You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

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Thursday, August 28, 2025

‘It’s just a lifestyle show’

 

‘It’s just a lifestyle show’

Anna Cristina Tuazon

Media ethics became a hot topic over the weekend, with some prominent broadcasters called out for featuring the ostentatious wealth of the Discayas, the controversial owners of two of the top 15 construction companies, who amassed billions from flood control projects. With Sarah Discaya having already filed for candidacy at the time, the timing of these interviews last year begged the question of whether they were part of her promotional campaign for mayor of Pasig City. It was already raised if it was appropriate—or even inspiring—to feature a “rags-to-riches” story about contractors who got their wealth from government projects.

An often-cited defense for such media pieces is that it was a lifestyle show and not investigative journalism. As such, they reasoned that it was not their place to question or probe their subjects even when red flags occurred. It is their story to tell, so who are we to question it?

This reminds me of my four-year stint hosting a small public affairs program. One could consider us “lifestyle,” in that we featured human interest stories and looked for inspiring stories of triumph against adversity. But since we were under the banner of “news and public affairs,” we also took our mission of providing education to the public seriously. I’m thankful that our executive producer, Janus Victoria, was unwavering in this regard. She exercised strict quality control that whatever topic we featured had to be treated with enough depth. She disciplined us in finding quality case studies and was discerning about whether useful lessons could be gleaned from their experiences. There were a few times that we decided not to air an episode, especially when we felt that our guest was being disingenuous or had nothing substantial to say on the matter.

My identity—and ethics—as a psychologist didn’t disappear just because I was on the screen. I was hired to host the show precisely because of my profession, to bring a mental health angle to issues of the day. As such, I took care that nothing in our show, either in our content or the way we treated our guests (and each other), would violate my principles as a mental health advocate. I would not allow mentally harmful views to be left unquestioned on air. I would engage with my guest so that multiple perspectives can be highlighted, helping our viewers discern for themselves. When guests talked about their success, I made sure to elucidate the struggles and challenges they faced along the way, as well as the privileges that helped them get there. This was to make sure that viewers won’t feel dissatisfied or disappointed in themselves for somehow not achieving the same success. I wanted them to understand that success has multiple routes, some easier and some harder, and almost always with a lot of luck.

There were also times when I had to take the conversation off-air as it became too personal, requiring my full clinical attention. We were careful to ensure continuing psychological support and resources for guests who needed it. Sometimes we would receive emails from viewers asking for professional advice; we treated those seriously and did not use them for our show.

This is why I cannot understand why the accused show runners would insist that they have no say in the treatment of their interview with the Discayas. As journalism professor Danilo Arao said in an interview about the issue, one cannot stop being a journalist just because one is on a different platform. Similarly, my profession and ethics as a psychologist did not stop simply because I hosted a TV show. Professional ethics should run through every aspect of production. From choosing the topic, choosing the guest, deciding on an angle and how to package the content. The interview should be run ethically; we need to treat both guests and viewers with respect and dignity. One can remain respectful and nonconfrontative in an interview while also making sure that viewers have all the information and context they need to make informed opinions about the subject.

If a small show like ours could exercise editorial control, what more of these big shows with big-name hosts? They are not struggling in ratings; they can have their pick of the litter when it comes to guests. Their reputation has secured them significant autonomy from their networks to run their show as they see fit. We had to balance our topics to keep us afloat in views (and keep the higher-ups appeased). Yes, our most viewed episodes tend to be about sex and relationships. But even those subjects were treated with depth. I made sure we did not turn the topics into a laughing matter. As a psychologist and educator, I made sure that viewers would be able to learn something useful, even with such light-hearted subjects.

SEE ALSO

Lifestyle can have depth. Lifestyle can be critical. Most of all, lifestyle should uplift and provide insights that improve people’s quality of life. It is never “just” lifestyle.

—————-

aatuazon@up.edu.ph

Konektadong Pinoy Act: Bridging the digital divide for every Filipino

By Manila Bulletin

Published Aug 28, 2025 12:01 am


In a nation of over 7,000 islands, where progress is often hampered by geography, the newly enacted Konektadong Pinoy Act offers a much-needed leap toward digital inclusion. Lapsing into law on Aug. 23, 2025, the measure—also known as the Open Access in Data Transmission Act—is a landmark reform that promises to transform how Filipinos connect, learn, do business, and participate in governance. It is not just about faster internet—it is about empowering an entire nation.

For decades, the Philippines has grappled with one of the slowest and most expensive internet services in Southeast Asia. Despite the government's Free Wi-Fi for All initiative and the establishment of the Department of Information and Communications Technology (DICT), connectivity has remained uneven, especially in far-flung and underserved areas.

The Konektadong Pinoy Act removes the outdated requirement for data transmission providers to secure a congressional franchise—long seen as a major barrier to entry for new players. This single provision alone opens the door for small and community-based Internet Service Providers (ISPs) to compete with larger telcos. Infrastructure sharing and streamlined permitting processes, both key features of the law, are expected to further drive down costs, accelerate service rollouts, and encourage innovation in the sector.

Senator Imee Marcos, the principal author of the law, captured its human impact: “No student will be left behind in class, no OFW call will be cut, and no business will be left behind just because of poor internet.” The law also mandates priority infrastructure near schools and guarantees student discounts—both of which reflect a commitment to digital equity in education.

The most compelling case for the law’s necessity was laid out by Manila Bulletin columnist and technology advocate Mon Ibrahim, who called the Act “not just timely but an absolute necessity for the nation’s future.” In his column published early this year, Ibrahim highlighted how the lack of connectivity has sidelined millions from economic opportunities, quality education, and digital innovation. “In an AI economy, digital connectivity is no longer a luxury—it’s a lifeline,” he wrote.

Indeed, the law's potential impact on micro, small, and medium enterprises (MSMEs), particularly outside Metro Manila, cannot be overstated. With affordable internet, these businesses can finally tap into e-commerce, adopt digital tools, and compete more effectively in a fast-moving economy. Sectors such as agriculture and tourism, often left out due to weak connectivity, can now join the digital mainstream through innovations like precision farming and virtual travel platforms.

Equally important is the law’s role in laying the groundwork for the country’s digital transformation. Stable internet access is foundational for artificial intelligence, cloud computing, and big data technologies to flourish—technologies that will define the next generation of development. From AI-powered diagnostics in rural clinics to smart traffic systems in urban areas, these advancements all hinge on one thing: reliable, affordable connectivity.

While telco giants have raised concerns about regulatory fairness and cybersecurity, the law provides for proper safeguards, including oversight mechanisms, performance audits, and protections against foreign government control. With proper implementation, these fears can be addressed without compromising the law’s spirit of openness and inclusion.

The Konektadong Pinoy Act is not just about improving download speeds—it’s about building a future-ready, digitally empowered Philippines. In bridging the digital divide, it brings us closer to a vision where every Filipino, regardless of location or income, can participate in and benefit from the digital revolution.

It’s a long-overdue connection—one that Filipinos deserve.

Kobe Shinwa faces Cignal in boosting finals bid

 


Kobe Shinwa University seeks to strengthen its bid for a finals berth when it takes on Cignal in the Premier Volleyball League Invitational Conference on Thursday, Aug. 28, at the Araneta Coliseum.


By Kristel Satumbaga-Villar

Published Aug 27, 2025 01:40 pm

A victory for the Japanese collegiate team in their 4 p.m. tussle with the HD Spikers would hike their 2-1 win-loss tally and propel them into a blockbuster showdown with Chery Tiggo (3-1) at the close of the preliminaries on Friday, Aug. 29.

That pivotal duel would determine the final contender that would face PLDT in the knockout championship round.

PLDT, which sports a flawless 4-0 record, has already secured the first finals slot and is using its 6:30 p.m. tussle with ZUS Coffee to further boost its championship bid.

But focus is on Kobe Shinwa, who continued showcasing it youthful tenacity and speed in stunning multi-titled Creamline last Tuesday, Aug. 26.

The Japanese spikers are expected to use that morale-boosting victory in battling another veteran crew in the HD Spikers.

But Cignal isn’t about to be intimidated easily.

Despite being out of contention with a 1-3 mark, expect the HD Spikers to still go full force with national team standouts Vanie Gandler and libero Dawn Catindig teaming up with Erika Santos, Ishie Lalongisip and Erin Pangilinan at the core of their assault.

Now, they’re looking to close out their campaign on a high note by derailing Kobe Shinwa’s momentum.

But even if Cignal manages to overcome Kobe Shinwa, the Japanese squad could still book a Finals berth with a 3- or 4-set win over Chery Tiggo on Friday. In that scenario, both teams would finish with identical 3-2 records, but Kobe Shinwa would advance with 9 points, surpassing Chery Tiggo’s 8.

However, if Kobe Shinwa prevails in five sets, the tables turn. While both teams would still be tied at 3-2, Chery Tiggo would clinch the second Finals slot by virtue of having more total points.

Under the tournament’s scoring system, teams earn 3 points for a 3-0 or 3-1 win, 2 points for a 3-2 win, and 1 point for a 2-3 loss.

Currently, Chery Tiggo sits at 8 points, while Kobe Shinwa has 6.

Still Lani: A musical journey


 By Carissa Alcantara

Published Aug 26, 2025 12:01 pm

The singer relived 40 years of her singing career via a memorable concert at The Theater at Solaire, recently.

Asia's Nightingale, Lani Misalucha, celebrated her 40th year in the music scene with an unforgettable concert held at The Theater at Solaire last Aug. 21.

Lani entered the stage in a dazzling golden outfit, singing "As If We Never Said Goodbye” from Andrew Lloyd Webber’s "Sunset Boulevard."

She told the crowd, ''Maraming salamat po for being here. And before I continue, I just want to greet all of us happy 40th anniversary. Imagine that? 40 years -- 4 decades -- marami na po tayong napagdaanan through ups and downs, kaya let's try na balikan yun through my songs," Lani said.

(Thank you for being here. Before I go any further, I want to greet all of us a happy 40th anniversary. Imagine that? Forty years—four decades—we’ve been through so many ups and downs together. So now, let’s take a moment to look back on that journey through my songs.)


Lani went on to perform songs she did back when she was just establishing her career, starting with "Feeling Good", followed by  Chaka Khan’s "Through the Fire," Diane Reeves’ "Better Days," Basia’s "Promises," Anita Baker’s "Caught Up in the Rapture," Natalie Cole’s "Miss You Like Crazy" and Karyn White’s "Super Woman."

The crowd sang along with Lani, seemingly only too eager to relive the good old days with her.

At one point, Lani recalled a story when the late Bodjie Dasig, husband of Odette Quesada, convinced her to record an album.

"Actually, tatlong beses ako kinulit ni Bodjie to make an album, but I guess third time's a charm. We recorded my debut album, 'More than I Should', in 1997," Lani shared.

(Actually, Bodjie asked me three times to make an album, but I guess the third time's a charm. We recorded my debut album, 'More than I Should', in 1997)


She then performed the song "Sana Dalawa Ang Puso Ko" alongside theater actor Paeng Sudayan.

She followed it up with "Sa Sakayan ng Jeep" with Leanne and Naara, and "Isang Ulit Man La ng" with Shaira Opsimar.

Also present during the concert are National Artist for Music Ryan Cayabyab, and songwriters Vehnee Saturno, Jungee Marcelo, Trina Belamide, and Jimmy Antiporda.

Also seen there were Nonoy Zuñiga, Dulce, Bianca Lapus, Tim Pavino, Pepe Herrera, designer Renee Salud, Ida Henares, and Julius and Tintin Babao.

The night continued with Lani showing off her singing prowess taking on covers.

She started with Celine Dion’s "It’s All Coming Back To Me Now" followed by Whitney Houston’s "I Wanna Run To You" and Mariah Carey’s "Forever."

As if to make clear she's not all about simply mining the past, Lani segued to Lady Gaga's ''Abracadabra."

"It still feels great trying out something new," Lani remarked.

Then Ben&Ben took the stage and performed the song "Vincent" with Lani.

The band then performed “Courage,” followed by their hit “Leaves”—both of which they dedicated to her.

After performing her new song, "Aking tatanggapin," Lani ended the concert with an orchestral version of "Bukas Na Lang Kita Mamahalin" featuring the Ateneo Chamber Singers.

“Still, Lani” will be staged in different venues across the archipelago later this year. 

It will also be staged abroad.

Oettinger macht über 150 Jahre alte Brauerei dicht

 150 Mitarbeiter betroffen

:Oettinger macht über 150 Jahre alte Brauerei dicht

Eine Kiste Bier wird in der Oettinger Brauerei in Braunschweig (Niedersachsen) auf ein Transportband gestellt

Eine Kiste Bier wird in der Oettinger-Brauerei in Braunschweig auf ein Transportband gestellt

Foto: picture alliance / dpa

Nun will sogar die Traditionsbrauerei Oettinger ihr Werk in Braunschweig (Niedersachsen) schließen. Das Unternehmen plant, im Laufe des Frühjahres 2026 die Produktion auf die Standorte Oettingen und Mönchengladbach zu verlagern.

Die Brauerei in Braunschweig war 1871 gegründet worden. Oettinger hatte die frühere Feldschlößchen-Produktion 2009 von Carlsberg übernommen.

Wird abgewickelt: Zweigniederlassung der Oettinger Brauerei in Braunschweig

Zweigniederlassung von Oettinger in Braunschweig: Hier wird bald kein Bier mehr gebraut

Foto: imago stock&people     rstellung und Abfüllung am Standort sind betroffen.

Die Mitarbeiter sollen in eine Transfergesellschaft überführt und damit befristet weiterbeschäftigt werden. In Braunschweig verbleiben nur Teile der Logistik sowie die Materialwirtschaft.

Bier verkauft sich schlechter

Das Unternehmen begründete den Entschluss mit der sinkenden Auslastung der Anlagen. „Seit Jahrzehnten geht der Bierausstoß in Deutschland zurück“, so Brauereichef Stefan Blaschak in einer Mitteilung.  

Bei Oettinger sei der Absatz mittlerweile auf das Niveau von vor über 20 Jahren gesunken. „Ein Abbau unserer hauseigenen Überkapazitäten ist unvermeidlich“, sagt Blaschak.

Seit seinem Amtsantritt vor zwei Jahren treibe er daher nicht nur ein Effizienzprogramm, sondern auch die Neuausrichtung „von einer Brauerei hin zu einem innovativen Getränkeunternehmen“ voran, heißt es.

Die Folge: „Wir sind dadurch zwar seit Kurzem endlich wieder rentabel. Um aber unser Versprechen an die Verbraucher – beste Qualität zum fairen Preis – auch noch in den kommenden Jahren halten zu können, müssen wir uns schlichtweg den Marktgegebenheiten anpassen. Und zwar nicht erst wieder dann, wenn es fast zu spät ist. Sondern, schon heute, geplant und selbstbestimmt“, erklärt der Brauereichef.

Anlagen in Brauerei zu alt

Veraltete Produktionsanlagen der Oettinger Brauerei in Braunschweig

Veraltete Produktionsanlagen der Oettinger-Brauerei in Braunschweig

Foto: picture alliance / dpa

Dass es nun Braunschweig treffe, liege auch am Alter der Anlagen dort. Sie seien älter als an anderen Standorten „und hätten zeitnah einer umfassenden Generalüberholung bedurft“, so Blaschak.

Vor drei Jahren hatte sich Oettinger bereits vom Standort Gotha in Thüringen getrennt.

Wednesday, August 27, 2025

Why I quit smoking after reading Epictetus



By Anna Mae Lamentillo

Published Aug 27, 2025 12:05 am


NIGHT OWL

By the time I picked up a slim volume of "The Discourses of Epictetus," I had been smoking for a couple of years. Not socially. Not occasionally. I smoked in the way that defines identity — the kind of smoker who doesn’t ask if a break is coming but when. The pack-a-day kind. The stress, the habit, the illusion of control. Then, Epictetus, a crippled Greek slave-turned-philosopher, challenged everything I thought I was in control of.

It’s been 1.5 years since my last cigarette. I owe that decision — and the strength to stay with it — to Stoicism.

The myth of control

Epictetus opened with a simple idea: “Some things are up to us, and some things are not.” It sounds obvious. But when you start applying that filter to your own life, it’s staggering. What was smoking, if not a daily surrender to something outside myself — a chemical, a craving, a false comfort? I had always told myself I chose to smoke. Epictetus showed me I was only choosing to rationalize my enslavement.

He often said, “It is not events themselves that disturb us, but our judgments about them.” I had judged stress as something intolerable, something needing relief. I had judged cigarettes as a salve. But the stress was not mine to control — only my response was. And each time I lit up, I was choosing the wrong response.

A new kind of self-discipline

Quitting smoking wasn’t the result of willpower. It was the result of clarity. Stoicism doesn’t demand you become superhuman — it simply demands that you recognize what being human actually is. The Stoics believed virtue lay in aligning your actions with reason, with nature, with what’s within your power. Smoking wasn’t reasonable. It wasn’t aligned with nature. It wasn’t within my power — not while I was still convincing myself it brought me peace.

So I began practicing what Epictetus prescribed: watching my thoughts, questioning my impulses, rehearsing adversity. I told myself, You will want a cigarette today. And you will not have one. That is the test. And then I watched the craving rise and pass — like Epictetus said it would. “If you want to be free,” he wrote, “then wish nothing to be as it is not.”

I began to see that real freedom wasn’t doing what I wanted in the moment. It was choosing what was best for me despite the moment.

Daily practice, not a conversion

Stoicism didn’t just help me quit smoking. It changed the architecture of my day-to-day thinking. I journal now — not emotionally, but reflectively, asking questions like: What did I do today that was within my control? What did I do that was not? What bothered me? Why? This isn't therapy. It's training.

I fail, still. I procrastinate. I say the wrong things. I still feel anxious, or angry, or sad. But the difference now is that I no longer see those feelings as signs that something’s wrong. I see them as practice — as invitations to respond instead of react.

A philosophy for living

I used to think of Stoicism as cold, rigid, unemotional. But what I found in Epictetus was not austerity — it was empowerment. His words were a mirror: sometimes harsh, but always honest. He asked, What kind of person do you want to be? And he made it clear: your actions are the only true answer.

I quit smoking because I no longer wanted to be the kind of person who surrendered to desire. I wanted to be someone who chose — with clarity, not compulsion. That’s what Stoicism gave me.

A year and a half later, I’m still choosing that path. Every day. Every craving. Every challenge. Not because it’s easy — but because, like Epictetus taught me, it’s mine to choose.

Tausende Käfer überfallen Dorf in Sachsen

 Sie kommen jede Nacht um 21 Uhr in die Häuser

:Tausende Käfer überfallen Dorf in Sachsen

Rentner Klaus-Peter Schlesinger (85) hat eine Falle für den Behaarten Erdbeersamenläufer (links) entwickelt

Rentner Klaus-Peter Schlesinger (85) hat eine Falle für den Behaarten Erdbeersamenlaufkäfer entwickelt

Foto: Marcus Scheidel/MAS Bildagentur

Hirschfeld (Sachsen) – Wenn es Nacht wird in Hirschfeld, beginnt das große Krabbeln: Tausende Käfer machen sich auf den Weg ins Dorf, kriechen durch Tür- und Fensterritzen in die Häuser der Bewohner, machen sich in Küchen, Bädern, Kellern, Wohnstuben und Garagen breit – und verschwinden nach ein paar Stunden wieder. BILD auf der Spur einer unheimlichen Käfer-Invasion in Sachsen!

„Immer gegen 21 Uhr geht es los“, sagt Rentner Klaus-Peter Schlesinger (85) aus dem 1000-Seelen-Ort im sächsischen Landkreis Zwickau. „Dann kommen sie“ – und er verbarrikadiert sich in seinem Haus am Röhnigweg. „Die Fenster habe ich mit Fliegengitter und sämtliche Ritzen mit Klebeband gesichert. Wer das nicht gemacht hat, hat die Biester sofort im ganzen Haus.“   

Ein Lichtschacht voller Käfer – sobald es dunkel wird, werden die Hirschfelder von einer Käfer–Invasion heimgesucht

Ein Lichtschacht voller Käfer. Sobald es dunkel wird, werden die Hirschfelder von einer Käfer-Invasion heimgesucht

Foto: Privat

Die gesamte Hauswand war schwarz vor Käfern

Nachbar Claus-Peter Barth (72) beobachtete, wie die Insekten abends aus kleinen Löchern in seinen Beeten strömten: „Das sind nicht nur flinke Krabbler, die können auch fliegen. Einmal war die gesamte Hauswand schwarz vor Käfern.“

Auch Rentner Claus-Peter Barth (72) machte Bekanntschaft mit den lästigen Plagegeistern

Auch Rentner Claus-Peter Barth (72) machte Bekanntschaft mit den lästigen Plagegeistern

Foto: Marcus Scheidel/MAS Bildagentur
Die gesammelten Plagegeister

Die gesammelten Käfer in einem Einmachglas

Foto: Marcus Scheidel/MAS Bildagentur

Jetzt hilft nur noch der Industriestaubsauger

Zuerst hatten Kerstin (61) und Hans Neidlein (66) die Krabbler bemerkt: „Als wir im Juli aus dem Urlaub kamen, traf uns ein Schock. Alles war schwarz, ein Meer an Käfern im Haus, sie waren sogar unter meinen Schuhen.“ Früher habe sie jedes kleine Tierchen, das sich ins Haus verirrte, in ein Glas gepackt und vorsichtig nach draußen getragen. Doch jetzt ist ihr die Tierliebe vergangen, sie rückt mit einem Industriestaubsauger gegen die Käfer-Invasion vor.

Bei Kerstin (61) und Hans Neidlein (66) im Haus: eine Käferinvasion

Eine Käfer-Invasion im Haus von Kerstin (61) und Hans Neidlein (66)

Foto: Privat

Sie haben kräftige Beine, sind sehr schnell

Nur: Wo kommen die Eindringlinge so plötzlich her? Offenbar von den umliegenden Feldern. Denn bei den Tierchen handelt es sich um Pseudoophonus rufipes, den Behaarten Erdbeersamenlaufkäfer. Ein Schädling, der sich von Erdbeersamen ernährt und schon mal eine Jahresernte ruinieren kann, schreibt das Institut für Schädlingskunde in Reinheim (Hessen). Der Käfer ist mattschwarz, 11 bis 17 Millimeter lang, kann fliegen und dank seiner kräftigen Beinchen schnell laufen. Und er wird von Licht magisch angezogen! Im Morgengrauen verlassen die Käfer die Häuser meist wieder und verziehen sich auf die Felder. Bis der Abend hereinbricht ...

Kein Mitleid mit den Käfern kennt Rentner Hartmut Martini (75) – er kehrt die toten Käfer aus seinem Vorratskeller

Kein Mitleid mit den Käfern kennt Rentner Hartmut Martini (75). Er kehrt die toten Käfer aus seinem Vorratskeller

Foto: Marcus Scheidel/MAS Bildagentur

Nacht für Nacht kämpfen die Hirschfelder gegen die Invasoren. Mit Insektenspray, Dichtmasse, engmaschigen Gaze-Gittern und selbst gebauten Fallen.

Zu gewinnen ist der Kampf gegen die Käfer aber nicht. Erst im Herbst, wenn es kälter wird, verkriecht sich Pseudoophonus rufipes im Erdboden. Zum Überwintern, um im nächsten Jahr erneut vorbeizuschauen.

Raising the lifelong learner


Inez Ponce-De Leon

This semester, I am teaching Creativity once again. I always open the class with days-long discussions of the students’ school experiences. This helps them critique any assumptions they might hold about themselves, and by extension, their definition of creativity.

I employ freehand writing exercises in every class: students get a vague prompt, then have to write longhand for five minutes straight—no worries about grammar, punctuation, coherence, or flow. As long as they don’t stop writing, they get full credit.

The exercise helps them share thoughts they don’t want to say out loud, and also pushes out the mental cobwebs that might be standing in the way of their productivity. The students were understandably cautious in our first few exercises: they told stories about their friends, vacations, high school hijinks.

Our most recent prompt was: “But…” There was a variety of responses from my 76 students, but quite a number had the same story pouring out.

“But why doesn’t my work look like theirs?”

Some students wanted to give up drawing because no matter how hard they tried to imitate the illustrations they had seen online, their work just didn’t look the same. Others wanted to give up writing because their work didn’t sound right. And still others threatened to give up dancing, because try as they might to follow online choreographies, they just looked awkward.

Most asked the general question: “But what if I’m not good enough?”

The dance issue came up again after one of my belly dance classes. Some students stayed behind to follow an online video, but kept on groaning when they couldn’t get themselves to look like the dancer online.

“Ma’am!” one wailed. “How do I get my butt to move in circles like she does?”

I had to hold back a laugh as my students tried to draw letters with their bottoms. When they showed me the move, that was when I realized: there were no muscles in one’s hindquarters to support it; the muscles are on the side and up front.

I taught them the technique, which involves all the elements of belly dance posture, plus the right distribution of weight and the right muscles to access. The engine to drive the move wasn’t in the most obvious place; it was in the background, where people didn’t know to look unless they had dance training.

That, and more, is the engine that powers the creative process. It’s not just the shape that makes the dance, but the carriage, muscle control, body awareness, and stage presence. In illustration, it’s not just the shapes that make the image, but the weight of one’s hand, the strokes, perceptions of space and dimensionality, and one’s own style. In writing, it’s not just the words strung together, but flow, grammar, syntax, and the ability to take one’s experience and knowledge to create a piece that is uniquely one’s own.

Beyond these, an even larger engine: years performing onstage, or rough sketching, or writing drafts that never make it past the final edit.

And still, beyond these, the largest engine: years spent in workshops and classes to perfect form and sharpen style; to have a mentor to both correct and counsel; to have access to multiple lessons that allow students to see the many facets of the world that they can interlace to create work that doesn’t just show, but speaks.

The students didn’t need more practice. They had to recognize that they had to stop imitating; they had to acknowledge that they needed a teacher.

SEE ALSO

We often speak of lifelong learning as encouraging people to keep asking questions because their school lessons will never encapsulate the fluidity of knowledge.

It is also this: ensuring that learners know when they need an actual human being, rather than relying on disembodied tutorials or condensed resources—to consult with and mentor them. This goes for all fields of study and practice, whether one wants to design better or learn more about a science issue.

This hunger for learning requires acknowledgment that one’s skills always need sharpening. Perhaps one solution, if well implemented, could be allowing students to learn beyond their specializations.

They’re often called core subjects: writing, public speaking, philosophy, theology, history, psychology, sociology, basic math and science, foreign languages, and physical education (PE).

Writing helps students express themselves coherently; it also organizes their thinking. Philosophy helps them examine the world critically while exploring diverse ways to understand issues. PE gives them options to stay fit and heightens their awareness of their bodies’ place in space.

In widening students’ options for knowledge, perhaps they might see how broad the world is and how much they still do not know. Such classes would not drive them to despair. Instead, students might admit, and without reservation, when their current skills need more than imitation, assumptions, and isolation to sharpen.

And by then, perhaps they can make the jump from “I’m just not good enough” to “Not yet; but with the right mentor, soon.”