You plan to move to the Philippines? Wollen Sie auf den Philippinen leben?

There are REALLY TONS of websites telling us how, why, maybe why not and when you'll be able to move to the Philippines. I only love to tell and explain some things "between the lines". Enjoy reading, be informed, have fun and be entertained too!

Ja, es gibt tonnenweise Webseiten, die Ihnen sagen wie, warum, vielleicht warum nicht und wann Sie am besten auf die Philippinen auswandern könnten. Ich möchte Ihnen in Zukunft "zwischen den Zeilen" einige zusätzlichen Dinge berichten und erzählen. Viel Spass beim Lesen und Gute Unterhaltung!


Visitors of germanexpatinthephilippines/Besucher dieser Webseite.Ich liebe meine Flaggensammlung!

free counters

Total Pageviews

Showing posts with label Ancient seafarers' story of love. Show all posts
Showing posts with label Ancient seafarers' story of love. Show all posts

Saturday, April 11, 2026

Ancient seafarers' story of love, identity, and belonging takes center stage in this ballet

 


Ballet Philippines to close its 56th season with 'Paglalakbay: 

The Journey of the Sea People'

Published Apr 9, 2026 10:54 pm
Ballet Philippines successfully concluded the world premiere run of "Paglalakbay: The Journey of the Sea People," a full-length original Filipino ballet that captivated audiences from April 10 to 12, 2026, at The Theatre at Solaire. The production marked a defining close to the company’s 56th season and a bold step in championing Filipino narratives on the classical stage.
Inspired by the Austronesian Migration, “Paglalakbay” tells an epic yet intimate story of movement, identity, and belonging. It follows ancient seafarers in search of a new home, centering on Ama and Kaman in Batanes, whose love endures trials of loss, transformation, and renewal, reflecting a timeless search for home across generations.
Choreographed by artistic director Mikhail Martynyuk, with a libretto by Sheree Chua and music by Ronald Vincenzo Khaw de Leon, the ballet reimagines classical technique through a distinctly Filipino lens.
“Academic technique is a form, not a style,” Mikhail shared. “In ‘Paglalakbay,’ choreographic language becomes the main narrator,” grounding movement in the forces of wind, land, and sea.
For Sheree, the work is both cultural and deeply personal. “Migration is often framed as displacement, but it can also be expansion,” she said. “This ballet becomes both historical and intimate.”
The production’s immersive design, led by Leeroy New, brought Batanes to life onstage, drawing from the team’s firsthand cultural immersion with local communities. This experience stemmed from Ballet Philippines’ Ballet Brigade outreach in Batanes, where artists engaged with over 200 locals.
“‘Paglalakbay’ was a bold investment for the company,” said Ballet Philippines president Kathleen Liechtenstein. “It reflects our belief that local indigenous stories deserve the grand scale and artistic rigor of the classical stage.”
Praised for its powerful storytelling and cultural resonance, “Paglalakbay” reinforces Ballet Philippines’ continuing mission: to bring Filipino stories to the forefront—epic, resilient, and universally human.
For more information on Ballet Philippines and its upcoming productions, visit www.ballet.ph
.