You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Saturday, August 16, 2025

165,000-classroom shortage: The long wait for solutions


 

By Manila Bulletin

Published Aug 16, 2025 12:05 am


Every school year opens with the same grim picture: children learning in cramped spaces, some sitting on the aisles for lack of chairs, others shuffling between double or even triple class shifts, and students in campus open spaces where seats are clustered to indicate different classrooms.

According to the Second Congressional Commission on Education (EDCOM 2) report, 5.1 million students are now “aisle learners” — a stark symptom of the 165,000-classroom shortage confirmed by the Department of Education (DepEd). And that figure does not even count thousands of old, and disaster-damaged rooms that no longer meet basic standards.

At the current pace of construction, the backlog will take some 30 to 55 years to erase, Education Secretary Sonny Angara had warned months ago. By then, an entire generation of students will have gone through school without ever seeing a properly equipped, uncrowded classroom.

This is more than an infrastructure backlog; it is an education crisis that robs children of the time, comfort, and environment they need to learn.

The consequences are severe. When 50 to 70 students are squeezed into a room built for 40, the teacher’s ability to focus on individual learners disappears. Double and triple shifts shorten instructional hours, affecting mastery of basic skills. Poor ventilation and overcrowding expose students to illness.

How did we get here? The problem has been swelling for years. In 2013, the shortage stood at around 55,000. Twelve years later, it has nearly tripled. Rapid population growth, especially in urban and high-migration areas like NCR, CALABARZON, Region XII, and BARMM, has outpaced construction. Disasters, which routinely damage or destroy classrooms, further strain the system.

Secretary Angara has called for a whole-of-society approach to address the backlog. This means bringing in local governments, NGOs, and the private sector. LGUs can tap their Special Education Fund, while private partners can join through Public-Private Partnerships or the Adopt-a-School Program. Senate Bill No. 121, the proposed Classroom-Building Acceleration Program, seeks to authorize such partnerships with national government support.

Equally important is the call to “build smarter.” DepEd’s new classroom master plan uses demographic trends, site data, and congestion mapping to target where buildings are most needed. The designs themselves are adapting to reality: flood-resilient, stilted classrooms for coastal towns; elevated, storm-resistant rooms for typhoon-prone Bicol; reinforced concrete roofs for durability. These are not luxuries but necessities in a country battered by over 20 tropical cyclones a year.

Still, speed and transparency will decide success. This means flexible contracting rules to avoid delays when the DPWH is diverted to disaster response. It means clear cost standards to prevent price padding. And it means a centralized public dashboard to track projects, budgets, and completion rates — a safeguard against waste and corruption.

The classroom shortage cannot be solved by government alone. Businesses, civic groups, alumni associations, and faith-based organizations all have a role to play. The reward is tangible: every new, safe, and functional classroom built is a direct investment in the country’s future workforce and citizens.

Senator Paolo “Bam” Aquino points out the irony: condominiums and casinos can rise in months, yet classrooms take years. The difference is in priority, urgency, and the removal of bureaucratic bottlenecks.

No nation can claim to value education while millions of its children learn in aisles or shifts. Every year we delay, millions of Filipino children pay the price — in hours of lost learning, in diminished skills, and in a future where they are less prepared.

Friday, August 15, 2025

I dream of Oscars for PH

By Robert Requintina

Published Aug 15, 2025 12:05 am | Updated Aug 14, 2025 06:11 pm
EDITORS DESK
As the calendar rolls toward the new year, a buzz of excitement fills the air among Filipino movie enthusiasts, all eagerly anticipating the nation’s entry in the prestigious Oscar Awards in 2026.
While the Academy will unveil its coveted winners in March of next year, the nomination process has already commenced for the Best International Film category, previously known as Best Foreign Film.
This category celebrates films that transcend geographical boundaries, offering a window into diverse cultures and narratives.
An international feature film is defined as a motion picture that runs longer than 40 minutes, is produced outside the United States, and features a dialogue track that is predominantly non-English, with over 50 percent of the dialogue spoken in non-English languages. This definition also encompasses captivating animated and thought-provoking documentary features.
To be eligible, films must have made their theatrical debut in their respective countries between Oct. 1, 2024, and Sept. 30, 2025. The deadline for submissions to the Academy will be on Oct. 1, 2025.
On Dec. 16, 2025, the 15 finalists will be unveiled, leading up to the high-stakes reveal of the final five nominees on Jan 22, 2026.
Reflecting on the Philippines' journey in this cinematic arena, it’s evident that the nation has faced challenges since it began submitting entries in the 1950s.
The Philippines has yet to receive an Oscar nomination despite its vibrant filmmaking history.
The film “Mga Munting Tinig,” which represented the Philippines in the Best Foreign Language Film category in 2002, made waves by achieving the highest ranking for any Filipino entry, securing a commendable seventh place. With only five films nominated each year, this accomplishment remains a point of pride.
Critics and cinephiles alike believe that the Philippines is a treasure trove of world-class talent. Yet, the daunting financial obstacles associated with mounting a successful campaign — money typically allocated for advertising in prominent US publications and organizing exclusive screenings for Academy voters — have hampered its chances. In previous years, voters even received DVDs of competing films, adding another layer to the competitive landscape.
Other nations, such as Israel and Portugal, share similar struggles. Israel has garnered 10 nominations but has yet to claim a win, while Portugal holds the record for the most submissions — 37 — without a nomination to its name.
The countries adorned with the most Oscar victories in the Best International Feature Film category include Italy, with a remarkable 14 wins, followed closely by France, which boasts 12, and Japan, with five accolades.
But the question lingers: do we truly need an Oscar trophy to validate our cinematic endeavors? An Oscar statuette, a gleaming emblem of achievement in filmmaking, could serve as a powerful catalyst, elevating Philippine cinema to new heights and broadening its global reach. Filipino director Benedict Mique envisions a future where he receives an Oscar nomination, expressing unwavering belief that it’s only a matter of time.
Among the potential Philippine entries for the 2026 Oscar Awards are promising titles such as “Green Bones,” “Food Delivery,” “Sunshine,” “Espantaho,” “Magellan,” and “Some Nights I Feel Like Walking.” We eagerly await the official announcement from the Film Academy of the Philippines, hopeful for the bright future of Filipino cinema.
The Philippines has a vibrant history of submitting films to the Oscars, a journey that has unfolded over several decades. The inaugural entry came in 1953 with “Genghis Khan,” marking the country’s bold step onto the global cinematic stage. Since then, a tapestry of remarkable films has represented the Philippines, each telling its own unique story.
Among these, “Heneral Luna” (2015) stands out as a passionate portrayal of a hero’s struggle, while “Transit” (2013) offers a poignant glimpse into the lives of Filipino immigrants. The classic “Ganito Kami Noon, Paano Kayo Ngayon?” (1976) weaves a vibrant narrative that reflects the cultural landscape of its time.
Additionally, “Inagaw Mo Ang Lahat Sa Akin” (1995) captivates audiences with its dramatic intensity, and “Dekada ’70” (2003) serves as a powerful commentary on political upheaval. Finally, “Anak” (2000) touches hearts with its emotional depth, exploring the complexities of family and sacrifice.
Each submission not only showcases the artistic talent of Filipino filmmakers but also highlights the diverse stories and rich heritage of the nation.
Like many Filipino movie fans, I dream of an Oscar for the Philippines.
(Robert R. Requintina is the Entertainment Editor of Manila Bulletin)

High Speed Hitters shock Cool Smashers, seal title clash vs Crossovers

 


PLDT stormed into its first-ever Premier Volleyball League Finals in thrilling fashion – rallying from a 1-2 set deficit against a dynastic Creamline side and stunning the crowd-favorite Cool Smashers in a gripping five-set classic, 27-25, 22-25, 19-25, 25-16, 15-10.


By Manila Bulletin Sports

Published Aug 15, 2025 10:28 pm

Even more remarkable, the High Speed Hitters punched their ticket to the PVL On Tour one-game championship match on the back of a flawless seven-game sweep, silencing critics and shaking up the league’s power structure in one unforgettable night at the Araneta Coliseum Tuesday.

Creamline, poised to march into another Finals appearance after going up two sets to one, looked in control. But PLDT’s grit and resilience took over – a team that had never before lost two sets in a single match during their perfect run now used that very moment of adversity as fuel.

They roared back with a dominant fourth set, flipping the script, then tore through the Cool Smashers in the fifth – leaving a stunned crowd in disbelief as the 10-time league champions collapsed under pressure.

Savi Davison provided the finishing touches in the decider, erupting for eight of her 34 points in Set 5 alone, including the first three and the final four – capped by a booming crosscourt kill that pierced through two Creamline defenders and sealed the emotional win in two hours and 12 minutes of fierce action.

The Cool Smashers had clawed within one, 9-10, after an Alyssa Valdez kill that briefly reignited the Creamline faithful. But Davison answered with three clutch hits, each blow silencing the crowd a little more until only PLDT’s cheers remained.

A Valdez attack error put PLDT at match point, and although Michele Gumabao saved one, Davison would not be denied – slamming the door shut with a final, emphatic strike.

“This is hard work, sweat and tears,” exclaimed Davison, who claimed the Best Player of the Game honor amid a roaring PLDT celebration. “It’s a very light feeling and I love every part of it.”

Despite being outcheered by the sea of Creamline supporters, Davison praised their own fan base for standing firm:

“It’s a community win,” she said, pointing to the unwavering support that carried the High Speed Hitters through the pressure-cooker of the preseason tourney.

Awaiting PLDT in Sunday’s one-game finale at 6:30 p.m. are the Chery Tiggo Crossovers, who earlier dispatched the Cignal HD Spikers in four sets to clinch the first Finals berth.

Creamline and Cignal will battle for bronze at 4 p.m.

Kim Dy provided ample support to Davison’s explosive outing with 14 points, while Majoy Baron chipped in nine markers, highlighted by three solid kill blocks. Jovie Prado and Mika Reyes added eight points apiece in PLDT’s balanced offensive effort.

Davison not only delivered on offense but also showcased her all-around game, finishing with nine excellent digs and nine excellent receptions.

At the heart of PLDT’s composed execution was veteran setter Kim Fajardo, who stood toe-to-toe with Creamline’s Kyle Negrito. Fajardo tallied 25 excellent sets, just edging Negrito by one, to anchor PLDT’s smooth offensive flow.

Statistically, the two teams were nearly dead even in scoring, with PLDT narrowly outgunning Creamline in attacks, 61-58. The Cool Smashers edged the High Speed Hitters in blocks, 10-9, and had more service aces, 7-5.

But where PLDT made the real difference was in capitalizing on free points, scoring 33 off Creamline’s errors while yielding just 26 of their own.

Creamline’s big guns delivered as expected – Jema Galanza and Valdez each finished with 18 points, Gumabao had 16, and Pangs Panaga added 11. On any other night, those numbers would have been enough.

But not against a PLDT side that, even after dropping two sets for the first time all tournament, refused to crack under pressure and proved it simply doesn't know how to lose in this preseason run of the league organized by Sports Vision.

Nonoy Zúñiga marks 50 years in music with 'Beyond Gold' concert

 


Nonoy Zuniga (Facebook)


By Annalyn S. Jusay

Published Aug 14, 2025 09:31 am


The Philippines’ King of Pop Ballads, Nonoy Zúñiga, is set to celebrate five decades in the music industry with a milestone concert Beyond Gold: Songs of a Lifetime, on Sept. 5 at the Newport Performing Arts Theater, joined by an all-star lineup of guests and a program designed to revisit every era of his career.

Nonoy’s 50-year journey began long before he became famous with his legacy hit "Doon Lang.". Not many people know that this medical doctor started as a folk singer. 

"Forty plus years na ako as a recording artist. Count to that five years sa banda and two years sa folk singing,’ he recalled. Before he entered showbiz, Nonoy was part of the Family Birth Control Band, and it was in one of their gigs that a bomb explosion occurred in 1980.

He survived that tragic incident with an amputated leg and transitioned to a solo career. With this move, he became known for singing some of OPM’s most iconic ballads such as Never Say Goodbye, Kumusta Ka, Doon Lang, and Love Without Time, among others. Nonoy's powerful voice and heartfelt delivery earned him the title “King of Pop Ballads” and a loyal following that spanned generations.

For his Beyond Gold concert, Nonoy is bringing back songs that reveal lesser-known parts of his career. One highlight is his performance of Basang-basa sa Ulan, which many associate with Aegis. ‘Hindi ko naman na-promote yon, e. Pero ako ang original ng kantang yan (I didn't promote it, but I sang the original of that song),’ he said.

Also on the setlist is Ako Ay Ikaw Rin, which is a sentimental choice for him. ‘It’s a song that's very personal for me. This is my song for the disabled, which I don’t normally sing,’ Nonoy shared, recalling how the late Willy Cruz discovered him when he performed it as a guest in the 4th Metropop.


Singer Nonoy Zúñiga with his concert special guests (from left): Raymond Gorospe, young artists Isha Ponti and Andrea Gutierrez

At the age of 71, Nonoy’s voice remains solid. Still, he is mindful of the realities of time, especially with the passing of his contemporaries from their group "The Hitmakers" - Hajji Alejandro and Rico J. Puno. 

"Yung mga nauna, ay nakakalungkot. Kasi sabi ko, bakit ganun? Mga bata pa sila," he said of Rico and Hajji. ‘Kailangan talaga, may yearly o twice a year nag-check-up. Parang maagapan."

(It's sad that they had to die early because they were still relatively young. A health check-up once or twice a year is necessary for preventive maintenance.)


Staying relevant

Nonoy acknowledged that it is challenging to remain relevant after 50 years in showbiz, and expressed gratitude to Vice Ganda for giving veteran performers like him a platform on Tawag ng Tanghalan in "It's Showtime," where he is a judge. 

‘Thankful ako kay Vice. Yung mga Gen Z, at least nakikita pa ako ( I am thankful to Vice.At least the Gen Z still see me),’ he said.

Public warned against fake 'refund' messages from scammers

 


By Jel Santos
Published Aug 14, 2025 03:31 pm
(PHOTO: DOH)
(PHOTO: DOH)
Scammers are targeting the public with fake text messages claiming to be from the Department of Health (DOH) and promising refunds for alleged hospital overpayments, the agency warned on Thursday, August 14. 
Recently, there have been reports of individuals receiving text messages claiming they had received over P8,000 from the “DOH zero billing plan” and urging them to click a suspicious link to claim the refund.
“Ang transaksyon sa larawan ay isang uri ng SCAM. Ito ay hindi galing sa DOH o sa anumang sangay ng gobyerno (The transaction in the image is a type of scam. It did not come from the DOH or any government agency),” the agency said in an advisory.
The DOH said neither the agency nor its hospitals send links to the public, and urged people not to click suspicious links in scam messages.
According to the agency, legitimate benefits under the Marcos administration’s “Bayad na Bill Mo” or “No Balance Billing” program are free of charge for basic services and accommodation in all DOH hospitals nationwide.
The DOH reminded the public to remain vigilant against text scam messages, stressing that these schemes often use official-sounding names and false promises to trick recipients into clicking harmful links or sharing personal information.
The health department encouraged Filipinos to verify health information through its official website and social media accounts before believing or acting on it, as a safeguard against scams.

Thursday, August 14, 2025

Foreign Exchange Rates today, August 14, 2025

 Foreign Exchange Rates today, August 14, 2025

Magic, music, and Filipino identity illuminate 'Into the Woods' opening night


Lea Salonga as The Witch, Mikkie Volante as the Baker's Wife, and Nyoy Volante as the Baker in Theatre Group Asia's "Into the Woods." (Photo by Mark Alvarez)


By John Legaspi

Published Aug 12, 2025 03:47 pm


Ever since the announcement of its stellar cast, Theatre Group Asia’s (TGA) production of “Into The Wood” has had Filipinos spellbound—to the point that there are barely any tickets left to purchase. This reimagining of the beloved Stephen Sondheim musical features a cast of global Filipino artists, led by Eugene Domingo, Nyoy Volante, and internationally acclaimed thespians Arielle Jacobs, Josh Dela Cruz, and Tony Award-winner Lea Salonga, among others.

Sarah Facuri, Tex Ordoñez-De Leon, and Kakki Teodoro 

Sarah Facuri, Tex Ordoñez-De Leon, and Kakki Teodoro

Josh Dela Cruz

Josh Dela Cruz

Lea Salonga

Lea Salonga

Nyoy and Mikkie Volante

Nyoy and Mikkie Volante

Clint Ramos and Chari Arespacochaga

Clint Ramos and Chari Arespacochaga

Eugene Domingo

Eugene Domingo

Teetin Villanueva

Teetin Villanueva

Rody Vera

Rody Vera

On Aug. 7, 2025, the curtains rose at the Samsung Performing Arts Theater in Makati City. Leading the celebration were TGA’s overall artistic and creative director, Clint Ramos, and the musical’s director, Chari Arespacochaga. They welcomed Filipino fans eager to witness the crossroads of beloved fairy tales—infused with a distinct Filipino soul.

Through theater, TGA honors the depth and richness of Philippine history and culture, creating a space where Filipinos resonate within a global context. Its vision includes bridging gaps and fostering connections among Filipinos in the international theater community to present world-class productions by Filipinos, for Filipinos.

Christopher Mohnani and Arielle Jacobs

Christopher Mohnani and Arielle Jacobs

Mariana Zobel de Ayala and son

Mariana Zobel de Ayala and son

Nic Chien and Joyce Oreña

Nic Chien and Joyce Oreña

Fernando and Kit Zobel de Ayala with their son Alvaro and daughter Sylvia

Fernando and Kit Zobel de Ayala with their son Alvaro and daughter Sylvia

Gabbi Garcia and Khalil Ramos

Gabbi Garcia and Khalil Ramos

Carol Garcia, Alice Eduardo, and Pops Fernandez

Carol Garcia, Alice Eduardo, and Pops Fernandez

Adelbert Abrigonda, Iza Calzado, and Ricky Lee

Adelbert Abrigonda, Iza Calzado, and Ricky Lee

Morissette Amon and Joreen Bautista

Morissette Amon and Joreen Bautista

Martina Campos and Abby Binay

Martina Campos and Abby Binay

Cristina and Bea Elizalde

Cristina and Bea Elizalde

San Juan City Mayor Francis Zamora and Keri Zamora

San Juan City Mayor Francis Zamora and Keri Zamora

Crickette and Donnie Tantoco

Crickette and Donnie Tantoco

As “Into The Woods” continues its run, audiences can look forward to a production that not only entertains but also uplifts the collective Filipino voice—boldly weaving tradition, innovation, and identity into every note, step, and scene.

How often must I forgive?


By Manila Bulletin

Published Aug 14, 2025 12:01 am


It was common practice among the Jews to forgive three times. So Peter is going all out to double and add one, asking if we are expected to forgive seven times. Seven is the biblical number for perfection.

But Jesus raises consciousness beyond the “seventy-seven times” mentioned all the way to Lamech (Gn 4:24), and calls us to forgive as many times as it takes to be set free from desiring vengeance.

It is not counting sins against others. It is forgiving so often that we can easily lose count. Jesus knows we will experience hurt, betrayal, deceit, and a host of other offenses—but love covers this multitude of sins.

We are able to forgive because we are forgiven. Everything starts with God. Just as we love because God loves us, the same goes for forgiveness. No one of us is without sin. And yet, God in the flesh of his crucified Son, takes on all the sin that hinders us.

Forgiveness is supernatural, and we need God’s grace daily to have the ability to forgive as we should. But until we humble ourselves, and admit we have been forgiven, we will not be able to forgive from our own reserves. We need God to show us how to forgive.

First Reading • Jos 3:7-10a, 11, 13-17

The Lord said to Joshua, “Today I will begin to exalt you in the sight of all Israel, that they may know I am with you, as I was with Moses. Now command the priests carrying the ark of the covenant to come to a halt in the Jordan when you reach the edge of the waters.” … The people struck their tents to cross the Jordan, with the priests carrying the ark of the covenant ahead of them.

No sooner had these priestly bearers of the ark waded into the waters at the edge of the Jordan, which overflows all its banks during the entire season of the harvest, than the waters flowing from upstream halted, backing up in a solid mass for a very great distance indeed, from Adam, a city in the direction of Zarethan; while those flowing downstream toward the Salt Sea of the Arabah disappeared entirely.

Thus the people crossed over opposite Jericho. While all Israel crossed over on dry ground, the priests carrying the ark of the covenant of the Lord remained motionless on dry ground in the bed of the Jordan until the whole nation had completed the passage.

Gospel • Matthew 18:21—19:1

Peter approached Jesus and asked him, “Lord, if my brother sins against me, how often must I forgive him? As many as seven times?”

Jesus answered, “I say to you, not seven times but seventy-seven times. That is why the Kingdom of heaven may be likened to a king who decided to settle accounts with his servants. When he began the accounting, a debtor was brought before him who owed him a huge amount.

Since he had no way of paying it back, his master ordered him to be sold, along with his wife, his children, and all his property, in payment of the debt.

At that, the servant fell down, did him homage, and said, ‘Be patient with me, and I will pay you back in full.’ Moved with compassion the master of that servant let him go and forgave him the loan.

When that servant had left, he found one of his fellow servants who owed him a much smaller amount. He seized him and started to choke him, demanding, ‘Pay back what you owe.’

Falling to his knees, his fellow servant begged him, ‘Be patient with me, and I will pay you back.’ But he refused.

Instead, he had the fellow servant put in prison until he paid back the debt. Now when his fellow servants saw what had happened, they were deeply disturbed, and went to their master and reported the whole affair.

His master summoned him and said to him, ‘You wicked servant! I forgave you your entire debt because you begged me to. Should you not have had pity on your fellow servant, as I had pity on you?’ Then in anger his master handed him over to the torturers until he should pay back the whole debt.

So will my heavenly Father do to you, unless each of you forgives his brother from his heart.” When Jesus finished these words, he left Galilee and went to the district of Judea across the Jordan.

Source: “365 Days with the Lord 2025,” St. Paul’s, 7708 St. Paul Rd., SAV, Makati City (Phils.); Tel.: 632-895-9701; E-mail: publishing@stpauls.ph; Website: http://www.stpauls.ph.

Taylor Swift announces 12th studio album, 'The Life of a Showgirl'

 


Taylor Swift performs at Wembley Stadium as part of her Eras Tour June 21, 2024, in London. (Photo by Scott A Garfitt/Invision/AP, File)


By The Associated Press

Published Aug 12, 2025 01:39 pm


NEW YORK (AP) — Look what you made her do — Taylor Swift has announced her 12th studio album, “The Life of a Showgirl.”

Swift announced the album on her website shortly after a countdown timer expired at 12:12 a.m. Tuesday. No release date was announced, but her site said vinyl editions of the album would ship before Oct. 13.

Fans have long theorized that Swift's 12th album would soon arrive. On Monday, Taylor Nation — an official branch of the pop superstar’s marketing team — posted a TikTok slide show of 12 images with the caption “Thinking about when she said 'See you next era…'” Swift is seen wearing orange in every image.

A special limited vinyl edition of the album will be released in “Portofino orange glitter," according to a pre-order page on her site. A special cassette edition is also available for pre-order.

Sensing a pattern, eagle-eyed fans noticed that 12 minutes earlier, the popular “New Heights” podcast posted a tease for Wednesday. The show, hosted by Swift's boyfriend and Chiefs tight end Travis Kelce alongside his brother, former Eagles center Jason Kelce, posted an orange image on social media with a mysterious silhouette, many believing to be Swift.

The podcast announced early early Tuesday that Swift would would appear on “New Heights” and a teaser video posted about her appearance showed her pulling the album from a briefcase. The actual album artwork, just as it is on her website, is blurred.

“The Life of a Showgirl” follows last year’s “The Tortured Poets Department,” announced during the 2024 Grammys and released during her record-breaking tour, which raked in over $2.2 billion across two years and five continents, making it the highest-grossing tour of all time.

The album is also her first release since Swift regained control over her entire body of work. In May, that pop star said she purchased her catalog of recordings — originally released through Big Machine Records — from their most recent owner, the private equity firm Shamrock Capital. She did not disclose the amount.

In recent years, Swift has been rerecording and releasing her first six albums in an attempt to regain control of her music. The project was instigated by Hybe America CEO Scooter Braun’s purchase and sale of her early catalog and represents Swift’s effort to control her own songs and how they’re used. Previous “Taylor’s Version” releases have been more than conventional re-recordings, arriving with new “from the vault” music, Easter eggs and visuals that deepen understanding of her work.

So far, there have been four rerecorded albums, beginning with “Fearless (Taylor’s Version)” and “Red (Taylor’s Version)” in 2021. All four have been massive commercial and cultural successes, each one debuting at No. 1 on the Billboard 200.

Swift’s last rerecording, “1989 (Taylor’s Version),” arrived in October 2023, just four months after the release of “Speak Now (Taylor’s Version).” That was the same year Swift claimed the record for the woman with the most No. 1 albums in history.

LIFE CHANGES DRAMATICALLY


 


Being in online classes while teaching but in the daily home office, I experienced a total change when it comes to the digital body language:  cues you send – or don't send. Writer David Robson gets to the point in a nutshell: "Online, as in real-life, it's not just what you say – but how you say it".


Think about the last work email that you sent. Did its sentences end with full stops or exclamation marks, or did you forgo punctuation altogether? Was it peppered with emoji – or plain text? And was your response prompt, or did you have to apologise for the time it had taken to reply?


Now, consider your last Zoom call. Did you check your phone or email at least once during the meeting? And did you pause to be sure that the other speaker had finished? Or did you find yourself frequently interrupting their sentences, as you failed to take into account the slight delays in the connection?


According to the leadership expert Erica Dhawan, these are all examples of our “digital body language” – a concept that serves as the title of her new book. Like our in-person physical body language, digital body language concerns the subtle cues that signal things like our mood or engagement, and change the meaning of the words we say – be it in text, on the phone or in a video call.


Following David Robson, it is needless to say, the rise of remote working has only made these issues more urgent, but psychologists have long known that digital communication is ripe for misunderstanding.

So, what can be done? It’s indeed a question of mindfulness, so that we can be sure that our digital body language is intentional and appropriate to the situation at hand.


Do you like emojis?!? Well, first consider written communication, starting with the use of emoji and punctuation marks, like the exclamation point. Stylists may sneer, but many people (and include me in!) argue that they often help to clarify the meanings of the words themselves, much in the same way as a nodding head or a smirk in person. Whether you’re signalling urgency or excitement with ALL CAPS, impatience and irritation with an “?!?” or mutual appreciation with a fist-bump emoji, you are helping your text to convey the feelings you would have embodied in person.


It took me almost a whole year, but right now allow me to tell you: don’t feel shy about adopting these more informal digital cues, where appropriate – and be aware that others may well be expecting them.


Broadly, your use of punctuation and emojis are part of a bigger set of cues that will establish the tone of your exchanges – whether they feel formal or informal, enthusiastic or bored. Other signals will include your greetings (whether you include a friendly “Hello” at the start of the message or simply dive straight in), and your sign off (an emotionally distant “Regards” versus an enthusiastic “Thanks!”).


Honestly, sometimes I'm really getting tired of video calls and zoom meetings. They present their own unique problems. Your body language, manners and level of engagement on video-chat platforms can influence how colleagues see you and interpret your message. Even during my online teaching, I observed some students being absent-minded or even not being dressed well.


Whatever medium you use, you should remain conscious of two factors – trust and power – in all your interactions. These ratings will be subjective, of course, but if you sense there is a clear gap on either of these dimensions, you need to be more cautious.


In the past, the handshake, the smile and the smile gave us many well trusted signals,– but in online communication, our gratitude is often less apparent, or may not be expressed at all. Measures to remedy this could be as simple as sending a follow-up email, after a virtual meeting, to make it clear that you valued someone’s input, or cc’ing a junior colleague on an email to a client, acknowledging the role they played in a project. We can’t just assume that our colleagues will know how much we value them.


Erica Dhawan’s book Digital Body Language, is out now from St Martin’s Press. I learned a lot from her, especially perfecting our digital body language will take practice – but a few moments of thought each day may save hours of anxiety and confusion in the days and weeks ahead.


Earlier in this writeup, I mentioned David Robson. He is the author of The Intelligence Trap: Revolutionise Your Thinking and Make Wiser Decisions (Hodder & Stoughton/WW Norton) – out now in paperback. He is @d_a_robson on Twitter.


Since the pandemic, employees are leaving the workforce or switching jobs in droves. For many, employers have played a big part in why they're walking away. It's another big change in our business world. Read more about my thoughts in my next column here at this corner.