa)

• Judy Ann Santos (Mindanao)

• Jodi Sta. Maria (Clarita)

MOVIE SUPPORTING ACTOR OF THE YEAR

• John Arcilla (Miracle in Cell No. 7)

• Joem Bascon (Write About Love)

• Elijah Canlas (Babae At Baril)

• Ricky Davao (Fuccbois)

• Arturo De Guzman (Guerrero Dos, Tuloy Ang Laban)

• Ronnie Lazaro (Maria)

• JC Santos (Miracle in Cell No. 7)

• Joel Torre (Miracle in Cell No. 7)

MOVIE SUPPORTING ACTRESS OF THE YEAR

• Yayo Aguila (Metamorphosis)

• Angel Aquino (Kaputol)

• Ella Cruz (Edward)

• Jaclyn Jose (Kalel, 15)

• Maricel Laxa (Hello, Love, Goodbye)

• Gina Pareño (Unforgettable)

• Meryll Soriano (John Denver Trending)

• Tuesday Vargas (LSS)

NEW MOVIE ACTOR OF THE YEAR

• Louise Abuel (Edward)

• Royce Cabrera (Fuccbois)

• Kent Gonzales (Kuwaresma)

• David Licauco (Because I Love You)

• Jin Macapagal (Damaso)

• Jansen Magpusao (John Denver Trending)

• Paolo Marcoleta (Guerrero Dos, Tuloy ang Laban)

• L.A. Santos (Maria)

NEW MOVIE ACTRESS OF THE YEAR

• Michelle Dee (Because I Love You)

• Laura Lehmann (Elise)

• Cindy Miranda (Adan)

• Alyssa Muhlach (Clarita)

• Riva Quenery (Damaso)

• KZ Tandingan (The Art Of Ligaw)

• Gillian Vicencio (Eerie)

• Xia Vigor (Miracle In Cell No. 7)

MOVIE CHILD PERFORMER OF THE YEAR

• Miel Espinoza (Elise)

• Grace Ann Betalmos (Pailalim)

• Pryle Gura (Iska)

• Elia Ilano (Ulan)

• Jorden Suan (Verdict)

• Yuna Tangog (Mindanao)

• Xia Vigor (Miracle In Cell No. 7)

MOVIE ENSEMBLE ACTING OF THE YEAR

• “Hello, Love, Goodbye”

• “Kuwaresma”

• “Miracle In Cell No. 7”

• “Quezon’s Game”

• “The Panti Sisters”

• “Unforgettable”

• “Write About Love”

INDIE MOVIE ENSEMBLE ACTING OF THE YEAR

• “Babae At Baril”

• “Circa”

• “Edward”

• “Iska”

• “John Denver Trending”

• “Lola Igna”

• “Metamorphosis”

• “Mindanao”

SHORT MOVIE OF THE YEAR

• “Forever” (Adlibs Entertainment Corp., Institute of the Moving Image, Bandido Media Productions)

• “Hele Ng Maharlika” (Newtown Pictures)

• “Kalakalaro” (What If? Productions)

• “Memories Of The Rising Sun” (Pelikulaw and College of Saint Benilde)

• “Panaghoy” (ABP Films and Memorya)

• “Para Kay James” (Oktopus Productions)

• “Tembong” (UP Film Production and UP Cinema)

• “Tokwifi” (Balay Habi Studio and QCinema)

SHORT MOVIE DIRECTOR OF THE YEAR

• Shaira Advincula (Tembong)

• Alvin Baloloy (Panaghoy)

• Norvin Delos Santos (Hele Ng Maharlika)

• Steven Paul Evangelio (Para Kay James)

• Lawrence Fajardo (Memories Of The Rising Sun)

• Domingo Molina (Forever)

• Carla Pulido Ocampo (Tokwifi)

• Rodson Suarez (Kalakalaro)

** TECHNICAL CATEGORIES ** (Mainstream and Indie)

MOVIE SCREENWRITER OF THE YEAR

• Cathy Garcia-Molina, Carmi Raymundo, Rona Co (Hello, Love, Goodbye)

• Crisanto Aquino and Janyx Regalo (Write About Love)

• Janice Perez and Dean Rosen (Quezon’s Game)

• Keavy Eunice Vicente and Ash Malanum (Unforgettable)

• Joel Ferrer and Miko Livelo (Elise)

• Jun Robles Lana and Ivan Andrew Payawal (The Panti Sisters)

• Pedring Lopez, Rex Lopez, YZ Carbonell (Maria)

MOVIE CINEMATOGRAPHER OF THE YEAR

• Neil Daza (Alone / Together)

• Neil Daza (Write About Love)

• Mackie Galvez (Unforgettable)

• Noel Teehankee (Hello, Love, Goodbye)

• Noel Teehankee (Nuuk)

• Pao Orendain (Maria)

• Tom Redoble (Mina Anud)

MOVIE EDITOR OF THE YEAR

• Renewin Alano (Elise)

• Reuben Joseph Aquino (Quezon’s Game)

• Jason Cahapay (Maria)

• Vanessa De Leon (Write About Love)

• Jeremiah Domingo (LSS)

• Marya Ignacio (Hello, Love, Goodbye)

• Tara Illenberger (The Panti Sisters)

MOVIE PRODUCTION DESIGNER OF THE YEAR

• Maolen Fadul (The Panti Sisters)

• Michael Españo and Roma Regala (Kuwaresma)

• Raymund Jorge Fernandez (Maria)

• Erik Manalo (Nuuk)

• Ana Lou Sanchez (Eerie)

• Norico Santos (Hello, Love, Goodbye)

• Maria Rowella Talusig (Quezon’s Game)

MOVIE MUSICAL SCORER OF THE YEAR

• Jessie Lasaten (Hello, Love, Goodbye)

• Jessie Lasaten (Nuuk)

• Pat Lasaten (LSS)

• Paulo Protacio (Just A Stranger)

• Dean Rosen (Quezon’s Game) )

• Jerrold Tarog (Write About Love)

• Emerzon Texon (Unforgettable)

MOVIE SOUND ENGINEER OF THE YEAR

• Albert Michael Idioma and Alex Tomboc (Maria)

• Anglea Pereyra (Quezon’s Game)

• Arnel Labayo and Aurel Bilbao (LSS)

• Corinne De San Jose (Unforgettable)

• Allen Roy Santos (Clarita)

• Immanuel Verona (Eerie)

• Steve Vesagas, Pau Javier, Whannie Dellosa (Kuwaresma)

MOVIE THEME SONG OF THE YEAR

• “Ang Tangi Kong Pangarap” (Unforgettable)

Composed by Rico Blanco

Arranged by Choi Padilla

Interpreted by Sarah Geronimo

• “Araw-Araw” (LSS)

Composed and arranged by Ben & Ben

Interpreted by Ben & Ben

• “Ikaw Ang Akin” (Write About Love)

Lyrics by Crisanto Aquino

Composed by Lloyd Tiny Corpuz

Arranged by Raizo Chabeldin

Interpreted by Yeng Constantino

• “Isang Himala” (Miracle In Cell No. 7)

Composed by Miguel Mendoza

Arranged by Arnold Buena

Interpreted by Katrina Velarde

• “Magkaibang Mundo” (Just A Stranger)

Music and lyrics by Sean Cedro

Arranged by Arnold Buena

Interpreted by Katrina Velarde

• “Maria” (Maria)

Lyrics by Bones Frankenstein

Composed by Bones Frankenstein, Alvin Chan, Karl Kliatchko, Aldreen Alcantara

Interpreted by Mr. Bones and The Boneyard Circus

• “Pansamantala” (Elise)

Composed by Tenten Abella and Paul Puti-an

Interpreted by Paul Puti-an

• “Unbreakable” (Unbreakable)

Composed by Trisha Denise, Jonathan Manalo, Vanessa Valdez

Arranged by Arnold Buena

Interpreted by Regine Velasquez and Moira Dela Torre

INDIE MOVIE SCREENWRITER OF THE YEAR

• Honee Alipio (Mindanao)

• Arden Rod Condez (John Denver Trending)

• Carlo Ortega Cuevas (Guerrero Dos, Tuloy Ang Laban)

• Jun Robles Lana (Kalel, 15)

• Ricardo Lee (Kaputol)

• Eduardo Roy, Jr. and Margarette Labrador (Lola Igna)

• J.E. Tiglao and Boo Dabu (Metamorphosis)

INDIE MOVIE CINEMATOGRAPHER OF THE YEAR

• Tey Clamor (Babae At Baril)

• Tey Clamor (Metamorphosis)

• Lav Diaz and Daniel Uy (Kaputol)

• Odyssey Flores (Mindanao)

• Carlo Mendoza (Kalel, 15)

• Kara Moreno (Edward)

• Rommel Sales (John Denver Trending)

INDIE MOVIE EDITOR OF THE YEAR

• Joyce Bernal, JR Cabrera, Thop Nazareno (Edward)

• Diego Marx Dobles (Mindanao)

• Benjo Ferrer (John Denver Trending)

• Ilsa Malsi (Babae At Baril)

• Carlo Francisco Manatad (Fuccbois)

• Carlo Francisco Manatad (Lola Igna)

• Renard Torres (Metamorphosis)

INDIE MOVIE PRODUCTION DESIGNER OF THE YEAR

• Harley Alcasid (John Denver Trending)

• Donald Russ Camon (Iska)

• Carmela Danao (Lola Igna)

• Maolen Fadul (Kalel, 15)

• Alvin Francisco (Edward)

• Brillante Mendoza (Mindanao)

• James Arvin Rosendal (Metamorphosis)

INDIE MOVIE MUSICAL SCORER OF THE YEAR

• Teresa Barrozo (Mindanao)

• Len Calvo (John Denver Trending)

• Divino Dayacap (Metamorphosis)

• Andrew Florentino (Lola Igna)

• Pepe Manikan (Edward)

· Abet Alfonso (Guerrero Dos, Tuloy Ang Laban)

• Fatima Nerikka Salim and Immanuel Verona (Babae At Baril)

INDIE MOVIE SOUND ENGINEER OF THE YEAR

• Armand De Guzman (Lola Igna)

• Bryan Dumaguina (Watch Me Kill)

• Albert Michael Idioma (Kalel, 15)

• Albert Michael Idioma (Pailalim)

• Mikko Quizon and Kat Salinas (John Denver Trending)

• Fatima Nerrika Salim and Immanuel Verona (Babae At Baril)

• Immanuel Verona (Metamorphosis)

INDIE MOVIE THEME SONG OF THE YEAR

• “Hintay Lang” (Sila-Sila)

Composed and arranged by Aeron Jore

Interpreted by Aeron Jore

• “Kaibigan” (Kaibigan)

Lyrics and music by Vehnee Saturno

Arranged by Elmer Blancaflor

Interpreted by Perkins Twins

• “Kasunduan” (Watch Me Kill)

Composed by Riki Bolalin

Arranged by Skip Saturday

Interpreted by Skip Saturday

• “Mayroon Bang Pagbabago” (Damaso)

Composed by Joven Tan

Arranged by Paulo Zarate

Interpreted by Marlo Mortel

• “Quicksand” (The Art Of Ligaw)

Words and music by KZ Tandingan

Arranged by Arnold Buena

Interpreted by KZ Tandingan

• “Tuloy Ang Laban” (Guerrero Dos, Tuloy Ang Laban)

Composed by Carlo Ortega Cuevas and Rapido Guerrero

Arranged by Marlon Barnuevo

Interpreted by Carlo Ortega Cuevas and Rapido Guerrero

• “Walang Katulad” (Immaculada)

Lyrics by Arlyn Dela Cruz-Bernal

Music by Ms. Elizabeth Oropesa

Arranged by Karl Ramirez with Earlmond Ross Lee

Interpreted by Ima Castro

SPECIAL AWARDS:

Nora Aunor Ulirang Artista Lifetime Achievement Award – MS. ANGIE FERRO

Ulirang Alagad ng Pelikula sa Likod ng Kamera Lifetime Achievement Award – Director ELWOOD PEREZ

DARLING OF THE PRESS Nominees

• Gretchen Barretto

• Liza Diño-Seguerra

• Piolo Pascual

• Ahwel Paz

• Ramon “Bong” Revilla, Jr.

• Sylvia Sanchez

• Joed Serrano

• Alfred Vargas

MOVIE LOVETEAM OF THE YEAR Nominees

• Liza Soberano and Enrique Gil (Alone / Together)

• Julia Barretto and Gerald Anderson (Between Maybes)

• Gabbi Garcia and Khalil Ramos (LSS)

• Kathryn Bernardo and Alden Richards (Hello, Love, Goodbye)

• Maine Mendoza and Carlo Aquino (Isa Pa With Feelings)

• Nadine Lustre and Carlo Aquino (Ulan)

• Janine Gutierrez and Enchong Dee (Elise)

• Anne Curtis and Marco Gumabao (Just A Stranger)