The Beatitudes: God's great paradox

 

By Fr. Roy Cimagala

Chaplain

Center for Industrial Technology and Enterprise (CITE)

Talamban, Cebu City

Email: roycimagala@gmail.com

"BLESSED are you who are poor... Blessed are you who are now hungry... Blessed are you who weep... Blessed are you when people hate you" (Lk 6:20-22).

Seriously? Who calls poverty, hunger, tears, and persecution blessings?

Christ does.

This is the shocking paradox at the heart of the Beatitudes. They turn human logic upside down. The world says, "Blessed are the rich, the comfortable, the admired, and the successful." Christ says exactly the opposite. Not because suffering is good in itself, but because union with God transforms everything—even suffering—into a path toward eternal happiness.

We should always keep in mind that following Christ is filled with divine paradoxes. We gain by giving. We lead by serving. We become great by becoming little. We die to ourselves in order to truly live. The Beatitudes are perhaps the clearest expression of this heavenly logic and wisdom.

Christ is not romanticizing poverty or glorifying misery. Nor is He condemning wealth as such. What He is exposing is the danger of becoming imprisoned by earthly comforts, trapped in our earthly affairs and standards.

Poverty becomes blessed when it creates space for God. Hunger becomes blessed when it awakens a deeper longing for Him. Tears become blessed when they purify the heart. Rejection becomes blessed when it is endured for Christ.

The paradox is simple: when God is enough, everything else finds its proper place.

Luke's Gospel also includes four corresponding woes: "Woe to you who are rich... who are filled now... who laugh now... when all speak well of you" (Lk 6:24-26). These are not curses but urgent warnings. They caution us against living as though this world were our permanent home.

We have to learn the art of how to handle the world without being trapped by it. Wealth, pleasure, success, and popularity are not evil. But they become dangerous when they replace God as the center of our life. The greatest poverty is not lacking money but lacking God. The greatest wealth is possessing Him. We should be clear about this truth.

This explains why many saints radiated joy despite immense suffering. Their happiness was rooted not in changing circumstances but in an unchanging relationship with Christ. They understood the paradox that the cross is never the end of the story. Beyond every Calvary lies Easter. Our resurrection with Christ passes through his Cross in Calvary.

The Beatitudes also challenge our daily choices. Do we measure success by possessions or by holiness? Do we seek applause or fidelity? Do we avoid every inconvenience, or do we lovingly embrace sacrifice when duty calls? Every decision reveals which kingdom we truly belong to.

Living the Beatitudes does not require extraordinary miracles. It begins in ordinary faithfulness: accepting difficulties without complaint, forgiving those who hurt us, serving without expecting recognition, sharing generously, and remaining joyful even when life becomes difficult. These hidden victories often matter more in God's eyes than spectacular achievements.

The Beatitudes are not impossible ideals reserved for saints. They are Christ's portrait of every authentic disciple. They reveal that true happiness is not found in having more but in loving more; not in avoiding the cross but in carrying it with Christ.

God's mathematics has always been different from ours. Lose your life, and you will find it. Empty yourself, and you will be filled. Become poor in spirit, and you will inherit the Kingdom.

That is the paradox of the Beatitudes. And it is the secret of lasting joy!

Yeng Constantino reveals she auditioned for SexBomb Girls

Jan Milo Severo - Philstar.com

September 9, 2026 

Yeng Constantino  

— Before Yeng Constantino became one of the country’s most recognizable singer-songwriters, she could have taken a very different path in showbiz — as a member of the iconic SexBomb Girls.

The “Hawak Kamay” hitmaker revealed that she auditioned for the popular girl group when she was only 14 years old.

Yeng made the revelation during her appearance on Monday’s episode of “Fast Talk with Boy Abunda,” where she looked back on her early dreams of becoming an artist.

While she did not make it through the audition, Yeng admitted that she was actually relieved because dancing was never her strongest suit.

“I’m really not good at dancing, so my reaction was, it was a good thing I wasn’t qualified,” Yeng said.

Yeng explained that it was her mother who encouraged her to audition because she wanted her daughter to pursue a career in entertainment.

“But my mom, she really wanted me to be an artist. And at that time, of course, Ma’am Rochelle was super famous, Ma’am Jopay. My mom said, ‘Maybe this is the way. Try it out,’” she recalled.

At the height of their popularity, Rochelle Pangilinan and Jopay Paguia were among the most recognizable members of the SexBomb Girls, whose songs and dance numbers became a staple of Filipino television and pop culture.

Despite not becoming part of the group, Yeng said she remains a fan of the SexBomb Girls and considers herself among the Filipinos who grew up with their music.

“They are so legendary. Every song they release, everyone will dance to it,” she said.

Looking back, Yeng’s failed audition did not stop her from pursuing her dream. She eventually found her own place in the industry as a singer-songwriter.

Now, years after that unexpected audition, Yeng is taking on another major role in her career.

She will serve as one of the judges of the upcoming season of “The Voice Kids” alongside fellow singers Julie Anne San Jose and Gloc-9.

“The Voice Kids” is set to premiere on GMA Network on September 13.

I never loved ‘Wildflower’

 

Christian dela Cruz

|September 8, 2026

We often compare women to flowers, a metaphor that says more about cultural expectations than actual people.

Perhaps that is why “Wildflower” became such a fitting title for a teleserye about suffering, revenge, and transformation. Lily Cruz, played by Maja Salvador, did bloom, if blooming is what we call turning pain into spectacle and vengeance into triumph.

My mother loved that show. Every afternoon before “TV Patrol,” she sat in front of the television, invested in Lily Cruz’s suffering and transformation. It fascinated me how someone could be emotionally available to fictional pain and absent from the real thing.  

People say life is a stage and each of us has a role to play. My mother must have taken that seriously because she always needed to be the main character.

To be fair, her life had all the ingredients of a proper Filipino melodrama. She became a mother at 16. Then another child followed. There was poverty, instability, fractured relationships, and eventually me, the youngest child, whose paternity remains uncertain because her relationships with two men overlapped closely enough to make certainty impossible. Friends have joked that my life sounds like “Maalaala Mo Kaya” or “Magpakailanman.”

The difference, of course, is that television scripts end.

My siblings and I were left with relatives the way some people leave pets with trusted neighbors before a trip. Fed, perhaps. Temporarily housed. Visited when convenient. I sometimes joke that some members of our family were “pet lovers,” but humor has always been one of the cleaner ways to tell dirty truths. At least stray animals are rarely made to feel guilty for existing.

I later learned that my mother once planned to give me up for adoption to a doctor, but my grandmother intervened. Sometimes I think about that alternate life, not because I believe money or professional parents would have magically repaired everything, but because abandoned children become very good at imagining parallel universes.

Perhaps I would have become the doctor I once wanted to be.

Instead, I became the child who cried too much. The child relatives compared to a tiyanak because of an ugly face. The child who learned early that gratitude can be weaponized against those who have nowhere else to go.

In the Philippines, we often romanticize the extended family as proof of communal care and resilience. Less discussed is how that structure can absorb the consequences of parental abandonment while children learn to treat displacement as normal.

My mother chose men. She chose gambling. She chose absence with a consistency that almost resembled routine.

I know the expected response here. People prefer to ask what happened to women like her. What wounds did she carry? What kind of childhood made her this way? Which social conditions shaped her decisions?

These are not irrelevant questions. Poverty, gendered precarity, abandonment, and limited choices shape many women’s lives in this country. But structural explanation should not become moral anesthesia. At what point do we stop treating harm as inherited tragedy and start naming it as a decision?

Our culture is fluent in stories of suffering. We consume betrayal, sacrifice, poverty, and abandonment when they fit familiar emotional scripts. We can root for fictional women demanding justice while overlooking quieter violence inside our own homes.

When my mother came home, she did not always bring food, sometimes she brought a silence that made the house feel smaller.

Even now, my body remembers what my mind tries to intellectualize away: the tension at certain footsteps, the reflex to become quiet, the instinct to brace when someone enters a room too loudly. Trauma is political in that way. It does not remain private simply because it happens inside a home. The family is imagined as a sanctuary, but it can also be an institution where power is exercised without accountability.

And still, “Wildflower” played. That unsettles me most. How does someone spend hours watching stories about betrayal and injustice while participating in quieter versions of both? How does one root for fictional women demanding justice while creating fear in one’s own children?

Perhaps this is why I distrust revenge narratives. Pain explains many things. It does not sanctify them. We compare women to flowers as though blooming is inherently beautiful, as though difficult conditions automatically produce admirable resilience. But some things survive and become dangerous. Some things grow thorns. Some things learn to wound what comes closest.

I am not defending my mother. I am refusing the easier script. She may not have chosen every condition that shaped her life. Few people do. But suffering does not produce wisdom, tenderness, or moral clarity. Sometimes suffering produces more suffering. And children are often the ones expected to call that resilience.

 

Anubhav Jain

 

Written 3 books on Life, living and motivation.

1. Immediately stop all comparisons with other human beings.
2. Take good sleep every night.
3. Chat with your loved ones for a few minutes every day without fail.
4. Talk to yourself in stress. Ask questions, answer questions, find a solution.
5. Whatever you do, take tiny breaks after an hour or so, and relax for a few minutes. Take a few days off after every quarter and travel away from the place.
6. Acceptance is the key to a calm mind. ‘What happened was your fate. What you can do is your deeds.’
7. When you feel outburst of emotions, wash your face, or go to the roof and shout, or do some exercise, or take a break and do some shopping or eat something. Don't let it overwhelm you.
8. Dedicate your time in helping human and animals. It boosts self-esteem and makes you calmer.
9. Try to live a minimalistic lifestyle, higher the aspirations and materialism; more will be complexities.
10. Do your deeds because you have to do them, don't expect anything in return.
11. If you are not atheist, visit any religious shrine and talk to God, narrate your miseries and hand them over your fate and walk outside free and light.
12. Other people's expectations are their business and not your business; your business is to do what you can and enjoy your life.
13. Eat dinner a bit early, and have a mild walk after that, so that your stomach gets to relax before you sleep.
14. Every night, remember your luxuries and thank God for them.
15. Have your goals in the back of the mind and focus on your routine in normal life, do your chores well.
16. Fill your time gaps with hobbies, so that there isn't any scope of overthinking.
17. Try, and do some of your chores sometimes, like cooking, making your bed, cleaning your cupboard, ironing your clothes, it gives you a sense of importance of everything.
18. In stressful situations, remember the love of your parents and respect your fate, and simply give your best.
19. Respect failures and miseries, as they give you free tuition of wisdom and strength for the future.
20. Don't engage too much with society, like social media, gossiping, having countless friends. Be connected and simultaneously be indifferent; make a balance.
21. Past is dead; you are not, don't keep digging its grave, the dead body will only stink and not do any good.
22. Future is uncertain, no matter how much you plan, or stay stressed, or worry, there is always a major chance that something altogether unexpected may happen, so respect uncertainty and stay calm.

What should I know before learning the German language?

 

Sandeep Kho

Before learning German (Deutsch) language, you should know that

• After English, Spanish and French, German ranked 4th most commonly taught language worldwide.
• German is spoken by almost 95 millions native speakers (ranked 11th worldwide). That makes it, German as the most widely spoken native language in European Union.
• It is official language in Germany, Austria, Liechtenstein, Switzerland (1 of 4) and Luxembourg (1 of 3)
• German is a Germanic language - branch of the Indo-European language family - including English, Dutch, Danish, Swedish, Icelandic, Norwegian,..etc.
• German and English have 60% common words like Kindergarten, Angst, Poltergeist etc. But be careful some may look English and have totally different meaning, e.g. Gift means poison! Some German words have no English equivalents like Schadenfreude.
• Even though it is closely related to English, German is considered to be difficult to learn (especially for English speakers) - mainly due to German grammar like genders, Adjective endings (decline Adjectives) according to different cases, tenses, long words, difficult pronunciations, etc.

• The language is full of exceptions. To learn effectively, for every grammatical rule, you should first learn the exceptions. Like gender for a girl is neutral (das Mädchen), the names/make of car are Masculine like der Audi, der VW, der Porsche ; but a car is neutral - das Auto. Most nouns ending in -e are feminine, but der Name, das Ende,..
• German has many long compound words like Donau­dampfschiffahrts­elektrizitäten­hauptbetriebswerk­bauunterbeamten­gesellschaft (79 letters), Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz (63 letters, now dropped)
• The standard German is called Hochdeutsch.
• According to regions, there are different dialects and accents like Bavarian, Swiss, Austrian, etc.

• Time is counted with respect to next hour like 1:30 is half two hours in German (halb Zwei)
• The first printed book Gutenberg Bible was in Germany (1455) and the first printed book in German language was Der Ackermann aus Böhmen (1461).
• Until Second World War, German was written (Calligraphy) in Fraktur Script.

• They say “German is the language of Machines” - thanks to robust DIN (Deutsches Institut für Normung) standards, being manufacturing and automobile hub and exporter, n number of technical books written since centuries etc.
• Sometimes “thank you” (German Danke) means “No”
• please (German bitte) is universal word for please, you are welcome, go ahead, pardon? One more universal word I know is “tja”

All the best! (Alles Gute!)

P-POP Music Awards marks 11th Year

By Carissa Alcantara

Published Sep 7, 2026 05:29 pm

11th PPOP Music Awards (Facebook)

Filipino music continues to grow, with a new generation of performers set to take the stage at the 11th PPOP Music Awards.

Marking a milestone in recognizing local and homegrown talent, the P-Pop Music Awards began as a humble annual event in small venues and have since grown into a major Filipino pop culture celebration, proving that P-Pop is more than a genre, it is a movement fueled by talent, passion, and a growing community of fans.

According to the founder, Yuan Quiblat, their mission was simple: to give recognition to P-Pop music.

"Lagpas isang dekada na ang P-Pop Music Awards. Of course, from our humble beginnings, we started it as napakasimpleng awards. It was small, but we have a big vision," Yuan said.  

Recalling the early challenges during their first year, Yuan admitted that it was hard to market the event because they had a limited number of supporters.

"Iilan lang sumosuporta sa P-pop. But we from the P-pop Music Awards had a big vision, especially as the founder, that time will come na it will be bigger," he added.

11 years counting, the P-Pop Music Awards stands as the first and only awards body dedicated to celebrating the best of Pinoy Pop, recognizing Filipino artists and creators for their talent, cultural impact, and potential to make their mark on the global stage.

The 11th PPOP Music Awards is set to make history as it moves to the iconic Araneta Coliseum on October 18, 2026.

More than an awards ceremony, this year’s event will celebrate Filipino music, culture, and community on a bigger stage.

Produced and presented by Noble Life International as part of its 20th anniversary. The main show will feature XONARA, X8, Hazel Faith, CALISTA, BILIB, NEO, 6ENSE, CLOUD 7, ONE SOUTH, NOVA and SYNC, bringing together a varied lineup of artists representing the energy and creativity driving contemporary P-pop.

The celebration of Filipino excellence will extend beyond Metro Manila.

The pre-show lineup highlights performers from the country’s three major island groups, with KITTRIX representing Luzon, BELAMOUR and LEEYAN coming from the Visayas, and VRAJA carrying the banner of Mindanao.

How do German idioms reflect the culture's values and history?

German is famous for philosophical words like Zeitgeist, but its everyday idioms reveal a grittier history. When someone narrowly escapes disaster, they don't get lucky—they “have a pig.”

These phrases are deeply rooted in the practical realities of medieval agriculture, dense forests, brewing, and a profound appreciation for pork.

Culinary Realism
The most famous German idiom of all is delightfully pragmatic: “Alles hat ein Ende, nur die Wurst hat zwei” (Everything has an end, only the sausage has two). Where an English speaker might note that all good things must end, a German leans on the butcher. This reflects a culture that values grounded observation over lofty metaphor. Similarly, when a German wants to say "Not my circus, not my monkeys," they simply say: “Das ist nicht mein Bier” (That is not my beer). Beer and sausages served as fundamental pillars of survival, trade, and daily caloric intake in German history.

The Deep Forest
Germany is a nation heavily defined by its Mittelgebirge (low mountain ranges) and ancient woods. This deep geographic connection bleeds into the language. If someone is completely on the wrong track, Germans say they are “auf dem Holzweg sein” (to be on the wood path). Historically, a Holzweg was a temporary dirt track cut by loggers into the forest to extract timber. If you followed one expecting it to lead to the next village, you would eventually find yourself deep in the woods at a dead end.

Directness over Diplomacy
Germans are culturally famous for valuing directness, efficiency, and honesty over superficial politeness. This is captured in how they describe someone who is beating around the bush: “Um den heißen Brei herumreden” (To talk around the hot porridge). The imagery is brilliant: someone delicately skimming the edges of a bowl of scalding porridge because they are too timid to dive into the center. In German culture, "talking around the porridge" is a flaw; you are expected to blow on it and take a bite.

Medieval Survival
That bizarre declaration of luck—“Schwein haben” (To have a pig)—does not sound particularly fortunate to modern ears. But in the agrarian economy of the Middle Ages, a pig was the ultimate safety net. It was cheap to feed on scraps and yielded a massive amount of high-calorie meat that could be salted or smoked to keep a peasant family alive through the brutal Central European winters. Having a pig meant you survived.

A variety of grilled bratwurst on a stall at the Hauptmarkt in Nuremberg. German culture's historical reliance on preserved meats and brewing is heavily reflected in its everyday language. Photo by Gerbis 

Is German one of the toughest languages to learn?

 

Sanda Golcea

Worked at Hipcooks Seattle

German is normally a hard language to master as you might have heard: because of the grammar.

Depending on your background, this might be easier or harder:

If your mother tongue is of Asian origin (Chinese, Korean, Japanese) and you make no difference between "a cat" and "the cat", then the fact that "the" and "a" in German each have around 3 forms depending on the usage/case (dem, der, den / einem, einer, einen)
(..and that happens for each of the 3 genders (neuter, masc, fem) )
..this fact might prove to be more of a challenge for you than for someone that is used to conjugations in his language.

If your language is a Romance language (except French maybe), then the reading part will prove to be very easy. Pronunciation is quite easy in German; that won't be your problem. Most letters are read as they are written, some exceptions apply for certain groups of letters - however! - once they have a reading rule it always applies so no headache there.
I think this applies for Slavic languages as well (right?).

If you have a Dutch/English background, many words will sound similar; and you'll think: "Oh, wait a minuuute now, I know that word!"

E.g.:
I want to swim
Ich will schwimmen
or:
Gute Nacht
Good night
(sounds familiar, right?)

And the 3 verbal forms from English - so similar in German!

see - saw - seen
sehen - sah - gesehen

to sing - sang - sung
singen - sang - gesungen

proves my point, right? :)

The good news is there are a lot of movies to watch in German (mostly about Jews and Hitler and war, but still); the German TV channels usually have all shows in German (they even show American movies in German, yes! ). pro7, sat1, rtl, rtl2 - you can also find them online
(e.g. : www.rtl.de )

There are a lot of German musicians that you can listen to: Bushido, Rammstein, Ich und Ich, Revolverheld, Silbermond, Söhne Mannheims, Juli
are just a few of my personal favorites.

So there are a LOT of resources out there on the internet to help you, which is absolutely great and will help you like nothing else!

The bad news is that as a German speaker I found it hard to find people with whom I can talk in German in the USA and there is no Goethe-Institut in my city either - although if you live in SF or NY that might not be a problem for you.
So if you have a Goethe-Institut in your city: cherish it deeply!

To resume everything:

The Good:
- lots of movies in German
- great music in German
- many words similar to English
- easy pronunciation

The Bad
- articles are a killer, prepositions, etc.
- grammar is a pain

The Ugly
- sometimes it's hard to find German speakers
- at times there are no centers for German language learning

Now ..that it is one of the hardest languages to learn.. that is quite arguable.. I've tried to tackle Mandarin, Arabic, saw a bit of Hebrew, Korean..
I'd say it's a harder language to master as in speak correctly, but as they say in German :
"Übung macht den Meister"

And if you need motivation, just think Oktoberfest: